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ๆฏ่€่€…ใ‚ซใƒผใƒซ

AI art by ๆฏ่€่€…ใ‚ซใƒผใƒซ on PixAI. Made with Tsubaki.3 Flash.

Avatar image of ๆฏ่€่€…ใ‚ซใƒผใƒซ

ๆฏ่€่€…ใ‚ซใƒผใƒซ

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3girls, 1boy, male focus, multiple girls, heart-shaped eyes, heart pupils, glowing heart-shaped frame, floating hearts, heart background, being kissed on both cheeks, simultaneous kiss, kiss on cheek, two brides, bridal veil, wedding dress, chest cleavage, large breasts, prominent cleavage, open mouth, blush, :d, happy, ecstatic, arms up, from below, close-up, cowboy shot, symmetrical composition, looking at viewer, pastel palette, chibi proportions, soft rounded limbs, clean linework, sticker-like composition, dense decorative elements The camera looks up at the three of them from slightly below chest height, tight enough that the glowing heart-shaped frame of pale rose-gold light encloses them edge to edge like a window cut in the dark; the frame's inner edge curves around the man's shoulders and is cropped by both sides of the picture. The man stands dead center, chest square to the lens, chin lifted, shoulders loose and thrown open with both arms up and flung outward in a wide open victory pose, palms turned out and fingers spread, weight settled back on his heels so his hips push slightly forward. His eyes are two glossy pink hearts, fully heart-shaped and plump, the lobes meeting at a bright highlight point, and they are aimed straight at the viewer; his mouth is wide open in a shout of bliss, brows lifted high, a flush across both cheeks. To his left and to his right the two brides lean in shoulder to shoulder against him, symmetrical, each pressing her lips to one cheek โ€” the left bride's hand curled around the back of his neck, the right bride's hand flat on his opposite shoulder blade, both brides up on their toes and off balance so their veils swing back and their hair tips lift. Both brides wear white bridal dresses with deep plunging necklines, and the low neckline on each is rendered plainly with the soft shadow of the cleavage running down between the breasts, the fabric straining taut at the bust line; their eyes are closed in the kiss, lashes lowered, corners of the lips curved against his skin, and each bride's free hand lifts a bouquet-less palm outward for balance. Light comes from the heart frame itself: warm rose-gold radiance rimming all three figures from behind and from the sides, catching the edges of the brides' veils and the man's arms in a bright halo while the fronts of their faces stay in soft warm fill; the darkness beyond the frame is total, and the frame's glow is the only source. Small pink and coral hearts crowd the space around the perimeter, some crisp and close, some soft and defocused, floating outward beyond the frame edge. Palette locked to white, rose-gold, blush pink and one warm coral accent in the hearts, nothing else admitted. The glow does not wash out the frame's underside โ€” the bright inner rim of the heart is visible only along the top lobes, while the bottom point of the heart falls into shadow where it passes behind their waists. Effervescent, overflowing.
Show Parameters
Mode
flash
Style
Chibi
Size
1632 x 1232
Style: Chibi

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.17k

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3girls, 1boy, male focus, center, two brides at his sides, blonde bride on the left, dark-haired bride on the right, both brides leaning in, kissing his cheeks, lips pressed to his cheeks, man with heart-shaped eyes, heart-shaped pupils, delighted, closed-mouth grin, blush, cleavage, white bridal dresses, veils, bouquet, glowing heart-shaped frame, hearts floating in the air, sparkles, heart-shaped bokeh, from below, dutch angle, cowboy shot, looking at viewer, symmetrical composition, warm pink and gold palette, soft bloom, romantic comedy mood. Low-angle dutch-tilt cowboy shot: the man stands at dead center, tipping slightly back on his heels with his chin lifted, chest pushed forward and shoulders rolled wide, both arms hanging loose and slightly out from his body as if they have forgotten what hands are for. His heart-shaped pupils are large and glossy, catching two tiny pink highlights, his eyebrows float high, and his wide closed-mouth grin pushes his cheeks up into round apples; a hot blush crosses both cheekbones. One bride presses in from each side: the left bride, blonde waves spilling over her shoulder, plants her lips on his right cheek and her hand curls into the front of his collar to hold herself there, her veil draping across his shoulder; the right bride, a tall pinned-up dark bun, kisses his left cheek with her eyes squeezed shut and her palm flat against his far shoulder to brace her own weight. Both brides angle inward, hips turned toward him, so their shoulders stack in front of his arms and their dresses' necklines dip low, the swell of cleavage clearly visible on each. Both brides' lips dimple his cheek flesh, and the cheeks compress slightly under the kiss. The camera sits below eye level so the three heads form a tight triangle against a pale sky-like glow, and the upward angle foreshortens the brides' shoulders into the lower corners. Around the group hangs a frame of glowing heart-shaped light -- a ring of luminous pink heart outlines and soft bokeh blobs forming a halo border just inside the picture edge -- and loose hearts float in the air around the trio, some crisp and some blurred nearer the lens, drifting upward as though lifted by warm air. A small detail: each floating heart close to the lens is blurred larger than the crisp ones far behind, and the petals of light curl and deform slightly as they pass in front of a veil. Light comes from the glowing heart-frame itself, pink and warm, tinting the cheeks, the collarbones and the veil edges, with soft rose shadow pooled under the chins. Palette is white, warm pink and gold only. Effortlessly romantic, giddy.
ๆฏ่€่€…ใ‚ซใƒผใƒซ
AI artwork
Avatar image of ๆฏ่€่€…ใ‚ซใƒผใƒซ
3girls, 1boy, male focus, man in the center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart-shaped pupils, cleavage, deep plunging neckline, white satin bridal gown, bridal veil, bouquet, heart-shaped light frame, glowing heart-shaped border of light, upper body, cowboy shot, facing viewer, from front, head tilt, eyes closed, blush, smile, glossy skin, clean linework, soft shading, warm palette, romantic comedy mood. A front-facing cowboy shot with the man dead center, framed from mid-thigh up: he is a lean young man in his twenties in a dark formal suit, a white dress shirt unbuttoned at the collar and a loosened tie, his shoulders loose and slightly lifted, chin tipped back and up as his head tilts toward the ceiling in bliss. His eyes are the picture's joke and its focal point โ€” the pupils have become two perfectly symmetrical glowing pink hearts, and the hearts are the brightest thing on his face, catching a wet bright highlight along their upper lobes. His mouth is open in a dopey, delighted grin, and a soft blush sits high on both cheeks where the brides' lips press. Between them the two brides lean in from left and right, each angled toward him at nearly the same tilt so the composition reads as a symmetrical pair: each wears a white satin bridal gown with a deep plunging neckline that bares the chest and reveals cleavage, the satin catching a broad soft sheen along the breast and shoulder curves, a pale veil falling behind the shoulders and a small bouquet held low and out of the way in one hand each. Each bride's eyes are closed in a serene kiss, lashes lying against the cheek, lips pressed to the man's cheek at the exact spot where the blush blooms, and each has one hand resting on his far shoulder while the near hand holds her bouquet โ€” four named contact points, cheek against cheek, palm against shoulder, two of them left and two right. The brides' hair spills forward in the lean, one dark and one light, and the veils sway back away from the motion. All three faces catch the same warm key light from slightly above and in front, which lays a soft sheen on skin, satin and lip gloss; the background behind them is a seamless, gentle warm-pink studio sweep, and around all three figures a heart-shaped frame drawn entirely in glowing light arcs through the air, a luminous pink outline with brighter sparkles at the top cleft and the bottom point, its glow softly bleeding onto the edges of the veils and onto the man's shoulder. Only that light frame and the key light illuminate them; beyond the heart outline the pink sweep falls away into a dimmer, softer wash. Colours are limited to warm pink, cream white, white satin and the man's charcoal suit, with his red tie as the one saturated accent. The three hearts in his eyes are perfectly identical in size, and the specular highlights inside them sit on the same upper-left point in both. Bright, silly, adoring.
ๆฏ่€่€…ใ‚ซใƒผใƒซ
AI artwork
Avatar image of ๆฏ่€่€…ใ‚ซใƒผใƒซ
3girls, 1boy, male focus, in the center, bride on each side, kissing cheek, simultaneous kiss, two girls kissing his cheeks, heart-shaped eyes, heart eyes, cleavage, large breasts, heart-shaped frame, heart-shaped light frame, glowing heart border, floating hearts, heart motes, valentine, romantic, symmetrical composition, frontal, from front, cowboy shot, close-up on faces, looking at viewer, blush, closed eyes on the brides, wedding dress, white bridal gown, veil, bouquet, arms linked, hugging arm, head tilt, open mouth, smile, warm light, glowing, lens flare, bright background, pastel palette A symmetrical frontal cowboy shot frames three figures against a luminous backdrop: a man square in the middle of the frame, and on either side of him a bride, one to his left and one to his right, their bodies turned inward toward him so the three read as a single triangle of heads. The bride on his left presses her lips to his left cheek, the bride on his right presses her lips to his right cheek, both kissing him at the same instant; each bride's far hand is laid flat against his opposite shoulder, their near shoulders overlapping his arms, their veils falling forward over his sleeves, and both brides have their eyes closed in the kiss with a soft blush across their cheeks. The man's face fills the center of the shot: his eyes are two glossy pink heart shapes, pupils replaced entirely by the hearts, and a hot blush blooms across his nose and cheeks under the two mouths pressed to him; his mouth is open in a delighted gasp, brows lifted, chin slightly raised as he leans into the double kiss. The brides wear white bridal gowns with sweetheart necklines, and the woman on his right is angled so her deep cleavage shows clearly between the gathered white fabric, a strand of her hair falling across her collarbone. Around the trio a heart-shaped frame of glowing light encloses them, its two lobes arcing above the man's head and its point closing below their waists, drawn in warm radiant pink-white with soft bloom at the edges; inside and outside that frame, small hearts drift and float in the air at different depths, some sharp in the foreground, some soft and translucent behind the shoulders. Light comes from the heart frame itself: the glow rims the three figures from behind and above, catching the veil hems, the curve of cheeks and the edges of hair, while the fronts of their faces stay lit by a warm, even key, and the falling hearts cast faint colored speckles onto the white dresses. The palette is disciplined to white, warm skin tones and pink โ€” white in the gowns and veils, pink in the light frame and every floating heart, warm rose in the blush. Background is a bright, soft, out-of-focus glow with no readable scenery. Flat cel-shaded anime rendering with bold clean outlines, high-contrast flat color fills, simple two-tone shadows and classic TV-anime frame crispness. Joyful, giddy.
ๆฏ่€่€…ใ‚ซใƒผใƒซ
#MARI
AI artwork
Avatar image of ๆฏ่€่€…ใ‚ซใƒผใƒซ
3girls, 1boy, male focus, in the center, bride on each side, kissing cheek, simultaneous kiss, two girls kissing his cheeks, heart-shaped eyes, heart eyes, cleavage, large breasts, heart-shaped frame, heart-shaped light frame, glowing heart border, floating hearts, heart motes, valentine, romantic, symmetrical composition, frontal, from front, cowboy shot, close-up on faces, looking at viewer, blush, closed eyes on the brides, wedding dress, white bridal gown, veil, bouquet, arms linked, hugging arm, head tilt, open mouth, smile, warm light, glowing, lens flare, bright background, pastel palette A symmetrical frontal cowboy shot frames three figures against a luminous backdrop: a man square in the middle of the frame, and on either side of him a bride, one to his left and one to his right, their bodies turned inward toward him so the three read as a single triangle of heads. The bride on his left presses her lips to his left cheek, the bride on his right presses her lips to his right cheek, both kissing him at the same instant; each bride's far hand is laid flat against his opposite shoulder, their near shoulders overlapping his arms, their veils falling forward over his sleeves, and both brides have their eyes closed in the kiss with a soft blush across their cheeks. The man's face fills the center of the shot: his eyes are two glossy pink heart shapes, pupils replaced entirely by the hearts, and a hot blush blooms across his nose and cheeks under the two mouths pressed to him; his mouth is open in a delighted gasp, brows lifted, chin slightly raised as he leans into the double kiss. The brides wear white bridal gowns with sweetheart necklines, and the woman on his right is angled so her deep cleavage shows clearly between the gathered white fabric, a strand of her hair falling across her collarbone. Around the trio a heart-shaped frame of glowing light encloses them, its two lobes arcing above the man's head and its point closing below their waists, drawn in warm radiant pink-white with soft bloom at the edges; inside and outside that frame, small hearts drift and float in the air at different depths, some sharp in the foreground, some soft and translucent behind the shoulders. Light comes from the heart frame itself: the glow rims the three figures from behind and above, catching the veil hems, the curve of cheeks and the edges of hair, while the fronts of their faces stay lit by a warm, even key, and the falling hearts cast faint colored speckles onto the white dresses. The palette is disciplined to white, warm skin tones and pink โ€” white in the gowns and veils, pink in the light frame and every floating heart, warm rose in the blush. Background is a bright, soft, out-of-focus glow with no readable scenery. Flat cel-shaded anime rendering with bold clean outlines, high-contrast flat color fills, simple two-tone shadows and classic TV-anime frame crispness. Joyful, giddy.
ๆฏ่€่€…ใ‚ซใƒผใƒซ

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Avatar image of ใƒชใ‚ช
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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