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ๆฏ่€่€…ใ‚ซใƒผใƒซ

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ๆฏ่€่€…ใ‚ซใƒผใƒซ

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1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face โ€” the left bride's fingers curled under his chin, the right bride's fingers spread at his temple โ€” so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look โ€” flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
Show Parameters
Mode
flash
Style
90s Retro-Cell
Size
1632 x 1232
Style: 90s Retro-Cell

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.13k

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ๆฏ
1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face โ€” the left bride's fingers curled under his chin, the right bride's fingers spread at his temple โ€” so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look โ€” flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
ๆฏ่€่€…ใ‚ซใƒผใƒซ
AI artwork
ๆฏ
1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face โ€” the left bride's fingers curled under his chin, the right bride's fingers spread at his temple โ€” so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look โ€” flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
ๆฏ่€่€…ใ‚ซใƒผใƒซ
AI artwork
ๆฏ
1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face โ€” the left bride's fingers curled under his chin, the right bride's fingers spread at his temple โ€” so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look โ€” flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
ๆฏ่€่€…ใ‚ซใƒผใƒซ
AI artwork
ๆฏ
3girls, 1boy, male focus, trio, man in the center, bride on each side, two brides, kissing cheek, cheek kiss, one bride kissing his left cheek, other bride kissing his right cheek, pressing lips to cheek, heart-shaped eyes, heart eyes, kiss marks all over face, lipstick marks on face, red kiss prints covering cheeks forehead chin jaw, cleavage, bridal gowns, strapless wedding dress, sweetheart neckline, heart-shaped light frame, glowing heart-shaped border, hearts floating around characters, floating hearts, heart-shaped bokeh, sparkles, from front, upper body, close-up, vertical composition, blush, closed eyes on the brides, light smile, arms linked with the man, hand on his arm, looking at viewer, cel shaded, flat colors, clean outlines, strong contrast. A centered frontal close-up of three figures from the waist up, the man squarely in the middle of the frame. He is a young man with tousled dark brown hair falling over his brow, a black formal suit jacket, a white shirt with the top button open, and a slightly loosened dark tie; his head tips back a little, chin raised, chest pushed forward, his shoulders pulled in by the two women leaning on him. Both of his eyes are drawn as glossy, saturated pink heart shapes with a tiny white highlight in each lobe, no pupils visible, and his mouth hangs half open in a dazed, dopey grin with a faint blush burning across both cheeks and the bridge of his nose. His face is peppered with kiss marks: crisp crimson lip prints stamped across his forehead, both cheekbones, the corner of his jaw, his chin, and one smeared print on the side of his neck, overlapping each other at different angles and slightly faded at the edges where earlier ones have been rubbed. On his left, a bride leans in from the side with her body turned toward him; she has long wavy honey-blonde hair sweeping over her bare shoulder, a strapless ivory sweetheart-neckline gown with a gathered bodice, and a short tulle veil pinned at the back of her head. Her eyes are shut, lashes lowered, lips pressed flat and firmly against his left cheek, the skin denting slightly under the pressure, one hand curled around his upper arm with her fingers digging in. On his right, the second bride mirrors her with a slight asymmetry: she has a sleek black updo with loose strands framing her face and the same strapless ivory gown, leaning in with her chin tilted so her lips land high on his right cheek near the cheekbone. Her eyes are shut too, one brow lifted, and her free hand rests flat on his chest, fingers splayed over the lapel. Both women's shoulders angle inward toward the man, the three heads forming a tight triangular cluster; the man's heart-eyes point straight out at the viewer, the brides' faces turned in profile against his cheeks with no gaze toward the lens. A ring of soft pink-white light in the exact shape of a heart wraps around the group, its luminous band passing behind their shoulders and in front of the lower part of the frame, the glow spilling a warm rose rim light onto the outer edges of both brides' hair and shoulders while their inner faces stay lit by a flat, even frontal key. Small hearts of varying size float in the surrounding space: a scatter of pale pink, deep magenta and glossy red hearts, some crisp and some blurred as if nearer the lens, plus a few tiny heart-shaped glints. Beyond the glowing heart frame the background is a smooth, empty gradient of warm rose into cream, deliberately plain so the trio reads clearly. Palette discipline: ivory, warm skin tones, crimson lipstick and heart shapes, and the man's black suit as the only dark mass, nothing else admitted; the red of the kiss marks and the pink of the heart eyes and light frame are the same saturated family. Single-variable detail: the lipstick prints on his face are slightly darker and less glossy at the edges where they have been smeared by the second kiss landing over them. Cute cel-shaded anime style with strong hand-drawn animation vibes, flat high-contrast colors, clean outlines, simple shadows like a classic TV anime frame -- playful and giddy.
ๆฏ่€่€…ใ‚ซใƒผใƒซ

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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