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Wild Rabbit
Show Parameters
- Original Prompt
- Bakelite fauvism art style, blade of shared souls
- Mode
- pro
- Quality Tag
- ๏นPrompts๏น
- Size
- 1408 x 1408
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show more1 object, weapon focus, holy sword, single sword, full view, entire sword visible, full length, wide long blade, golden blade, metallic gold, broad blade, crimson gemstone, red jewel, gem set in hilt, sun emblem, sun crest at hilt center, ornate crossguard, decorative hilt, wrapped grip, pommel, no humans, nobody, plain background, solid background, seamless backdrop, object study, vertical composition, slight three-quarter angle, floating, still life, product lighting
The whole sword is shown in one piece, floating vertically at a gentle three-quarter turn in a completely empty backdrop, its point toward the bottom of the frame and its pommel near the top, the entire length from pommel to tip inside the image with air on every side. The long broad blade is solid gold, wide across its flat and heavy, its faces catching a cool specular sheen along the left bevel and a warm amber one along the right; a single shallow fuller runs up the centre and dies out before the point, and the edges carry a fine bright line where the bevel meets the flat. Below the blade the crossguard spreads wide and flat in the same gold, its surface worked with shallow relief, and at the exact centre of the hilt a sun emblem is cut in rays around a round crimson gem, the stone deep and glassy, holding one hard pinpoint highlight and a darker core below it; the gold rim of the setting closes over the stone's edge. The grip is bound and slightly darker gold, the pommel a plain flared cap; nothing else is set on the weapon. The plain background is a seamless off-white sweep with no horizon line, no floor seam and no props; a soft contact shadow does not exist because the sword floats free, and only a faint graded falloff darkens the corners. Key light comes from the upper left, filling the gold with warm reflections of its own and throwing no shadow onto the empty field; the crimson gem is the one saturated note in a palette of golds, warm off-white and that single deep red, and the metal reads as dense and polished, its reflections stretched vertically along the blade's length. Serene, ceremonial.
ใซใซใใฏๅกๆฌ
1 object, weapon focus, holy sword, single sword, full view, entire sword visible, full length, wide long blade, golden blade, metallic gold, broad blade, crimson gemstone, red jewel, gem set in hilt, sun emblem, sun crest at hilt center, ornate crossguard, decorative hilt, wrapped grip, pommel, no humans, nobody, plain background, solid background, seamless backdrop, object study, vertical composition, slight three-quarter angle, floating, still life, product lighting
The whole sword is shown in one piece, floating vertically at a gentle three-quarter turn in a completely empty backdrop, its point toward the bottom of the frame and its pommel near the top, the entire length from pommel to tip inside the image with air on every side. The long broad blade is solid gold, wide across its flat and heavy, its faces catching a cool specular sheen along the left bevel and a warm amber one along the right; a single shallow fuller runs up the centre and dies out before the point, and the edges carry a fine bright line where the bevel meets the flat. Below the blade the crossguard spreads wide and flat in the same gold, its surface worked with shallow relief, and at the exact centre of the hilt a sun emblem is cut in rays around a round crimson gem, the stone deep and glassy, holding one hard pinpoint highlight and a darker core below it; the gold rim of the setting closes over the stone's edge. The grip is bound and slightly darker gold, the pommel a plain flared cap; nothing else is set on the weapon. The plain background is a seamless off-white sweep with no horizon line, no floor seam and no props; a soft contact shadow does not exist because the sword floats free, and only a faint graded falloff darkens the corners. Key light comes from the upper left, filling the gold with warm reflections of its own and throwing no shadow onto the empty field; the crimson gem is the one saturated note in a palette of golds, warm off-white and that single deep red, and the metal reads as dense and polished, its reflections stretched vertically along the blade's length. Serene, ceremonial.
ใซใซใใฏๅกๆฌ
bf
Black-fox
1 object, weapon focus, holy sword, single sword, full view, entire sword visible, full length, wide long blade, golden blade, metallic gold, broad blade, crimson gemstone, red jewel, gem set in hilt, sun emblem, sun crest at hilt center, ornate crossguard, decorative hilt, wrapped grip, pommel, no humans, nobody, plain background, solid background, seamless backdrop, object study, vertical composition, slight three-quarter angle, floating, still life, product lighting
The whole sword is shown in one piece, floating vertically at a gentle three-quarter turn in a completely empty backdrop, its point toward the bottom of the frame and its pommel near the top, the entire length from pommel to tip inside the image with air on every side. The long broad blade is solid gold, wide across its flat and heavy, its faces catching a cool specular sheen along the left bevel and a warm amber one along the right; a single shallow fuller runs up the centre and dies out before the point, and the edges carry a fine bright line where the bevel meets the flat. Below the blade the crossguard spreads wide and flat in the same gold, its surface worked with shallow relief, and at the exact centre of the hilt a sun emblem is cut in rays around a round crimson gem, the stone deep and glassy, holding one hard pinpoint highlight and a darker core below it; the gold rim of the setting closes over the stone's edge. The grip is bound and slightly darker gold, the pommel a plain flared cap; nothing else is set on the weapon. The plain background is a seamless off-white sweep with no horizon line, no floor seam and no props; a soft contact shadow does not exist because the sword floats free, and only a faint graded falloff darkens the corners. Key light comes from the upper left, filling the gold with warm reflections of its own and throwing no shadow onto the empty field; the crimson gem is the one saturated note in a palette of golds, warm off-white and that single deep red, and the metal reads as dense and polished, its reflections stretched vertically along the blade's length. Serene, ceremonial.
ใซใซใใฏๅกๆฌ
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