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AI art "비 오는 밤의 감성적인 남성 캐릭터" featuring #Window, #solo, #Black hair, #Stubble, #Night, #Rain, #Facial Hair, #Boy, #Indoors and #white shirt
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비 오는 밤의 감성적인 남성 캐릭터

비 오는 밤의 감성적인 남성 캐릭터 AI art by ARE115 on PixAI. Tags: Black hair, Stubble, Night, Rain, Facial Hair, Indoors. Made with Tsubaki.3.

비 내리는 창가에 서서 밖을 바라보는 남성의 모습이 참 분위기 있지 않나요? 저는 이렇게 차분하면서도 약간은 쓸쓸한 무드의 일러스트를 정말 좋아해요. 마음에 드셨다면 좋아요와 팔로우 부탁드려요! 댓글로 여러분의 감상도 들려주세요.

#Window#solo#Black hair#Stubble#Night#Rain#Facial Hair#Boy#Indoors#white shirt
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ARE115

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solo, 1boy, adult man in his 30s, profile, from side, standing, looking out window, back to room, indoor, dimly lit room, dark atmosphere, rainy day, rain, rain streaks on window glass, window, minimalist room, clean interior, simple bed, single chair, desk lamp, lamp on, cool blue twilight glow, cinematic lighting, melancholic, exhausted, tired eyes, half-closed eyes, messy short hair, stubble, collared shirt, sleeves rolled up, dark trousers, barefoot-or-slippers ambiguity resolved as bare feet on floorboards, arms hanging, one hand against window frame, from behind is not the case, profile shot, cowboy shot, high quality, highres, masterpiece The camera sits inside the room at shoulder height, looking slightly across the space: the man is caught in true left-facing profile in the near-midground, his body angled to the window at frame left, his back squared to the room behind him. Everything on his far side (right ear, right cheek) is turned away and only its edge shows past his jaw. He stands with his weight sunk into the left hip, right knee slack, right shoulder dropped lower than the left; his left palm is flat on the window frame's vertical mullion at chest height, fingers spread, and his right hand hangs loose with the knuckles brushing the hem of his shirt. His chin is a fraction lowered, brows drawn level and heavy, the lids half shuttered over eyes fixed on something far out past the glass, out of frame; his lips part very slightly on a slow exhale, no smile at all. Short dark hair lies flat and unstyled at the crown with a few strands pushed up at the temple; a two-day shadow dusts his jaw and upper lip; creases cut from his nose to mouth corners and a fold of skin at the outer eye carry the exhaustion his posture already states. He wears a plain collared shirt with the collar open and the sleeves shoved up to the elbow, untucked over dark trousers. Beyond the glass the night is a cold rainy streetscape of blurred blue-grey shapes and one distant sodium light smeared into a soft vertical streak; rain falls in slanted threads across the whole pane and beads in fat droplets that cling and shiver downward, each one dragging a thin clear trail through the condensation. The glass itself sits between him and that street: rain streaks read sharp where they touch the pane at frame left and go soft and out-of-focus where they cross in front of his face at the right, so his profile is seen slightly through wet glass at the leaf's edge. The room behind him is bare and clean: a low simple bed with a flat pale cover pushed against the back wall, a single wooden chair set square beside it, and a small desk at frame right where one desk lamp burns — the only warm source, a compact amber pool falling on the desk surface, up the shade's inside and along the underside of his far sleeve. The twilight's cool blue pours in through the window and lays a long bluish cast on the floorboards toward the bed; the lamp's warmth dies a metre from the desk, and beyond both pools the corners of the room hold absolute dark. His shadow is thrown forward and slightly right across the floorboards, long and soft, its near edge not quite touching the chair's legs. Palette held to cold slate blue, wet charcoal, pale grey bedding and one small amber accent at the lamp — nothing else admitted. The window's condensation is the revealer: fine droplets condensing on the inside face of the glass where the room's warmth meets the cold pane, running down in slow tracks and pooling at the sill, so the temperature difference is visible as water. Quiet, heavy, melancholic.
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Original Prompt
1boy, solo, 30s man, indoor, standing inside room, looking outside through window, view from inside the room, back to room, rainy day outside, rain streaks on window glass, rain outside, dimly lit room, minimalist room, clean interior, simple bed, single chair, desk lamp on, dark atmosphere, melancholic, exhausted face, profile shot, cool blue twilight glow, cinematic lighting, masterpiece, best quality, highres
Mode
pro
Style
Glassy Anime
Quality Tag
﹝Prompts﹞
Size
1056 x 1888
Negative
lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, bad face, outdoor, outside, standing outside, looking into room, reflection error, 1girl, multiple boys, crowd, smile, happy, laughing, bright lighting, sunlight, colorful, vibrant, cluttered background, messy room
Style: Glassy Anime
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Avatar image of ニニモモ（ニュモ）
1boy, solo, middle-aged man, mature male, cityscape, shop window, storefront glass, jazz atmosphere, night, from side, profile, cowboy shot, walking past, hands in pockets, looking ahead, looking to the side, head tilted slightly, faint closed-lip smile, half-closed eyes, short dark hair with grey at the temples, stubble, deep lines at the eye corners, worn brown overcoat, collar turned up, dark scarf, bare hands, both ears bare, hair completely unadorned, open bare collar under the scarf, warm interior light, cool street light, reflections in glass, glowing sign, rain-slicked pavement, muted amber and deep blue palette, cinematic A profile view, camera at chest height just off his right shoulder and slightly behind the glass line, holds him in a cowboy shot from mid-thigh up as he walks the sidewalk left to right. He is a middle-aged man: short dark hair greying at the temples, close stubble along the jaw, deep creases at the outer corners of his eyes, a heavier settled build carried in the shoulders and chest. A worn brown overcoat hangs open over a dark scarf wound once and tucked, the coat collar turned up against the night; his hands are pushed deep into the coat pockets, so the wool pulls taut across his back and bunches at the wrists, and both hands stay hidden. His weight is on the front foot, the rear heel just lifting off the wet pavement, torso leaned a few degrees forward into the walk. His chin is turned a fraction toward the window on his right, lids lowered to half, one corner of the mouth pulled into a faint closed-lip smile — the look of a man hearing something he likes and not yet admitting it. His gaze goes sideways into the shop window, not to the lens. The shop window fills the right third of the frame: a tall plate-glass pane in a dark bronze frame, an interior of warm amber light behind it, brass fittings and shadowed shapes inside, and across the glass the doubled image of his own profile and shoulder sliding over the reflections of the street. The glass carries both — his reflection ghosted over the warm interior, and the interior winning wherever the amber is brightest, so the reflection thins and vanishes at the pane's lit edge. That reflection is the revealer: darker and softer than the man himself, its edges blurred by the pane. Behind him the cityscape recedes in layers: a receding row of building fronts on the left with lit and unlit windows, an illegible glowing sign above the shopfront whose lettering dissolves into bloom, a striped awning, a distant streetlamp. The pavement under his feet is rain-slicked and holds long vertical smears of the amber window light and the cool blue of the street, broken into wet patches where the stone is dry. Scattered notes of jazz read only as atmosphere: the lit window's warm spill, a saxophone silhouette hinted deep inside the shop glass among the brass, and the hush of the empty late street. Light comes from two directions only: warm amber from inside the window striking the right side of his face, his scarf and the coat's right shoulder, and a cool blue streetlamp from high behind-left rimming his hair and the back of his collar. The left side of his face falls into deep shadow. Palette is muted amber and deep blue with the brown of the coat between them; nothing else admitted. The air is damp and still, quietly nostalgic.
ニニモモ（ニュモ）

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4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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