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character: cure_arcana_shadow, majorina 1girl, 1boy, 2girls, cure arcana shadow, majorina, full body, from above, dutch angle, lying on ground, collapsed, fallen on back, body contorted in pain, suffering pained expression, clenched teeth, squeezed shut eyes, tears at eye corners, black-green mold covering entire body, mold soaking into whole body, mold discoloration, mossy patches on skin, mold on dress, mold on capelet, mold on hair, mold creeping over arms and legs, villainess standing over, victory pose, triumphant smirk, arms raised, looking down at fallen girl, heroine in peril, hero in distress, despair, anime style illustration, dark green and black palette, sickly green light The camera looks down from a high three-quarter angle, tilted a few degrees into a dutch angle, keeping both figures full body in frame. Cure Arcana Shadow lies collapsed flat on her back across the foreground, her torso twisted from the fall, one arm flung out beside her head with the palm turned up, the other hand curled weakly against her ribs; her blonde gradient hair with its antenna strands is splayed out across the ground, her diamond hairband knocked askew, and the black bow of her capelet crushed beneath her shoulder. Her black dress and frilled skirt are rumpled and rucked up around her knees, the brooch on her chest dulled under a crusting bloom of mold. Black-green mold has soaked into her whole body: it spreads in mottled lesions over her exposed skin and face, threads through the strands of her hair, and claws in furry green rivulets across the black fabric of her dress and capelet. The mold discoloration darkens every surface it touches into a wet, oxidized black-green. Her eyes are squeezed shut and her face is knotted in a suffering pained expression, teeth clenched, brow crushed, tear tracks cutting pale lines through the mold on her cheeks. Majorina looms above her in the midground, a full head taller in the composition, her long hair and hooded silhouette framed against the sickly air. She stands with her weight on the back foot and one hip thrust out, both arms thrown up in a sharp victory flourish, chin lifted high; her green eyes are cast down along the line of her nose at the fallen girl in a wide, satisfied smirk. Her hood hangs back and her long hair spills around her shoulders. The ground is a bare cracked surface bathed in a single low, sickly green light coming from the upper left, which rims the top edge of the fallen girl's shoulder and paints a wet highlight along the mold, while the far side of her body sinks into a deep black-green shadow; a faint mossy haze hangs in the air and the mold's sheen on her outstretched arm catches that one light like a wet stain. The palette holds only black, black-green and the sickly green glow, with her pale blonde hair the sole cool accent. A dark, oppressive heroine-in-peril mood.
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Original Prompt
キュアアルカナシャドウがカビの力を得たマジョリーナに敗れて、全体を黒緑にカビ化したキュアアルカナシャドウが苦しそうに地面に倒れて、アニメ風イラスト描いて、ヒロピンイラスト描いて、全身にカビを染み込ませて
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: cure_arcana_shadow, majorina 1girl, solo, cure arcana shadow, defeated, lying on ground, collapsed, fallen, on back, full body, black-green mold covering entire body, mold-soaked clothes, mold on skin, mold on hair, pained expression, suffering, gritted teeth, squeezed eyes, tears at eye corners, trembling, blonde gradient multicolored hair, long hair, antenna hair, bow, hair bow, diamond hairband, black dress, capelet, black bowtie, brooch, frills, dark victor context, anime style illustration, heroine in peril, hiro-pin, from above, dutch angle, dramatic shading, dim desaturated palette, ground-level shot, Shot from high above at a canted dutch angle, looking down the length of a cracked stone floor at Cure Arcana Shadow sprawled on her back, her whole body angled diagonally across the frame and every limb visible from the tips of her curled fingers to her slack legs. Her lithe frame is wracked with pain: back arched a fraction off the ground, shoulders twisted so one arm is flung out to the side with fingers clawing weakly at the stone and the other arm folded across her ribs, one knee slightly bent with the sole of her boot scraping the floor, the other leg extended, foot turned outward. Her head is turned to one side against the stone, cheek pressed to the cold ground, long blonde gradient hair with multicolored tones fanned and matted beneath her, antenna hair strands drooping, diamond hairband crooked on her head. Her face contorts in a suffering grimace, eyes squeezed shut with tears welling at the corners and streaking toward her temples, brows drawn together tight, mouth open in a pained gasp through gritted teeth, jaw clenched. Black-green mold has sunk into every inch of her: it stains her black dress in crawling veins and powdery patches, furs the edges of the frills, crusts the brooch and black bowtie at her collar, blooms along the capelet and its black bow in dull verdigris, and dusts the black bow fastening her hair. Spots of mold mottle her bare arms and legs and her throat, a fuzzy mat of it creeping up the side of her face and along a lock of blonde hair. One of her outstretched hands lies in a spreading patch of mold that has eaten a soft dent into the floor around it, the powdery spores disturbed and smeared outward where her fingers have dragged. An indistinct silhouette of a hooded long-haired figure with green eyes stands at the far edge of the frame, small and out of focus, watching her suffer. The only light is a cold green-white glow from above and behind her, throwing a long soft shadow ahead of her body across the floor and catching the sheen of tears and the velvet sheen of mold on her dress and hair, while the surrounding stone falls to deep desaturated darkness at the frame's edges. Palette restricted to black, deep green, moldy gray-green, and the pale blonde of her hair against a near-black ground. Melancholy, tense.
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AI artwork
純斗
character: cure_prism, majorina solo focus, 2girls, cure_prism, majorina, defeated, lying on ground, collapsed, on back, in pain, suffering expression, agony, grimace, tears, clenched teeth, half-closed eyes, tattered clothes, torn dress, ripped white dress, wounds, scratches, bruises, blood, black-green mold covering body, mold corruption, lower body fused with mold, body soaked in mold, mold tentacles, tentacles from ground, tentacle grabbing, tentacles wrapping around body, entangled, being pulled into mold, sinking into mold, partially submerged, only face above surface, right hand above surface, outstretched arm, reaching up, black-green mold ground, mold spreading across floor, corroded body, eroded, melting skin, hair ribbon, white ribbon, pink bow, braid, pink hair, long hair, green eyes, young girl, mold-colored skin, mold-green body, long hair, hood, standing, looking down, looking at another, sadistic smile, cruel smile, victory pose, from above, high angle, dutch angle, foreshortening, dramatic perspective, dark atmosphere, sickly green palette, dim lighting, single light source, horror, corruption, bad end, hero in peril, dark fantasy, anime illustration, detailed, high quality From a high angle looking steeply down into a shallow pit of black-green mold, the entire floor of the chamber has become a spreading mat of the stuff — matte, fibrous, mottled deep green over near-black, its surface broken into raised veins and small craters where bubbles of decay have burst. Down in the centre of this field lies a girl on her back, sunk to the collarbone: the mold has swallowed her torso, hips and legs whole, so that only her head, shoulders and her right arm remain above the surface. Her lower body reads as part of the mold itself — the line where her waist disappears is not a clean edge but a slow gradient of flesh darkening and fuzzing into green filaments, her skirt and leggings dissolved into the mass in ragged scraps. Her whole body is stained the same black-green; the mold climbs her neck in finger-like streaks and mats the ends of her long pink hair where it lies spread in the muck, the white ribbon and pink bow at her braid now smeared and heavy. Her face is the only clean, bright thing left and it is contorted: brows drawn hard together, eyes squeezed half-shut with wet lashes, tears cutting pale tracks through the green on her cheek, mouth pulled wide in a grimace with teeth bared around a caught breath. Her right arm is flung up out of the mold toward the camera, fingers splayed and trembling, elbow locked, the white glove torn open across the knuckles, blood beading in a scrape on the forearm — the one part of her still refusing. Around her, the mold rises into thick blunt tentacles that taper as they rise, a dozen of them arching up and bending inward. Two coil tight around her right upper arm just below the shoulder and pull, dimpling the fabric; one crosses her collarbone and hooks around her throat without strangling, its tip curled under her jaw; others lie across her shoulders and vanish into the mass where her torso is. They drag her down: the mold around her shoulders is stretched into radial puckers and small wet creases, and the shelf of mold at her collarbone has visibly risen up over the skin in a slow lip, the surface around her freshly disturbed and glistening. Above her, standing at the rim of the pit with the top edge of the frame cutting across her shoulders, is a young woman with long hair and green eyes whose skin and hood are the same black-green as the mold, her body small and spry in the frame's upper corner. She stands with her weight on one hip in a loose, easy hipshot stance, one hand resting on her knee bent at the rim, chin tipped down. She looks directly into the fallen girl's upturned eye, and the corner of her mouth has a small, satisfied kink; she does not move to help. The only light source is a cold, low, green-white glow rising from the mold itself, so the underside of the fallen girl's chin, the rims of the tentacles and the inside of her raised hand are lit while the surrounding walls and the victor's back fall into darkness. The palette holds to black, deep green and a single thread of pink in the girl's hair, with her blood the sole warm note. The mold in the foreground is rendered fine and close, the victor simplified at the rim. Bleak, suffocating corruption.
純斗
AI artwork
純斗
character: cure_prism, majorina 1girl, cure_prism, majorina, 2girls, pink_hair, long_hair, braid, hair_ribbon, white_ribbon, pink_bow, white_bow, green_eyes, tattered_clothes, torn_dress, torn_elbow_gloves, white_gloves, ascot, earrings, wounds, blood, scratches, covered_in_mold, mold_on_body, black_green_mold, mold_infection, merged_with_mold, lower_body_fused_with_mold, sinking_into_ground, submerged_shoulders, only_face_and_right_hand_visible, mold_tentacles, tentacles_wrapping_body, restrained, being_dragged_down, struggling, pained_expression, suffering, closed_eyes, gritted_teeth, tears, sweat, messy_hair, lying, on_ground, from_above, dutch_angle, close-up_on_face, foreshortening, outstretched_arm, reaching_up, moldy_ground, black_green_ground, mold_spores, dark_ambient, horror, (majolina:1.2), young_girl, mold_colored_skin, mold_colored_hair, long_hair, green_eyes, hood, smug, standing, looking_down, condescending, victory, full_body, dark_green_palette, high_contrast, dim_lighting, dramatic_shadows, cinematic, despair, defeat, corrupted, shiny_skin, wet_mold, gooey, viscous, matte_paint, retro_anime_style, 90s_anime, cel_shading, dramatic_lighting, low_key, heavy_shadow, seductive_smile, heavy_breathing, trembling, motion_lines, spoken_heart From an extreme high angle looking almost straight down, the frame is dominated by a vast field of glossy black-green mold that crawls over the entire ground plane, its surface a wet, fibrous mat of dark tendrils and fuzzy spores. In the center of this corrupted expanse, the face and right hand of a young magical girl—Cure Prism—are all that remain above the surface. Her pink hair, once braided, is now a tangled, mold-matted mess plastered to her scalp and cheeks, the white ribbon and pink bow barely visible, soiled and darkened. Her green eyes are squeezed shut in a rictus of pain, tears cutting clean tracks through the grime on her cheeks, her mouth open in a silent, agonized gasp, teeth gritted. Her skin, where visible, is pallid and streaked with black-green mold that has soaked into her pores, tiny dark filaments creeping up her neck and across her jawline. Her white dress and gloves are shredded, the fabric torn and hanging in damp, mold-stained strips that cling to her shoulders; her right arm is thrust upward from the mold, elbow-deep in the muck, fingers splayed and trembling as if reaching for salvation, the white glove torn at the knuckles, the flesh beneath raw and bleeding. Thick, glistening mold tentacles—slick, dark green, pulsating with a sickly inner light—coil around her wrist and forearm, binding her to the ground, while others wrap around her shoulders and the crown of her head, pulling her down. The mold around her face is concave, a depression where her body has already sunk, the edges of the hole lipping over her chin and the sides of her head, viscous strands connecting her skin to the surrounding mass. To the upper right of the frame, standing at the edge of the mold pool, is Majolina: a young girl with mold-colored skin—a sickly, pale green-grey—and long, lank hair the same hue, green eyes bright with cruel delight, a dark hood pulled over her head. She stands with her weight on one hip, one hand on her knee as she leans slightly forward, looking down at Cure Prism with a smug, condescending smirk, her gaze fixed on the suffering girl's face. The light source is a dim, cold, greenish glow emanating from the mold itself, casting everything in a sickly pallor; the mold's surface is wet and reflective, catching highlights on its ridges, while the depression around Cure Prism's face is in deeper shadow. The palette is restricted to black, dark green, and the pale pink of Cure Prism's hair as the sole warm accent, with Majolina's mold-colored skin blending into the environment. The mood is one of quiet, creeping despair and violation, the image rendered in a retro anime style with cel shading and heavy, dramatic shadows. A small, hand-drawn heart floats in a speech bubble beside Cure Prism's face, a silent, breathy plea.
純斗
AI artwork
純斗
character: cure_prism, majorina 2girls, cure_prism, majorina, hiro-pin, defeated, lying on ground, on back, head turned to the side, pained expression, suffering, clenched teeth, half-closed eyes, tears, wounded, covered in wounds, torn clothes, tattered dress, torn white dress, frills, white gloves, elbow gloves, torn gloves, pink hair, long hair, braid, hair ribbon, white ribbon, pink bow, white bow, green eyes, earrings, mold, black mold, black-green mold, fungal growth, mold fusion, fused with mold, lower body fused with mold, absorbed into mold, sinking into mold, mold tendrils, tentacles, tentacles wrapping body, arms restrained, legs restrained, tendrils pulling her down, entangling, corrosion, body covered in mold, mold on face, mold on clothes, mold on hair, ground covered in mold, moldy ground, submerged, from above, high angle, close-up on upper body, pov, looking up at viewer, majorina, young majorina, long hair, green eyes, hood, hooded cloak, standing over, standing on mold, looking down at defeated, smug, victorious, sadistic smile, half-closed eyes, looking at another, bare ears, adult tag: suffering, restrained, tentacle hold, corruption, defeated hero, evil grin, dominant The camera looks down from just above the two figures, a high angle that pins the defeated girl to the floor. Cure Prism lies on her back in the lower two thirds of the frame, her head snapped to the left side, cheek pressed flat into the black-green mold. Her pink braided hair fans out and the white ribbons and pink bow at her braid are soaked dark, sticking to the mold in wet clumps. Her face is a knot of pain: brows drawn hard together, one eye half-shut and the other squeezed closed with a tear cutting a clean pale line down the mold-smeared cheek, mouth open in a clenched grimace. White mold threads smear across her cheek, her jaw and her throat. Her frilled white dress is shredded at the hem and shoulder, the ball-jointed seams of white gloves split at the knuckles, and every tear in the fabric has mold creeping out of it in lichen-like crusts. Above the hips she is still recognizably a girl in a ruined white dress; from the waist down there is no longer a body, only a thickened column of black-green mycelium that merges into the ground with no edge at all, her legs unreadable somewhere inside it, the skirt's frills half-swallowed and laced with dark filaments. Tendrils rise out of that mold in a wide fan. One thick tendril loops twice around her right forearm and pins it out to the side, a second wraps her left wrist and draws it down toward the mycelium, three more cross her belly and chest over the torn dress and press her back into the ground, and more coil upward behind her shoulders. The ends of the tendrils taper into fine hairs that spread out over the fabric. Where each coil touches, the dress fabric is already dark and porous, eaten through. The ground itself is an unbroken mat of black-green mold extending past the frame edges, fibrous and fuzzy with bright pale-green rims on the raised lumps and dull black in the hollows, and it visibly deforms around her: a shallow depression is spreading beneath her shoulders and hips where the surface has already pulled her down, small ridges and folds in the mold annularly creeping up over her sides. She reaches one glove almost to the top edge of the frame, the fingers crooked. Majorina stands in the upper right, small in the frame at this angle but unmistakable, looking down: a young woman in a hooded cloak whose hood casts a shadow over her brow, long hair hanging loose past the hood's rim, green eyes catching the light, her chin lowered and her mouth curved into a thin satisfied smile, one corner lifted. Her cloak's hem floats just above the mold without touching it. Her right hand is at her side, fingers loose, her left hand lifted slightly at chest height as if she has just finished casting. Her gaze lands directly on the defeated girl's face, and the defeated girl's open eye looks up off the floor toward her. The light is a single cold green source from the upper left: it picks out the pale-green fuzz on the mold's raised edges, the wet sheen on the tendrils, and rim-lights the hooded figure's shoulder and the torn white sleeve, leaving the deep seams between mold clumps near-black. The palette is black, deep green, sickly yellow-green, and the ruined white of the dress with the faded pink of her hair as the only warm note. A faint green haze diffuses through the air, thickest near the ground. Wretched, claustrophobic.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ