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息耐者カール

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息耐者カール

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heart-shaped pupils, heart eyes, glowing heart-shaped frame, floating hearts, heart-shaped light frame, smile, open mouth, blush, kiss on cheek, cheek kiss, two brides kissing a man's cheeks, brides, wedding dress, veil, bouquet, cleavage, large breasts, wedding, romantic atmosphere, three people, man in the center, symmetrical composition, cowboy shot, from front, looking at viewer, head back, arms hanging at sides, white dress, lace, cel shading, flat color, clean outlines, high contrast, hand-drawn animation style A symmetrical medium shot, shot straight-on and framed chest-up, centers a man who stands between two brides and leans his head slightly back, chin lifted, as both women press their lips to his right and left cheeks at once. The man in the middle is a slender young man with tousled dark brown hair, a loose white dress shirt open at the collar with a black bow tie, and his shoulders are sloped back with no resistance; his arms hang open at his sides, palms loose, letting the two kisses flatten his skin. His eyes are transformed into two bright glossy heart-shaped pupils, wide and glowing pink, and he looks straight out toward the viewer with a dopey open-mouthed smile, blush blooming over both cheeks beneath the brides' lips. On his right, a bride with long honey-blonde hair swept over one shoulder and a fitted white strapless gown leans in at a tilt, her chin pressed to his jaw, her lips sealed to his cheek, and one hand rests flat against his chest; on his left, the second bride with short dark hair, a white lace high-neck gown, and a small veil turned back leans in at the matching opposite angle, her lips to his other cheek, her shoulder pressed to his upper arm. Between the man's open collar and the two brides' necklines, the bride on the left tips forward so the lace edge of her dress reveals a deep swell of cleavage, and the symmetrical arrangement highlights the generous décolletage of both women. A luminous heart-shaped frame of pink-white light encircles the trio, its glow bleeding soft halos over the brides' hair and the man's neck, while solid and translucent hearts of varying size float around them in the foreground and background, some drifting out of focus. A few of the floating hearts catch the man's heart-shaped eyes as faint reflected glints; the lighting is a bright frontal wedding-hall key, warm and even from the front with the heart frame's pink glow rimming the top of the heads and the shins of the frame falling into a soft warm shadow below the trio. The backdrop is a seamless pale-rose wedding curtain or bokeh, clean and radial behind the three figures as leading lines pull inward toward the man. Core palette: warm white, soft rose, champagne gold, and saturated hot pink for the heart frame and eyes. Cute, joyful, glossy.
Show Parameters
Mode
flash
Style
90s Retro-Cell
Size
1632 x 1232
Style: 90s Retro-Cell

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.13k

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Avatar image of 息耐者カール
3girls, 1boy, male focus, in the center, bride on each side, kissing cheek, simultaneous kiss, two girls kissing his cheeks, heart-shaped eyes, heart eyes, cleavage, large breasts, heart-shaped frame, heart-shaped light frame, glowing heart border, floating hearts, heart motes, valentine, romantic, symmetrical composition, frontal, from front, cowboy shot, close-up on faces, looking at viewer, blush, closed eyes on the brides, wedding dress, white bridal gown, veil, bouquet, arms linked, hugging arm, head tilt, open mouth, smile, warm light, glowing, lens flare, bright background, pastel palette A symmetrical frontal cowboy shot frames three figures against a luminous backdrop: a man square in the middle of the frame, and on either side of him a bride, one to his left and one to his right, their bodies turned inward toward him so the three read as a single triangle of heads. The bride on his left presses her lips to his left cheek, the bride on his right presses her lips to his right cheek, both kissing him at the same instant; each bride's far hand is laid flat against his opposite shoulder, their near shoulders overlapping his arms, their veils falling forward over his sleeves, and both brides have their eyes closed in the kiss with a soft blush across their cheeks. The man's face fills the center of the shot: his eyes are two glossy pink heart shapes, pupils replaced entirely by the hearts, and a hot blush blooms across his nose and cheeks under the two mouths pressed to him; his mouth is open in a delighted gasp, brows lifted, chin slightly raised as he leans into the double kiss. The brides wear white bridal gowns with sweetheart necklines, and the woman on his right is angled so her deep cleavage shows clearly between the gathered white fabric, a strand of her hair falling across her collarbone. Around the trio a heart-shaped frame of glowing light encloses them, its two lobes arcing above the man's head and its point closing below their waists, drawn in warm radiant pink-white with soft bloom at the edges; inside and outside that frame, small hearts drift and float in the air at different depths, some sharp in the foreground, some soft and translucent behind the shoulders. Light comes from the heart frame itself: the glow rims the three figures from behind and above, catching the veil hems, the curve of cheeks and the edges of hair, while the fronts of their faces stay lit by a warm, even key, and the falling hearts cast faint colored speckles onto the white dresses. The palette is disciplined to white, warm skin tones and pink — white in the gowns and veils, pink in the light frame and every floating heart, warm rose in the blush. Background is a bright, soft, out-of-focus glow with no readable scenery. Flat cel-shaded anime rendering with bold clean outlines, high-contrast flat color fills, simple two-tone shadows and classic TV-anime frame crispness. Joyful, giddy.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, in the center, bride on each side, kissing cheek, simultaneous kiss, two girls kissing his cheeks, heart-shaped eyes, heart eyes, cleavage, large breasts, heart-shaped frame, heart-shaped light frame, glowing heart border, floating hearts, heart motes, valentine, romantic, symmetrical composition, frontal, from front, cowboy shot, close-up on faces, looking at viewer, blush, closed eyes on the brides, wedding dress, white bridal gown, veil, bouquet, arms linked, hugging arm, head tilt, open mouth, smile, warm light, glowing, lens flare, bright background, pastel palette A symmetrical frontal cowboy shot frames three figures against a luminous backdrop: a man square in the middle of the frame, and on either side of him a bride, one to his left and one to his right, their bodies turned inward toward him so the three read as a single triangle of heads. The bride on his left presses her lips to his left cheek, the bride on his right presses her lips to his right cheek, both kissing him at the same instant; each bride's far hand is laid flat against his opposite shoulder, their near shoulders overlapping his arms, their veils falling forward over his sleeves, and both brides have their eyes closed in the kiss with a soft blush across their cheeks. The man's face fills the center of the shot: his eyes are two glossy pink heart shapes, pupils replaced entirely by the hearts, and a hot blush blooms across his nose and cheeks under the two mouths pressed to him; his mouth is open in a delighted gasp, brows lifted, chin slightly raised as he leans into the double kiss. The brides wear white bridal gowns with sweetheart necklines, and the woman on his right is angled so her deep cleavage shows clearly between the gathered white fabric, a strand of her hair falling across her collarbone. Around the trio a heart-shaped frame of glowing light encloses them, its two lobes arcing above the man's head and its point closing below their waists, drawn in warm radiant pink-white with soft bloom at the edges; inside and outside that frame, small hearts drift and float in the air at different depths, some sharp in the foreground, some soft and translucent behind the shoulders. Light comes from the heart frame itself: the glow rims the three figures from behind and above, catching the veil hems, the curve of cheeks and the edges of hair, while the fronts of their faces stay lit by a warm, even key, and the falling hearts cast faint colored speckles onto the white dresses. The palette is disciplined to white, warm skin tones and pink — white in the gowns and veils, pink in the light frame and every floating heart, warm rose in the blush. Background is a bright, soft, out-of-focus glow with no readable scenery. Flat cel-shaded anime rendering with bold clean outlines, high-contrast flat color fills, simple two-tone shadows and classic TV-anime frame crispness. Joyful, giddy.
息耐者カール
#MARI
AI artwork
Avatar image of 息耐者カール
3girls? no, 1boy, 2girls, three people total, brides, bride, wedding dress, white dress, veil, bouquet, kissing cheek, kiss on cheek, one on each side, flanked, heart-shaped pupils, heart eyes, cleavage, large breasts, heart background, heart-shaped frame, glowing frame, light frame, hearts floating, confetti, sparkles, joyful, from front, upper body, cowboy shot, close-up on faces, arms linked, eyes closed, blush, open mouth, smile, looking at another, warm lighting, pastel palette, painterly, sketchy linework, soft blended shading, high contrast rim light A front-facing cowboy shot frames three figures inside a single glowing heart-shaped light frame that arcs around them like a ribbon of warm pink luminescence, its outline bright against a soft dusk-rose ground; small hearts of the same light drift and scatter across the surrounding air, some near, some far, thinning with distance, a few caught mid-drift so their glow doubles. At the center stands a young man, dark tousled hair, a dark formal suit jacket over a white shirt with the collar open, both arms loosely linked through the arms of the brides beside him, shoulders relaxed and slightly lifted, chin tipped up and eyes wide open with heart-shaped pupils glowing a saturated pink-red inside each iris; his mouth is open in a delighted gasp, brows raised high, a blush banded across both cheeks. On his left, a bride with a long veil and ivory off-shoulder gown leans in and presses her lips to his left cheek, her eyes closed, her free hand coming up to rest flat against his chest; on his right, a second bride in a matching ivory gown leans in at the same angle and presses her lips to his right cheek, her veil sliding forward over her shoulder, eyes closed, one hand cupping the back of his neck. Both brides' bodices are cut low, the gowns' necklines scooping to show their cleavage, fabric gathered and falling away in soft painterly folds; the man's shirt is open enough at the throat to read the stillness of the framed center. Hair and veils are lifted slightly in a gentle current, the brides' hems swaying, the groom's hair falling forward past his brow. The light comes from the frame itself, glowing around the three faces from just beyond them, backlighting the veils into thin translucent light and casting a warm rim along every shoulder and cheek while their faces stay softly lit from the front by the pink spill of the frame; small shadows fall under each chin and where lips meet skin. Palette is restricted to warm ivory, rose pink, soft gold and the deep saturated pink of the glowing hearts against a muted dusty-rose ground, nothing else admitted. Petals and small light-hearts settle slowly downward between the figures, and where a bride's veil touches the glow it lights up from within before falling back into shadow. Tender, giddy.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, in the center, bride on each side, kissing cheek, simultaneous kiss, two girls kissing his cheeks, heart-shaped eyes, heart eyes, cleavage, large breasts, heart-shaped frame, heart-shaped light frame, glowing heart border, floating hearts, heart motes, valentine, romantic, symmetrical composition, frontal, from front, cowboy shot, close-up on faces, looking at viewer, blush, closed eyes on the brides, wedding dress, white bridal gown, veil, bouquet, arms linked, hugging arm, head tilt, open mouth, smile, warm light, glowing, lens flare, bright background, pastel palette A symmetrical frontal cowboy shot frames three figures against a luminous backdrop: a man square in the middle of the frame, and on either side of him a bride, one to his left and one to his right, their bodies turned inward toward him so the three read as a single triangle of heads. The bride on his left presses her lips to his left cheek, the bride on his right presses her lips to his right cheek, both kissing him at the same instant; each bride's far hand is laid flat against his opposite shoulder, their near shoulders overlapping his arms, their veils falling forward over his sleeves, and both brides have their eyes closed in the kiss with a soft blush across their cheeks. The man's face fills the center of the shot: his eyes are two glossy pink heart shapes, pupils replaced entirely by the hearts, and a hot blush blooms across his nose and cheeks under the two mouths pressed to him; his mouth is open in a delighted gasp, brows lifted, chin slightly raised as he leans into the double kiss. The brides wear white bridal gowns with sweetheart necklines, and the woman on his right is angled so her deep cleavage shows clearly between the gathered white fabric, a strand of her hair falling across her collarbone. Around the trio a heart-shaped frame of glowing light encloses them, its two lobes arcing above the man's head and its point closing below their waists, drawn in warm radiant pink-white with soft bloom at the edges; inside and outside that frame, small hearts drift and float in the air at different depths, some sharp in the foreground, some soft and translucent behind the shoulders. Light comes from the heart frame itself: the glow rims the three figures from behind and above, catching the veil hems, the curve of cheeks and the edges of hair, while the fronts of their faces stay lit by a warm, even key, and the falling hearts cast faint colored speckles onto the white dresses. The palette is disciplined to white, warm skin tones and pink — white in the gowns and veils, pink in the light frame and every floating heart, warm rose in the blush. Background is a bright, soft, out-of-focus glow with no readable scenery. Flat cel-shaded anime rendering with bold clean outlines, high-contrast flat color fills, simple two-tone shadows and classic TV-anime frame crispness. Joyful, giddy.
息耐者カール

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リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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