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AI art "無職転生 エリス・ロキシー・シルフィエット"
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無職転生 エリス・ロキシー・シルフィエット

無職転生 エリス・ロキシー・シルフィエット AI art by mizukisiho on PixAI. Tags: Roxy Migurdia, Eris Boreas Greyrat, Sylphiette. Made with Tsubaki.3.

『無職転生』のヒロインたちが、バニーガール姿で勢揃いしてくれました!三人それぞれの個性が際立っていて、見ているだけで本当に癒されます。気に入っていただけたら、いいねとフォローをお願いします!次回作もお楽しみに。

#Bunny girl#Multiple Girls#Matching outfits#Roxy Migurdia#Eris Boreas Greyrat#Sylphiette#Mushoku Tensei: Jobless Reincarnation#Black Leotard
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character: roxy_migurdia, sylphiette_(mushoku_tensei), copyright: mushoku_tensei 3girls, sylphiette_(mushoku_tensei), roxy_migurdia, eris_boreas_greyrat, adult, white hair, long white hair, short white hair, twin braids, very long hair, ahoge, hair between eyes, crossed bangs, pointy ears, blue eyes, red eyes, matching outfits, black high-leg t-back bunny girl outfit, leotard, highleg leotard, t-back, black bunny ears, bunny ears, black high heels, high heels, standing, from below, dutch angle, low angle, cowboy shot, three-quarter view, looking at viewer, hand on another's shoulder, arm around waist, weight on one leg, crossed legs, head tilt, half-closed eyes, smug, light smile, open mouth, blush, parted lips, collarbone, bare shoulders, bare legs, black cuffs, white cuffs, playboy bunny, full body, wide shot, dynamic angle, coherent anatomy, detailed faces
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Original Prompt
無職転生、大人の白髮シルフィとロキシーとエリス、大人の白髮シルフィとロキシーとエリスはお揃いの黒いハイレグTバックバニーガール姿にハイヒールを履いている、
Mode
pro
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: makima_(chainsaw_man), reze_(chainsaw_man), power_(chainsaw_man), blood_devil_(chainsaw_man), copyright: chainsaw_man 3girls, makima \(chainsaw man\), reze \(chainsaw man\), power \(chainsaw man\), bunny suit, playboy bunny, leotard, black leotard, fishnet pantyhose, white cuffs, fake animal ears, rabbit ears, from below, dutch angle, low angle, dominating, standing, one hand raised, pointing at viewer, ringed eyes, yellow eyes, red hair, braided ponytail, sidelocks, long hair, smug, half-closed eyes, sadistic smile, purple hair, hair bun, green eyes, black ribbon, kneeling, bound wrists, blank stare, empty eyes, brainwashed, spiral eyes, blonde hair, red horns, cross-shaped pupils, yellow eyes, hair between eyes, kneeling, blank stare, empty eyes, brainwashed, spiral eyes, open mouth, drool, limp arms, theatrical lighting, spotlight, dark background, red and black palette, three subjects, The camera looks up from floor level at a steep dutch tilt, so the three figures tower and lean across the frame. In the centre foreground Makima stands tallest, chin lowered, one arm extended down toward the viewer with her index finger curled in a slow beckon, the other hand resting flat at her hip. Her red hair is braided into a single ponytail that falls over her right shoulder, sidelocks framing her face, and her ringed yellow eyes look straight down the lens with half-lowered lids and a thin, satisfied smile. She wears a black bunny leotard with a plunging neckline, white cuffs at her wrists, fishnet pantyhose, and tall rabbit ears rising from a dark headband; the leotard's satin catches a hard rim of light along her left side. At her right, Reze kneels on the floor in a matching black bunny suit, rabbit ears tilted askew, her purple hair pulled into a bun with a black ribbon, hands loosely clasped in her lap; her green eyes are wide and blank, pupils reduced to pale spirals, her lips parted slightly and her head tipped as if listening to a voice only she can hear. At Makima's left, Power kneels in the same bunny suit, rabbit ears standing stiff, her long blonde hair spilling over her shoulders, red horns breaking through the fringe; her cross-shaped pupils have dissolved into flat spirals, her mouth hangs open with a thin thread of drool at the corner, and her arms dangle limp at her sides. Makima's shadow falls across both kneeling girls, cutting a hard diagonal over their faces while their own shadows pool small and tight beneath their knees. A single overhead spotlight is the only light: it strikes Makima from above and behind, flaring the tops of her ears and the shine of her ponytail, leaving the two kneeling figures lit only by the spill at the edge of the cone, and beyond that pool the room is pure black. The palette is black, deep red and cold white highlight, nothing else admitted. The floor is bare and dark, and the fishnet weave at Makima's thigh compresses where her weight shifts onto her back leg. Quiet, absolute control.
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