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AI art "Lucy Nightvale"
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Lucy Nightvale

#Original#Thigh-highs#Dress#Boots#Thigh-high boots#long hair#solo#Black hair#Mini dress#Blunt Bangs#green eyes#Library#Ladder#Long sleeves#Book#Girl#Holding#Closed mouth#Bookshelf
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1girl, solo, adult woman, normal height, long straight black hair, blunt bangs, vivid green eyes, dark green sweater dress, black thigh-high boots, holding stack of old books, holding books, serious expression, thoughtful, intimidating aura, old grand library, tall bookshelves, antique furniture, from below, dutch angle, cowboy shot, looking at books, standing, weight on one leg, low angle, dynamic lighting From a low, slightly tilted angle near the floor of the library, an adult woman of normal height stands among the shelves, seen in a cowboy shot. Her long straight black hair, cut with blunt bangs across her forehead, falls past her shoulders and hangs still, a few strands resting on the dark green sweater dress that clings close at the shoulders and skims down over her hips. The black thigh-high boots rise to mid-thigh, their tops half lost under the dress hem. In both arms she holds a stack of worn old books pressed against her torso, their leather spines and cracked corners catching a thin edge of light; her forearms are under the bottom volume and the top one sits just beneath her collarbone. Her weight rests on her right leg, the left knee slightly bent, her chin tipped down toward the books as her vivid green eyes lower toward them, scrutinizing them rather than the viewer. Her brows draw together faintly and her lips are closed and level, the whole of her stillness reading as a faintly dangerous calm. Tall bookshelves climb against the dark behind her, stacked to the ceiling and receding into shadow, and to her left an antique table with a heavy carved leg sits in the gloom. The light comes from high behind and above her: one broad shaft from a high window or lamp spills down the aisle, striking the sheen on her black hair, the top of her shoulder, and the book spines, while her face falls into a soft lit half-shade, half bright and half deep shadow, and the shelves on the far side of the aisle hold nothing but dark. The palette is confined to the deep greens of the dress and the worn browns and golds of leather and old wood against near-black shadow, with her green eyes the one saturated point in the frame. Semi-realistic rendering, softly modeled skin and cloth, muted shadows. Quiet, watchful, and quietly unsettling.
Show Parameters
Original Prompt
Lucy Nightvale, an adult woman, normal height, long straight black hair, blunt bangs, vivid green eyes, wearing a dark green sweater dress and black thigh-high boots. She is standing in an old, grand library filled with tall bookshelves and antique furniture, holding a stack of old books. Her expression is serious and thoughtful, giving her an unintentionally intimidating aura. Dynamic lighting, semi-realistic art style.
Mode
pro
Style
Neon Vaporwave
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Neon Vaporwave
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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1girl, solo, solo focus, black hair, medium hair, medium breasts, white shirt, long sleeves, button-down shirt, collared shirt, skirt, grey pleated skirt, standing, holding, holding book, indoors, cowboy shot, from below, dutch angle, looking down, serious, closed mouth, one eyebrow raised, leaning against wall, hand on wall, library, tall bookshelf, dim light The camera sits low and tilts slightly off level, looking up at her from knee height so the tall bookshelf behind her runs off the top of the frame and the shelves lean with the tilt. One girl alone, no one else in the shot. She stands with her weight sunk into her left leg, right knee relaxed and slightly forward, her right shoulder and right hip leaning into the flat side of a tall wooden shelf, and her right palm presses flat against the shelf panel at shoulder height with the fingers spread — that contact is what holds her up. Her left arm is bent at the elbow, forearm level, and a closed hardback book with a plain dark spine is cradled in that hand, thumb on the front cover, fingertips hooked around the spine edge, the book tilted a little out from her body. She wears a crisp white long-sleeved button-down shirt, the top button left open at a bare throat with no tie and nothing at the collar, cuffs buttoned at the wrists, the shirt tucked into a charcoal grey pleated wool skirt whose waistband sits on her hips and whose pleats fall in flat vertical planes; nothing is worn over the shirt and her ears are bare and both her hands are unadorned. Her hair is black, cut to medium length so the blunt ends fall to below her jaw and brush the shirt collar, lifted slightly where the shelf touches it and swinging a little toward her cheek as her head tips. Her head is turned down and to her left, chin dropped, and her eyes — half-lidded under a lifted brow — look down at the closed book in her hand, not at the viewer, one eyebrow arched higher than the other over a flat, closed mouth with the lower lip caught just slightly under the upper. The book's spine catches a narrow violet sheen running down its edge, a sliver of reflected colour on a surface that has no colour of its own. A single low lamp out of frame on the right lights her from the right at hip height: it rims her right jaw, right shoulder and the sleeve seam, and it throws the left side of her face, the underside of the shelf and the space between the shelves into a deep blue-brown shadow; a soft cast shadow of her hips and the shelf edge slides across the floor toward the left. Palette restricted to white shirt, charcoal grey, black hair and the warm wood-ochre of the shelves with the one violet glint, all dimmed by a low-lux interior. She is caught in the middle of a page-folding pause, book half-lifted, weight still on the wall. Quiet, distracted.
Alvin

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