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AI art "伊黒小芭内と甘露寺蜜璃・鬼滅の刃" featuring #Demon Slayer: Kimetsu no Yaiba, #Obanai Iguro and #Mitsuri Kanroji
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伊黒小芭内と甘露寺蜜璃・鬼滅の刃

伊黒小芭内と甘露寺蜜璃・鬼滅の刃 AI art by am0606 on PixAI. Tags: Obanai Iguro, Mitsuri Kanroji. Made with Tsubaki.3.

『鬼滅の刃』より、伊黒さんと蜜璃ちゃんの切なくも美しい一枚。傷だらけの二人が寄り添い、手を繋ぐ姿に、どんな過酷な運命の中でも互いを想い合う深い絆を感じて胸が熱くなる。この二人の関係性が本当に大好き。

#Demon Slayer: Kimetsu no Yaiba#Obanai Iguro#Mitsuri Kanroji
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am0606

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character: iguro_obanai, kanroji_mitsuri 2girls, 1boy, kanroji mitsuri, iguro obanai, blood, blood on face, blood on clothes, blood on hands, blood on cheek, covered in blood, smile, light smile, closed mouth, open mouth, happy, tears, crying, tearful smile, exhausted, kneeling, sitting on ground, leaning on each other, shoulder to shoulder, head on shoulder, holding hands, interlocked fingers, looking at each other, looking at another, eye contact, from side, profile, cowboy shot, close-up, dutch angle, tilted head, long hair, pink hair, green hair, gradient hair, multicolored hair, twin braids, braid, hair between eyes, green eyes, mole under eye, black hair, short hair, straight hair, pale skin, bandages, bandaged face, bandaged arms, haori, floral print, kimono, japanese clothes, black skirt, pleated skirt, green thighhighs, long sleeves, open clothes, night, dark background, ruins, rubble, broken wooden beams, moonlight, blood splatter, blood dripping, torn clothes, disheveled The camera sits low and to one side, a loose dutch angle tipping the horizon as the two of them fill the frame from the knees up, seen almost in profile as they face each other. On the right, the girl with the long pink-to-green gradient hair in twin braids drawn forward over her shoulders, the shorter strands falling between her eyes, her green eyes catching the pale light, a small mole under the left one; her black pleated skirt and green thighhighs are dark with soaked patches, her long-sleeved uniform torn open at the collar, a blood-smeared haori slipping off one shoulder. On the left, the slight young man in dark hair cut short and straight, his lower face wrapped in bandages, more bandage wound around one forearm, his haori with a faint floral print hanging open over his kimono, the pale cloth blotched dark red. Both are on the broken ground of a ruined wooden hall, her hip against his thigh as they sit back on their heels, her right hand laced into his left with the fingers interlocked and both hands pressed to the top of his knee; his free hand rests flat against the matting beside her hip, taking his weight, the tendons standing. She has turned her head to lean her temple against his shoulder, and he has tipped his cheek down onto the crown of her head; their eyes are open and fixed on each other, hers wet and shining, his steady above the bandage line, and both of them are smiling -- hers an open, breathless curve with her teeth showing and a bright tear cutting a clean streak through the blood on her cheek, his a small tilted upturn at the visible corner of his mouth that makes the bandage crease. Blood is everywhere: dried in dark rust flakes along her braid, wet and glossy beading at the cut on his brow, spattered in a fine spray across both their collars and drying a deep maroon on the pale bandage wrapping. The only light is a low cold moon coming in from behind the broken wall, rimming the tops of their shoulders and the crowns of their heads in a hard silver edge while their faces fall into soft shadow, their joined hands catching the strongest highlight; underneath them their two shadows merge into a single long shape that stretches to the frame edge and blurs where it crosses a widening dark pool, in which the moon's reflection lies dimmer and softer than the moon itself. Palette is restricted and cold -- charcoal browns and dead greens of the ruined wood, the white of bandage and moon, and the red of blood as the only warm note, mirrored by the pink and green in her hair. Fine film-like shading, controlled cel edges, no bloom beyond the moonlight rim. Quiet devastation, tender.
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Original Prompt
甘露寺蜜璃＆伊黒小芭内 甘露寺蜜璃と伊黒小芭内の 最後 血まみれになりながら 笑顔
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: kanroji_mitsuri, kochou_shinobu, kanroji_mitsuri_and 2girls, kanroji mitsuri, kochou shinobu, official costume, demon slayer uniform, cinematic, sexy style, dynamic pose, from below, dutch angle, cowboy shot, dutch angle, low camera, knee-up framing, butterfly hair ornament, black hair, purple hair, short hair, multicolored hair, parted bangs, purple eyes, long hair, pink hair, green hair, gradient hair, twin braids, braid, hair between eyes, green eyes, mole, black skirt, pleated skirt, green thighhighs, open shirt, open clothes, long sleeves, haori, looking at another, outstretched arm, head tilt, crossed legs, arm support, light smile, raised eyebrow, one eye closed, wind, night, moonlight, rim light The camera sits low and tilted a few degrees off level, looking up at both women from knee height so their figures tower into a deep indigo night sky streaked with thin cloud; the frame is a cowboy shot cropping at mid-thigh. Kochou Shinobu stands on the left, weight on her back right leg with her left hip pushed forward, torso turned three-quarters toward Kanroji Mitsuri; her chin lifts so the low lens catches the underside of her jaw, and her short black-and-purple gradient hair with parted bangs falls in a sharp asymmetrical wedge, the butterfly hair ornament pinned at the back of her head catching a sliver of moonlight. Her purple eyes are narrowed in a closed-lip smile that shows only at one corner, one brow arched, and her right hand rests on the hilt at her waist while her left forearm extends across the gap toward Mitsuri, fingers relaxed and open, not quite touching. She wears her official uniform -- the dark tailored jacket and pleated skirt over black legwear, long sleeves buttoned to the wrist, the haori with its butterfly-and-wind pattern hanging open off her shoulders, its hem bellied out to the right by the wind. At her feet, the fabric of her skirt pulls taut across the thrust hip and folds in a vertical crease below it. Kanroji Mitsuri stands on the right, a head taller in the composition because she is nearer the lens, her body in a long S-curve: left foot forward and turned out, right knee bent, right hand raised to sweep a thick pink-green braid back over her shoulder so the braid swings outward past her elbow and its end hangs free. Her long gradient hair, pink at the crown shading to green at the ends, with a braid falling between her eyes, lifts in strands toward the left, and her green eyes look down and sideways at Shinobu with an open-mouthed, delighted grin, tongue just behind her teeth, a small beauty mole under the outer corner of her left eye. Her official uniform is the white open shirt with sleeves rolled to the forearm, the dark pleated skirt flaring at the hem, and the green thighhighs that catch the moonlight along the front of each thigh. The open haori slips from one shoulder and trails behind her. Her left hand hangs low with the fingers curled loosely, brushing the edge of her skirt. Contact and occlusion: the low angle puts Mitsuri's forward shoulder and swinging braid in front of Shinobu's extended forearm, so the braid crosses the sleeve and the two never quite meet; Shinobu's face is unobstructed above that line. Cold moonlight comes from high behind and to the right of the frame, rimming both women along the top of hair, shoulders and the outer edge of the extended sleeve, while their fronts fall into shadow lifted only by a soft violet ambient bounce; the long cast shadows run toward the camera and off the bottom edge, foreshortened into short dark wedges. Beyond them the ground is a bare stone path receding upward into darkness, the background unfocused to deep blue-grey. The palette is disciplined to violet, indigo, black and the two inescapable accent colors -- the pink-to-green of Mitsuri's hair and hose, the purple of Shinobu's -- with white shirt and pale skin as the only other notes. Wind is made visible by the braid's arc, the haori hems and the drifting cloud; a single strand of Mitsuri's hair has caught against the rim of Shinobu's sleeve and stays there, pinned by the wind. Cinematic, charged and elegant.
Maksim Mak

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