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機械虫人、旅立ち、みたいな・・・
機械虫人、旅立ち、みたいな・・・ AI art by 厚川園動 on PixAI. Tags: Android, Cloud, Insect Wings. Made with Tsubaki.3.
mio.2プロンプト、コンテスト用
Contest Entry
This Time, I Choose.#Wanderer(Genshin Impact)
Show Parameters
- Original Prompt
- masterpiece, 青く高く澄み渡った大空、白く積もる雲海の上を風に乗って漂う、細身の機械的な人型の昆虫のような存在を描いたワイド構図。その体は繊細な金属の外骨格で覆われ、頭部には小さな複眼が静かな光を宿し、背中には半透明の薄い翅が塵のようにかすかに開いている。人間と同じように上質な旅装を身につけているが、擦り切れた襟元の高い長袖の旅装束の袖口から、節になった細く長い機械的な腕が覗き、裾の破れた長いトレンチ状の外套の下からは、細長い節くれだった昆虫のような脚が何本も伸びて風に揺れている。肩には革のストラップで小型の行囊を背負い、腰には布帯を何重かに巻いて小さな革袋と水筒を吊るす。その細い金属の手足が風の中でゆるやかに動き、存在は両腕と翅を広げて風そのものと一体化したように自由な姿勢で宙に漂い、複眼は細められて穏やかで解き放たれた表情。肩や手足の関節から垂れていた人形の糸が今まさに千切れ、渦を描いて風の中に散り、光の粒になって上方へ昇って消えていく。遥か下方にはかつてこの存在がいた世界――霞んだ大地と小さな街の灯りのような点々が雲の切れ間に見え隠れし、そこはもう過去の残像のように遠い。空は明るい青と白の積雲が広がり、昼間の強い日差しが金属の外骨格の稜線を清々しく照らして鋭い反射を放ち、雲の間から差す光の柱が浮遊する姿を柔らかく照らす。自由、自我、再出発――すべてを一度に感じさせる、風と高さのスケール感あふれる一枚。アニメ調の美麗な塗り、青と白の高彩度コントラスト、金属の質感と薄い翅の透け感、空気遠近のある雲海の奥行き、シネマティックなワイド構図と爽やかな順光のライティング。
- Mode
- pro
- Size
- 576 x 1744
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Model & LoRA used
Similar Images
Show more厚
機械虫人、旅立ち、セピア化
厚川園動
厚
機械虫人、旅立ち、色つきの方がいいね
厚川園動
羽
1girl, solo, slender, cyborg, body fused with machine, metallic skin, white painted torso, mechanical joints, cylinders at joints, exposed internal machinery, partially mechanical body, red eyes, black hair, long hair, mechanical ears, headset, mechanical wings, variable wings, wings spread, flying, midair, somersault, upside-down, arched back, looking at viewer, from below, foreshortening, sea of clouds, sunrise, dawn, open sky, sunbeams, backlighting, masterpiece
From below, foreshortening hard along her body: she hangs inverted in the upper third of the frame, wings spread wide and swept back past her hips, her back arched so the sunrise rim-lights the whole length of her. Her long black hair streams down and out of the loop, loose strands crossing her cheek. Her head tilts back toward the lens, red eyes catching the low sun from above the horizon line and looking straight down the camera axis, mouth slightly open from the exertion of the turn. A slender silhouette, the torso painted white in clean panels with seams running across the ribs, and where the chest plating splits at the sternum a dark gap shows gears, cabling and a slowly turning coupling inside, the inner cavity lit faintly from within. Ball-and-socket mechanical joints at shoulders, elbows, hips and knees, each reinforced by a polished cylinder running along the limb, pistons half-extended on the bent side, half-compressed on the stretched side. Mechanical ears sweep back from the temples, angular and fin-like, a compact headset clamped over them with a thin jaw mic reaching toward her mouth; no jewellery anywhere, ears and headset the only things on her head. The wings are segmented variable assemblies, layered alloy feathers fanning out with their leading edges tilted to catch the sunrise, the outer primaries splayed and the inner ones overlapping.
Beneath and behind her, a sea of clouds fills the lower half of the frame as a rolling white ocean, the tops of the billows gilded along their sunward crests and blue in their troughs; between the cloud tops and her inverted body, the dawn air thins into a pale gradient. The sun sits low at frame edge behind her shoulder, so every upward-facing surface on her wings and white torso takes warm orange light while the undersides stay cold shadow, and a long soft shadow of her body falls across one cloud crest far below. Feather-segments on the sunward side throw small angular highlights; the cloud crests directly under her glow faintly with the same orange. Cool blue dominates the shadows, warm gold the highlights, with the white paint neutral between them. Wide open sky, movement and lift.
羽多良ケイ
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