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ๆฏ่€่€…ใ‚ซใƒผใƒซ

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ๆฏ่€่€…ใ‚ซใƒผใƒซ

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1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face โ€” the left bride's fingers curled under his chin, the right bride's fingers spread at his temple โ€” so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look โ€” flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
Show Parameters
Mode
flash
Style
90s Retro-Cell
Size
1632 x 1232
Style: 90s Retro-Cell

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.13k

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AI artwork
ๆฏ
1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face โ€” the left bride's fingers curled under his chin, the right bride's fingers spread at his temple โ€” so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look โ€” flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
ๆฏ่€่€…ใ‚ซใƒผใƒซ
AI artwork
ๆฏ
1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face โ€” the left bride's fingers curled under his chin, the right bride's fingers spread at his temple โ€” so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look โ€” flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
ๆฏ่€่€…ใ‚ซใƒผใƒซ
AI artwork
ๆฏ
1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face โ€” the left bride's fingers curled under his chin, the right bride's fingers spread at his temple โ€” so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look โ€” flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
ๆฏ่€่€…ใ‚ซใƒผใƒซ
AI artwork
Avatar image of ๆฏ่€่€…ใ‚ซใƒผใƒซ
3girls, 1boy, man in the center, two brides flanking him, two girls kissing his cheeks, kiss on cheek, cheek kiss, heart-shaped eyes, heart-shaped pupils, heart symbol in eye, heart-shaped light frame, glowing heart-shaped frame, hearts, sparkles, brides, wedding dress, strapless dress, visible cleavage, chest valley, breast focus, huge breasts, collarbone, blush, closed eyes, light smile, half-closed eyes, parted lips, blonde hair, long hair, wavy hair, white veil, flower wreath, short dark hair, from below, looking at viewer, upper body, close-up, centered composition, pastel palette, cel shading, clean outlines, flat colors, high contrast, anime screencap, night background The camera sits low and tilts up, so all three figures loom gently over the lens inside a glowing heart-shaped hoop of light that rings them like a halo of neon candy: the man is dead center in the front layer, shoulders squared to the viewer, chin lifted, his whole weight settled back on his heels as he leans into the squeeze. On his left a bride presses in from behind his shoulder line, her lips flattened hot against his cheek, one hand splayed flat over his far shoulder blade so his jacket bunches under her palm; her hair, long and bright blond, sweeps forward across his shoulder and collarbone. On his right the second bride mirrors her, cheek mashed against his other cheek, one hand curled around the back of his neck, her chin tucked so her nose flattens the skin beside her own kiss. Both brides wear strapless white dresses with sweetheart necklines that sit low above the bust, the soft valley between their breasts clearly visible in the low upward view, their shoulders bare and glossy with the frame's pink light; one bride has a short white veil and a circlet of small flowers, the other a looser fall of dark hair spilling over the groom's collar. Their eyes are shut in the kiss, lashes down, brows drawn in a pleased, smirking crescent; the man alone gazes straight into the lens with both pupils swollen into hard-edged pink hearts, a faint dreamy blush across his nose, mouth slightly open on a breathless grin. Skin meets skin exactly where it should: two lips to two cheeks, four fingers to shoulder and neck, the brides' shoulders overlapping the man's arms, their veils floating behind the group rather than crossing their faces. The heart-shaped light frame is a real ring of glow in front of a deep midnight-blue void, its inner edge feathering soft rose over everyone's hair and shoulders, and the darkness beyond the ring is absolute โ€” no other source lights them, so the undersides of their chins, the hollow of each throat and the folds of the two white dresses fall into cool blue shadow while every upturned surface catches pink. Color stays in that register only: midnight navy ground, cream and chalk-pink fabric, cotton-candy pink light, silvered lilac-gray shadow in the hair and skin, one faint mint sparkle at the ring's edge. Flat cel-shaded anime frame with clean ink outlines, simple two-tone shadows, and a soft bloom spilling off the heart's rim onto the edges of the three figures; tender, giddy, and a little ridiculous.
ๆฏ่€่€…ใ‚ซใƒผใƒซ
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Avatar image of ใƒชใ‚ช
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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