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AI artwork featuring #The King of Fighters and #Kyo Kusanagi
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Kyo Kusanagi, The King of Fighters

AI art by Ryo Shiratake on PixAI. Made with Tsubaki.3 Flash.

#The King of Fighters
Avatar image of Ryo Shiratake

Ryo Shiratake

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character: kusanagi_kyou from behind, 1boy, solo, 18-year-old handsome young man, short brown hair, curtained hair, brown eyes, white headband across the forehead, white open jacket with black trim, white shirt, fingerless black gloves, dark pants, slim waist, huge firm buttocks, tight seat of the trousers stretched taut, embarrassed, blush, looking back over shoulder, head turned, eyes wide, mouth pressed thin, hands hovering behind his hips, arms bent, standing, weight on one leg, KOF outfit, full body, rear view, slightly from below, dramatic perspective, depth of field The camera sits low behind him and slightly to his right, a rear three-quarter view in which his body fills the frame from the boots to the bandanna: he stands with his weight on his left leg, his right hip cocked and his right heel lifted, and the whole line of him twists at the waist towards the lens. Behind him his white jacket hangs open down the spine, its hem kicked out where he flinched, the black trim running down both edges; the white shirt below it is pulled flat across the small of his back, and the dark trousers are drawn drum-tight over a seat so full and firm it rounds out the silhouette on both sides and visibly strains the center seam — the fabric dimpling at the stitching, one belt loop pulled askew, the whole weight of the back balancing the narrow taper of the waist above it. His head is turned over his right shoulder so only a slice of his face shows in profile: the cheekbone, the corner of one wide brown eye, a slim nose, the fine jaw, the bandanna's knot at the nape with the tails lifted. It is the eye that carries the shame — stretched wide, iris sliding down and away from the viewer toward his own hips, brow pinched, lips pressed to a thin flat line and one tooth catching the lower lip, a hot blush blooming from the cheekbone to the ear. Both gloved hands are caught in half-gesture behind him, fingers of the right splayed as though to cover the seat and thinking better of it, the left knuckles pressed flat to the small of his back where the shirt is rucked. The light comes from a single tall window high on the left, cold and pale: it rims his left shoulder, the top of the left buttock and the bandanna's edge, digs a long shadow down between the seat's two halves, and leaves the right side of him and the floor below in a warm dim brown; the cast shadow on the floor is thrown forward and away from the lens, longer than the figure. The room around him is plain and empty — a scuffed wooden floor, a bare warm-grey wall, no furniture, the wall's shadow line descending steeply to the right. Palette limited to white, black and warm brown skin and wood. Quiet comedy, mortified.
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Original Prompt
後ろ姿、18歳のイケメンのKOFのキャラクター草薙京（ウエストが細く、顔が整っていて、容姿端麗、KOFの服装、尻が巨大で張りがある）、尻が巨大すぎて恥ずかしがる草薙京。
Mode
flash
Size
768 x 1280
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
Avatar image of Ryo Shiratake
character: kusanagi_kyou from behind, 1boy, solo, 18-year-old handsome young man, short brown hair, curtained hair, brown eyes, white headband across the forehead, white open jacket with black trim, white shirt, fingerless black gloves, dark pants, slim waist, huge firm buttocks, tight seat of the trousers stretched taut, embarrassed, blush, looking back over shoulder, head turned, eyes wide, mouth pressed thin, hands hovering behind his hips, arms bent, standing, weight on one leg, KOF outfit, full body, rear view, slightly from below, dramatic perspective, depth of field The camera sits low behind him and slightly to his right, a rear three-quarter view in which his body fills the frame from the boots to the bandanna: he stands with his weight on his left leg, his right hip cocked and his right heel lifted, and the whole line of him twists at the waist towards the lens. Behind him his white jacket hangs open down the spine, its hem kicked out where he flinched, the black trim running down both edges; the white shirt below it is pulled flat across the small of his back, and the dark trousers are drawn drum-tight over a seat so full and firm it rounds out the silhouette on both sides and visibly strains the center seam — the fabric dimpling at the stitching, one belt loop pulled askew, the whole weight of the back balancing the narrow taper of the waist above it. His head is turned over his right shoulder so only a slice of his face shows in profile: the cheekbone, the corner of one wide brown eye, a slim nose, the fine jaw, the bandanna's knot at the nape with the tails lifted. It is the eye that carries the shame — stretched wide, iris sliding down and away from the viewer toward his own hips, brow pinched, lips pressed to a thin flat line and one tooth catching the lower lip, a hot blush blooming from the cheekbone to the ear. Both gloved hands are caught in half-gesture behind him, fingers of the right splayed as though to cover the seat and thinking better of it, the left knuckles pressed flat to the small of his back where the shirt is rucked. The light comes from a single tall window high on the left, cold and pale: it rims his left shoulder, the top of the left buttock and the bandanna's edge, digs a long shadow down between the seat's two halves, and leaves the right side of him and the floor below in a warm dim brown; the cast shadow on the floor is thrown forward and away from the lens, longer than the figure. The room around him is plain and empty — a scuffed wooden floor, a bare warm-grey wall, no furniture, the wall's shadow line descending steeply to the right. Palette limited to white, black and warm brown skin and wood. Quiet comedy, mortified.
Ryo Shiratake
#The King of Fighters
AI artwork
Avatar image of Ryo Shiratake
character: kusanagi_kyou from behind, rear view, solo, 1boy, male focus, looking back, head turned back, over shoulder, embarrassed, blush, sweatdrop, averted gaze, looking down, handsome young man, 18 years old, short brown hair, curtained hair, brown eyes, white shirt, open jacket, jacket, black jacket with white sleeves, fingerless gloves, black gloves, armband, black pants, belt, slim waist, wide hips, huge buttocks, thick thighs, tight pants, fabric strain, hands on own butt, hands behind back, standing, weight on one leg, slight knee bend, cowboy shot, from slightly below, three-quarter rear angle, outdoor urban rooftop at night, city lights, warm rim light, cool ambient shadow, anime cel shading, crisp lineart, flat color blocks, dramatic lighting, embarrassed, flustered The camera sits low and behind, a three-quarter rear angle that puts the viewer squarely at his back while a head-turn over the right shoulder lets his flushed face show in profile — brown eyes cast down and away, a hot blush spread across his cheeks and the tips of his ears, one sweatdrop trailing at his temple. Short brown hair falls in curtains over his brow and neck, the band of his headband pinning it at the back. He wears the KOF outfit: black jacket with white sleeves worn open over a white shirt, black fingerless gloves on both hands, armband on his upper left arm, black pants cinched at a belt. The waist is slim and narrow, and the black pants pull taut over buttocks that are huge and high and firm — the fabric strains into horizontal creases and a bright stitching seam across the seat, one belt loop tugging out of line. He stands with his weight shifted onto his left leg and the right knee slightly bent, hips canting to one side; both gloved hands have come around behind him, palms pressed flat over the seat of his pants, fingers splayed in a futile attempt to cover it, the black glove leather dimpled against the strained cloth. His shoulders round inward and his chin is tucked low in a flinch. His gaze goes down and to the side, toward the ledge below and away from the lens, refusing to look. He stands near the edge of a rooftop parapet at night; the low wall crosses the frame at hip height in front of him, and beyond it the city drops away into scattered lit windows and a haze of distant streetlight, small and out of focus. The only light is a warm light source off-frame at his right and slightly above, striking the right side of his turned face, the right shoulder, and the top of the seat of his pants; the left side of his body and the front of the ledge fall into cool blue shadow. His cast shadow stretches left along the rooftop concrete, compressed against the parapet. A night breeze moves the loose hem of his open jacket and the cuffs of his white sleeves, and lifts a few strands of the curtained hair at his neck. Palette: black, white, warm amber light, cool indigo shadow, and the hot pink of his blush. Flustered, quietly mortified.
Ryo Shiratake

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