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ๆฏ่่ ใซใผใซ
AI art by ๆฏ่่ ใซใผใซ on PixAI. Made with Tsubaki.3 Flash.
Show Parameters
- Mode
- flash
- Style
- Chibi
- Size
- 1632 x 1232
Style: Chibi
Model & LoRA used
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heart-shaped eyes, glowing heart-shaped frame, floating hearts, cleavage, 3girls, 1boy, two brides kissing man's cheeks, kiss on cheek, cheek kiss, bride, wedding dress, veil, bouquet, center figure, symmetrical composition, front view, medium shot, cowboy shot, arms linked, looking at viewer, open mouth, blush, ^ ^, half-closed eyes, heart background, heart, sparkle, romantic, warm lighting.
A centered, symmetrical medium shot seen straight from the front: a man stands at the exact middle of the frame, and two brides flank him, one on each side, each leaning in so her lips press to one of his cheeks. The bride on the left tilts her head to the right and kisses his left cheek, her cheek warm against his jaw, her hand resting on his far shoulder for balance; the bride on the right mirrors her, lips on his right cheek, her fingers curled over his near shoulder. Both brides wear white wedding dresses with lace-edged sweetheart necklines, short veils pinned into their hair, and both have their eyes closed in soft crescent smiles as they kiss. The man's head is tipped slightly back between them, his mouth open in a wide, dazzled grin, his own eyes replaced entirely by two glossy pink heart shapes that shine like polished candy, facing the viewer. His hands hang loosely at his sides, fingers slack with happiness, chest pushed forward so the deep V of his open shirt shows his cleavage in the center of the frame.
The three figures are enclosed by a glowing heart-shaped frame of warm pink light, its point at the bottom of the composition and its lobes arching above their heads; the glow spills onto their hair and shoulders, rimming them in soft rose light. Smaller hearts float around them at different depths, some crisp and near, some soft and blurred behind, and a few heart-shaped glints sparkle in the air. The background is a seamless, dark rose-to-magenta gradient with no scenery, so all detail sits on the three faces, the lips pressed to cheeks, the hands on shoulders and the glow landing on skin. The heart frame is the only light source, so the faces are lit from the front and edges fall gently into shadow. Warm pink, white lace and rose gold palette. Tender, giddy.
ๆฏ่่
ใซใผใซ
3 subjects, 1 man, 2 brides, symmetrical composition, central man, bride kissing his left cheek, bride kissing his right cheek, simultaneous cheek kiss, man with heart-shaped eyes, heart-shaped pupils only, visible cleavage, brides with visible cleavage, heart-shaped glowing frame, glowing heart frame around the scene, floating hearts, hearts floating around figures, romance, intimate, close-up, cowboy shot, from above, slight high angle, looking at each other, eyes closed brides, light smile, blush, wedding, bridal veil, white wedding dress, off-shoulder dress, bouquet, clean outlines, flat high-contrast colors, cel shading, anime screencap, cinematic lighting, pastel pink and warm gold palette
Slight high angle, cowboy shot framing: three figures arranged in a tight symmetrical triangle at the center of the frame โ one man standing upright at the axis, and two brides flanking him at equal distance, both leaning in toward him so their heads tilt inward toward his jaw. The bride on the viewer's left presses her lips to his left cheek, her lips flattened and slightly dimpled against the skin, her chin tucked against his jawline, one of her hands raised and splayed flat on his far shoulder to brace herself. The bride on the viewer's right mirrors her exactly against his right cheek, her hand flat on his opposite shoulder, her nose grazing his cheekbone. Both brides' eyes are shut, lashes lowered, brows softly raised, faint pink blush on the cheek not touching him; both wear full white bridal dresses with off-shoulder necklines that open into deep sweetheart dรฉcolletage, a pearl-white veil falling behind each head to the shoulders, and each holds a small pale pink bouquet loosely at hip level, ribbons hanging.
The man's head tips slightly back and up between the two kisses, chin lifted, mouth open in a wide delighted grin with the corners of his eyes creased. Both of his irises are drawn as single vivid pink hearts with a small white specular glint off one lobe โ the heart shape replaces the entire visible eye, no normal pupil anywhere. He is the tallest of the three, dark short hair swept back, wearing a black formal suit with a white shirt and a loosened dark tie. His shoulders are squared but his weight sits on his back foot, caught off-balance by the double kiss. All three collarbones and the tops of both brides' chests catch the key light; the man's gaze is thrown upward into the empty air above the camera, unfocused with bliss, while the brides' faces aim only into his cheeks.
A single glowing heart-shaped frame of warm pink-white light encircles the three figures as one closed heart silhouette, its outline a clean luminous stroke with a soft outward bloom, and the frame's pointed bottom dips below their waists. Inside and around the figures, roughly a dozen small floating hearts of varying size rise in a loose spiral from their shoulders to the top of the frame; the two nearest the glow catch a brighter rim and the farthest sit duller and pinker, receding. Behind them is an empty seamless soft-blush studio ground, no scenery, only a faint radial brightening at the center of the heart frame.
Key light comes from directly in front and slightly above, warm ivory, laying a small bright rim along each veil's edge and giving the glowing heart frame its own spill onto the brides' bare shoulders and the man's collar; shadows are simple flat cel shapes with one hard edge. Palette is strictly pastel pink, warm gold light, pearl white and the man's black suit, nothing else admitted. Hair and veil hems drift outward a few centimetres from the inward lean of the two brides, and the bouquet ribbons hang dead straight, unmoved. Bright, giddy, sweetly overwhelming.
ๆฏ่่
ใซใผใซ
3girls, 1boy, male focus, man in the center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart-shaped pupils, cleavage, deep plunging neckline, white satin bridal gown, bridal veil, bouquet, heart-shaped light frame, glowing heart-shaped border of light, upper body, cowboy shot, facing viewer, from front, head tilt, eyes closed, blush, smile, glossy skin, clean linework, soft shading, warm palette, romantic comedy mood.
A front-facing cowboy shot with the man dead center, framed from mid-thigh up: he is a lean young man in his twenties in a dark formal suit, a white dress shirt unbuttoned at the collar and a loosened tie, his shoulders loose and slightly lifted, chin tipped back and up as his head tilts toward the ceiling in bliss. His eyes are the picture's joke and its focal point โ the pupils have become two perfectly symmetrical glowing pink hearts, and the hearts are the brightest thing on his face, catching a wet bright highlight along their upper lobes. His mouth is open in a dopey, delighted grin, and a soft blush sits high on both cheeks where the brides' lips press. Between them the two brides lean in from left and right, each angled toward him at nearly the same tilt so the composition reads as a symmetrical pair: each wears a white satin bridal gown with a deep plunging neckline that bares the chest and reveals cleavage, the satin catching a broad soft sheen along the breast and shoulder curves, a pale veil falling behind the shoulders and a small bouquet held low and out of the way in one hand each. Each bride's eyes are closed in a serene kiss, lashes lying against the cheek, lips pressed to the man's cheek at the exact spot where the blush blooms, and each has one hand resting on his far shoulder while the near hand holds her bouquet โ four named contact points, cheek against cheek, palm against shoulder, two of them left and two right. The brides' hair spills forward in the lean, one dark and one light, and the veils sway back away from the motion. All three faces catch the same warm key light from slightly above and in front, which lays a soft sheen on skin, satin and lip gloss; the background behind them is a seamless, gentle warm-pink studio sweep, and around all three figures a heart-shaped frame drawn entirely in glowing light arcs through the air, a luminous pink outline with brighter sparkles at the top cleft and the bottom point, its glow softly bleeding onto the edges of the veils and onto the man's shoulder. Only that light frame and the key light illuminate them; beyond the heart outline the pink sweep falls away into a dimmer, softer wash. Colours are limited to warm pink, cream white, white satin and the man's charcoal suit, with his red tie as the one saturated accent. The three hearts in his eyes are perfectly identical in size, and the specular highlights inside them sit on the same upper-left point in both. Bright, silly, adoring.
ๆฏ่่
ใซใผใซ
3girls, 1boy, male focus, trio, center, heart-shaped eyes, heart pupils, two brides, bride, wedding dress, kissing, cheek kiss, kiss on cheek, both cheeks, closed eyes, blush, smile, large breasts, cleavage, heart-shaped frame, glowing frame, heart background, floating hearts, love hearts, sparkles, looking at viewer, half-closed eyes, cowboy shot, from below, dutch angle, symmetrical composition,
A low camera tilted slightly off level looks up at three figures arranged in a tight, symmetric group against a seamless rose-pink ground. In the center stands a young man, chest-up, shoulders squared but weight settled onto his back foot so his torso leans a half-step back into the moment. His eyes are drawn as two glossy, rounded heart shapes, no irises, no pupils, just deep magenta hearts with a single white highlight each, wide and lovestruck; his brows lift and his mouth is a small open smile. At his shoulders, the open V of his dark violet dress shirt drops low enough to show the swell of his bare upper chest and a clean central line of cleavage between the pectorals, the fabric creased where it pulls over his collarbones.
One bride presses in from his right, one from his left, mirror images but not identical. The left bride has ash-blonde hair in a loose low chignon with a few strands escaping, the right bride has short black hair tucked behind her ear; both wear sleeveless white bridal gowns with narrow straps and soft pastel-blue sashes at the waist. Each bride leans her upper body across toward him, her near hand resting flat on his upper arm to brace herself and the other hand light at his far shoulder, lifting onto the ball of one foot. Each has her lips pressed to his cheek, the skin of the cheek visibly compressed and pushed upward under the kiss, their own lashes down and a warm blush across their noses and ears. The kisses land high on the cheekbones, near the jaw hinge, one on each side, so their chins frame his jaw.
Light comes from behind and above the group as a soft ring: a glowing heart-shaped frame of pale gold light arcs around all three, its point at the bottom of the frame and its two lobes cresting above their heads, the light hazing the top edge of every head so a fine rim of gold sits on the man's hair and both brides' crowns. Beyond the heart frame the background is a smooth lavender-to-pink gradient. Matte pastel hearts float around the trio at different depths, some sharp and small in front of their shoulders, a few larger and blurred near the camera, catching the same pale gold light on their upper edges while their undersides fall into soft pink shadow. Their three cast shadows merge into one soft blob on the ground behind them, consistent with the single rear light. The palette holds to rose pink, lavender, cream white, pale gold and the man's dark violet only.
Flat, clean anime style with light rounded linework, soft pastel color fills, minimal shading and smooth untextured gradients. Effortlessly romantic and sweet.
ๆฏ่่
ใซใผใซ
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