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Gobbo

Gobbo AI art by GGFF on PixAI. Made with Tsubaki.3.

#Female goblin

Published on Nov 13, 2026

GGFF

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1girl, solo, full body, medium-angle view, from below, sitting, sitting on bed, relaxed, metal bed, bed frame, hands on bed frame, looking at viewer, small goblin girl, goblin, 5-heads-tall proportions, short stature, smooth glossy green skin, glossy skin, long hair, messy hair, red hair, ahoge, big ahoge, large pointed elf ears, pointed ears, red eyes, yellow pupils, cat-like eyes, slightly upturned eyes, cute mischievous expression, playful smile, grin, lopsided smile, extremely curvaceous, massive breasts, wide hips, thick thighs, large round ass, gray sports bra, long coat, red and black coat, leather coat, asymmetric zippers, quilted panels, black and red camouflage cargo pants, camo pants, scrap metal knee pads, knee pads, black tool belt, tool belt, belt pouches, scrap metal, fingerless gloves, metal knuckles, reinforced black work boots, work boots, vintage biker goggles, goggles on head, post-apocalyptic, container room, corrugated metal container interior, wooden walls, wood plank wall, workbench, tools, wall map, pipes, lanterns, warm lantern light, cinematic lighting, depth of field, detailed industrial atmosphere, high-contrast anime style, bold halftone dots, graffiti marks, punchy neon accents, thick outlines, pop-graphic composition, street art energy, comic-book ink A medium-angle view from slightly below eye level, vertical framing, full body of a single small goblin girl, 90cm tall and drawn at five-heads-tall proportions so her head reads large against a compact body, sitting relaxed on the edge of a metal bed in a post-apocalyptic container room. She is perched on the mattress near the corner of the frame, torso turned a quarter toward the lens, one knee drawn up and the other leg hanging with the reinforced black work boot not quite touching the floor; her wide hips and thick thighs press a visible dent into the mattress, and her large round ass sinks the bedding where she sits, one hand's weight leaning back on the metal bed frame rail with gloved fingers hooked over the tubing, the other hand resting loose on the frame beside her hip. Her head is tilted slightly down toward the viewer, unpainted-looking smooth glossy green skin catching a soft sheen along the cheekbone, shoulder and the tops of her thighs, big red eyes cat-like and slightly upturned with yellow pupils fixed directly on the viewer, one brow lifted, a relaxed playful smile with one corner pulled higher in a cute mischievous expression. Long messy red hair falls in uncombed red strands past her shoulders and spills over the collar of the coat, and one big prominent ahoge springs up and curls from the crown, tilting with the head. Large pointed elf ears jut out through the red hair on both sides. Vintage biker goggles perch high on her head, strap biting into the messy hair. She wears a gray sports bra visible between the open front of a long red and black leather coat that hangs open down her sides to her knees, asymmetric zippers running crosswise and quilted panels along the shoulders and hem, the leather creasing at the elbows; black and red camouflage cargo pants bag out over her thick thighs and tuck into scrap metal knee pads strapped tight, then into reinforced black work boots laced high. A black tool belt sits low across her hips, heavy with pouches and scrap metal poking out of the loops and shifting the belt line sideways. Fingerless gloves show her green knuckles with metal plates riveted across them where her fingers curl on the bed rail. The container room wraps close around her: flat wooden plank walls behind the bed, a workbench crowded with wrenches, clamps and a vise running along the left wall, a wall map taped and curling at one corner pinned above it, fat pipes crossing the ceiling and dropping into a joint behind the bench, and two lanterns hanging from hooks, one close over the bed and one deeper in the room. The closer lantern is the key light: warm amber, low and to the right of the frame, striking the right side of her face, the leading edge of her shoulder, the front of the drawn-up knee and the metal rims of the knee pads, leaving the left side of her body in cool shadow and throwing her shadow back and soft against the wooden wall. The deeper lantern gives only a dim secondary glow and distant pinpricks of reflection on the pipes. Warm lantern light dominates the palette: amber and orange against the green of her skin, the red of her hair and coat, gray of the bra and black of boots and belt, with halftone dots stippling the shadow side, graffiti-like marks scratched and tagged on the container's metal door frame and the workbench front, bold thick outlines holding every silhouette. Shallow depth of field: her body and the bed frame tack sharp, the workbench tools and the wall map softening into a warm blur, the far container end falling away into darkness. Dust motes drift in the lantern cone and settle as a thin film on the bed rail where it faces up. One judgeable physics note: the lantern light passes through the loop of her loose hair, throwing a faint red-tinged glow onto her shoulder while the rest of the wall stays amber. Playful, gritty-warm.

Gobbo

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