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息耐者カール

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息耐者カール

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heart-shaped pupils, heart eyes, glowing heart-shaped frame, floating hearts, heart-shaped light frame, smile, open mouth, blush, kiss on cheek, cheek kiss, two brides kissing a man's cheeks, brides, wedding dress, veil, bouquet, cleavage, large breasts, wedding, romantic atmosphere, three people, man in the center, symmetrical composition, cowboy shot, from front, looking at viewer, head back, arms hanging at sides, white dress, lace, cel shading, flat color, clean outlines, high contrast, hand-drawn animation style A symmetrical medium shot, shot straight-on and framed chest-up, centers a man who stands between two brides and leans his head slightly back, chin lifted, as both women press their lips to his right and left cheeks at once. The man in the middle is a slender young man with tousled dark brown hair, a loose white dress shirt open at the collar with a black bow tie, and his shoulders are sloped back with no resistance; his arms hang open at his sides, palms loose, letting the two kisses flatten his skin. His eyes are transformed into two bright glossy heart-shaped pupils, wide and glowing pink, and he looks straight out toward the viewer with a dopey open-mouthed smile, blush blooming over both cheeks beneath the brides' lips. On his right, a bride with long honey-blonde hair swept over one shoulder and a fitted white strapless gown leans in at a tilt, her chin pressed to his jaw, her lips sealed to his cheek, and one hand rests flat against his chest; on his left, the second bride with short dark hair, a white lace high-neck gown, and a small veil turned back leans in at the matching opposite angle, her lips to his other cheek, her shoulder pressed to his upper arm. Between the man's open collar and the two brides' necklines, the bride on the left tips forward so the lace edge of her dress reveals a deep swell of cleavage, and the symmetrical arrangement highlights the generous décolletage of both women. A luminous heart-shaped frame of pink-white light encircles the trio, its glow bleeding soft halos over the brides' hair and the man's neck, while solid and translucent hearts of varying size float around them in the foreground and background, some drifting out of focus. A few of the floating hearts catch the man's heart-shaped eyes as faint reflected glints; the lighting is a bright frontal wedding-hall key, warm and even from the front with the heart frame's pink glow rimming the top of the heads and the shins of the frame falling into a soft warm shadow below the trio. The backdrop is a seamless pale-rose wedding curtain or bokeh, clean and radial behind the three figures as leading lines pull inward toward the man. Core palette: warm white, soft rose, champagne gold, and saturated hot pink for the heart frame and eyes. Cute, joyful, glossy.
Show Parameters
Mode
flash
Style
90s Retro-Cell
Size
1632 x 1232
Style: 90s Retro-Cell

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.13k

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AI artwork
Avatar image of 息耐者カール
3girls? no, 1boy, 2girls, three people total, brides, bride, wedding dress, white dress, veil, bouquet, kissing cheek, kiss on cheek, one on each side, flanked, heart-shaped pupils, heart eyes, cleavage, large breasts, heart background, heart-shaped frame, glowing frame, light frame, hearts floating, confetti, sparkles, joyful, from front, upper body, cowboy shot, close-up on faces, arms linked, eyes closed, blush, open mouth, smile, looking at another, warm lighting, pastel palette, painterly, sketchy linework, soft blended shading, high contrast rim light A front-facing cowboy shot frames three figures inside a single glowing heart-shaped light frame that arcs around them like a ribbon of warm pink luminescence, its outline bright against a soft dusk-rose ground; small hearts of the same light drift and scatter across the surrounding air, some near, some far, thinning with distance, a few caught mid-drift so their glow doubles. At the center stands a young man, dark tousled hair, a dark formal suit jacket over a white shirt with the collar open, both arms loosely linked through the arms of the brides beside him, shoulders relaxed and slightly lifted, chin tipped up and eyes wide open with heart-shaped pupils glowing a saturated pink-red inside each iris; his mouth is open in a delighted gasp, brows raised high, a blush banded across both cheeks. On his left, a bride with a long veil and ivory off-shoulder gown leans in and presses her lips to his left cheek, her eyes closed, her free hand coming up to rest flat against his chest; on his right, a second bride in a matching ivory gown leans in at the same angle and presses her lips to his right cheek, her veil sliding forward over her shoulder, eyes closed, one hand cupping the back of his neck. Both brides' bodices are cut low, the gowns' necklines scooping to show their cleavage, fabric gathered and falling away in soft painterly folds; the man's shirt is open enough at the throat to read the stillness of the framed center. Hair and veils are lifted slightly in a gentle current, the brides' hems swaying, the groom's hair falling forward past his brow. The light comes from the frame itself, glowing around the three faces from just beyond them, backlighting the veils into thin translucent light and casting a warm rim along every shoulder and cheek while their faces stay softly lit from the front by the pink spill of the frame; small shadows fall under each chin and where lips meet skin. Palette is restricted to warm ivory, rose pink, soft gold and the deep saturated pink of the glowing hearts against a muted dusty-rose ground, nothing else admitted. Petals and small light-hearts settle slowly downward between the figures, and where a bride's veil touches the glow it lights up from within before falling back into shadow. Tender, giddy.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, man in the center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart-shaped pupils, cleavage, deep plunging neckline, white satin bridal gown, bridal veil, bouquet, heart-shaped light frame, glowing heart-shaped border of light, upper body, cowboy shot, facing viewer, from front, head tilt, eyes closed, blush, smile, glossy skin, clean linework, soft shading, warm palette, romantic comedy mood. A front-facing cowboy shot with the man dead center, framed from mid-thigh up: he is a lean young man in his twenties in a dark formal suit, a white dress shirt unbuttoned at the collar and a loosened tie, his shoulders loose and slightly lifted, chin tipped back and up as his head tilts toward the ceiling in bliss. His eyes are the picture's joke and its focal point — the pupils have become two perfectly symmetrical glowing pink hearts, and the hearts are the brightest thing on his face, catching a wet bright highlight along their upper lobes. His mouth is open in a dopey, delighted grin, and a soft blush sits high on both cheeks where the brides' lips press. Between them the two brides lean in from left and right, each angled toward him at nearly the same tilt so the composition reads as a symmetrical pair: each wears a white satin bridal gown with a deep plunging neckline that bares the chest and reveals cleavage, the satin catching a broad soft sheen along the breast and shoulder curves, a pale veil falling behind the shoulders and a small bouquet held low and out of the way in one hand each. Each bride's eyes are closed in a serene kiss, lashes lying against the cheek, lips pressed to the man's cheek at the exact spot where the blush blooms, and each has one hand resting on his far shoulder while the near hand holds her bouquet — four named contact points, cheek against cheek, palm against shoulder, two of them left and two right. The brides' hair spills forward in the lean, one dark and one light, and the veils sway back away from the motion. All three faces catch the same warm key light from slightly above and in front, which lays a soft sheen on skin, satin and lip gloss; the background behind them is a seamless, gentle warm-pink studio sweep, and around all three figures a heart-shaped frame drawn entirely in glowing light arcs through the air, a luminous pink outline with brighter sparkles at the top cleft and the bottom point, its glow softly bleeding onto the edges of the veils and onto the man's shoulder. Only that light frame and the key light illuminate them; beyond the heart outline the pink sweep falls away into a dimmer, softer wash. Colours are limited to warm pink, cream white, white satin and the man's charcoal suit, with his red tie as the one saturated accent. The three hearts in his eyes are perfectly identical in size, and the specular highlights inside them sit on the same upper-left point in both. Bright, silly, adoring.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, man in the center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart-shaped pupils, cleavage, deep plunging neckline, white satin bridal gown, bridal veil, bouquet, heart-shaped light frame, glowing heart-shaped border of light, upper body, cowboy shot, facing viewer, from front, head tilt, eyes closed, blush, smile, glossy skin, clean linework, soft shading, warm palette, romantic comedy mood. A front-facing cowboy shot with the man dead center, framed from mid-thigh up: he is a lean young man in his twenties in a dark formal suit, a white dress shirt unbuttoned at the collar and a loosened tie, his shoulders loose and slightly lifted, chin tipped back and up as his head tilts toward the ceiling in bliss. His eyes are the picture's joke and its focal point — the pupils have become two perfectly symmetrical glowing pink hearts, and the hearts are the brightest thing on his face, catching a wet bright highlight along their upper lobes. His mouth is open in a dopey, delighted grin, and a soft blush sits high on both cheeks where the brides' lips press. Between them the two brides lean in from left and right, each angled toward him at nearly the same tilt so the composition reads as a symmetrical pair: each wears a white satin bridal gown with a deep plunging neckline that bares the chest and reveals cleavage, the satin catching a broad soft sheen along the breast and shoulder curves, a pale veil falling behind the shoulders and a small bouquet held low and out of the way in one hand each. Each bride's eyes are closed in a serene kiss, lashes lying against the cheek, lips pressed to the man's cheek at the exact spot where the blush blooms, and each has one hand resting on his far shoulder while the near hand holds her bouquet — four named contact points, cheek against cheek, palm against shoulder, two of them left and two right. The brides' hair spills forward in the lean, one dark and one light, and the veils sway back away from the motion. All three faces catch the same warm key light from slightly above and in front, which lays a soft sheen on skin, satin and lip gloss; the background behind them is a seamless, gentle warm-pink studio sweep, and around all three figures a heart-shaped frame drawn entirely in glowing light arcs through the air, a luminous pink outline with brighter sparkles at the top cleft and the bottom point, its glow softly bleeding onto the edges of the veils and onto the man's shoulder. Only that light frame and the key light illuminate them; beyond the heart outline the pink sweep falls away into a dimmer, softer wash. Colours are limited to warm pink, cream white, white satin and the man's charcoal suit, with his red tie as the one saturated accent. The three hearts in his eyes are perfectly identical in size, and the specular highlights inside them sit on the same upper-left point in both. Bright, silly, adoring.
息耐者カール
#zetaCollab
AI artwork
息
3girls, 1boy, male focus, trio, man in the center, bride on each side, two brides, kissing cheek, cheek kiss, one bride kissing his left cheek, other bride kissing his right cheek, pressing lips to cheek, heart-shaped eyes, heart eyes, kiss marks all over face, lipstick marks on face, red kiss prints covering cheeks forehead chin jaw, cleavage, bridal gowns, strapless wedding dress, sweetheart neckline, heart-shaped light frame, glowing heart-shaped border, hearts floating around characters, floating hearts, heart-shaped bokeh, sparkles, from front, upper body, close-up, vertical composition, blush, closed eyes on the brides, light smile, arms linked with the man, hand on his arm, looking at viewer, cel shaded, flat colors, clean outlines, strong contrast. A centered frontal close-up of three figures from the waist up, the man squarely in the middle of the frame. He is a young man with tousled dark brown hair falling over his brow, a black formal suit jacket, a white shirt with the top button open, and a slightly loosened dark tie; his head tips back a little, chin raised, chest pushed forward, his shoulders pulled in by the two women leaning on him. Both of his eyes are drawn as glossy, saturated pink heart shapes with a tiny white highlight in each lobe, no pupils visible, and his mouth hangs half open in a dazed, dopey grin with a faint blush burning across both cheeks and the bridge of his nose. His face is peppered with kiss marks: crisp crimson lip prints stamped across his forehead, both cheekbones, the corner of his jaw, his chin, and one smeared print on the side of his neck, overlapping each other at different angles and slightly faded at the edges where earlier ones have been rubbed. On his left, a bride leans in from the side with her body turned toward him; she has long wavy honey-blonde hair sweeping over her bare shoulder, a strapless ivory sweetheart-neckline gown with a gathered bodice, and a short tulle veil pinned at the back of her head. Her eyes are shut, lashes lowered, lips pressed flat and firmly against his left cheek, the skin denting slightly under the pressure, one hand curled around his upper arm with her fingers digging in. On his right, the second bride mirrors her with a slight asymmetry: she has a sleek black updo with loose strands framing her face and the same strapless ivory gown, leaning in with her chin tilted so her lips land high on his right cheek near the cheekbone. Her eyes are shut too, one brow lifted, and her free hand rests flat on his chest, fingers splayed over the lapel. Both women's shoulders angle inward toward the man, the three heads forming a tight triangular cluster; the man's heart-eyes point straight out at the viewer, the brides' faces turned in profile against his cheeks with no gaze toward the lens. A ring of soft pink-white light in the exact shape of a heart wraps around the group, its luminous band passing behind their shoulders and in front of the lower part of the frame, the glow spilling a warm rose rim light onto the outer edges of both brides' hair and shoulders while their inner faces stay lit by a flat, even frontal key. Small hearts of varying size float in the surrounding space: a scatter of pale pink, deep magenta and glossy red hearts, some crisp and some blurred as if nearer the lens, plus a few tiny heart-shaped glints. Beyond the glowing heart frame the background is a smooth, empty gradient of warm rose into cream, deliberately plain so the trio reads clearly. Palette discipline: ivory, warm skin tones, crimson lipstick and heart shapes, and the man's black suit as the only dark mass, nothing else admitted; the red of the kiss marks and the pink of the heart eyes and light frame are the same saturated family. Single-variable detail: the lipstick prints on his face are slightly darker and less glossy at the edges where they have been smeared by the second kiss landing over them. Cute cel-shaded anime style with strong hand-drawn animation vibes, flat high-contrast colors, clean outlines, simple shadows like a classic TV anime frame -- playful and giddy.
息耐者カール

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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