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AI art "機械虫人、旅立ち、色つきの方がいいね" featuring #Fantasy, #Machinery, #Arthropod Boy, #Insect Wings and #Wanderer(Genshin Impact)
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機械虫人、旅立ち、色つきの方がいいね

機械虫人、旅立ち、色つきの方がいいね AI art by 厚川園動 on PixAI. Tags: Fantasy, Machinery, Arthropod Boy, Insect Wings. Made with Tsubaki.3.

コンテスト、mio.2,日本語プロンプト

Contest Entry
This Time, I Choose.#Wanderer(Genshin Impact)
#Fantasy#Machinery#Arthropod Boy#Insect Wings
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masterpiece, A landscape of a vast sky and a sea of clouds, with a distant cityscape sprawling far below. Deep shadows, bright lights, and a hard high-contrast gradient where mid-tones are suppressed, making the entire screen stand out clearly like a sculpture. The clear blue sky turns a deep indigo shadow at the top, and only the edges of the clouds glow white as if scorched. White cumulus clouds shine brilliantly under strong front-lighting, their outlines edged in black. Drifting on the wind above the sea of clouds is a slender, mechanical humanoid insect-like being. Its body is covered in a delicate metal exoskeleton, its head has small compound eyes containing sharp points of light, and on its back, thin translucent wings are spread like dust, letting light pass through. It wears traveling clothes like a human, but the clothes are tattered from a long journey—a high-collared long-sleeved traveling outfit, worn out at the elbows and shoulders with metal joints peering through, with patches of different colored cloth and frayed threads fluttering in the wind. A long trench-like coat draped over the shoulders has a torn hem with strips of cloth hanging from long rips, faded fabric with scratches and moth-eaten holes, and the fabric on the back is worn thin enough to be translucent. From the cuffs and the rips in the coat, slender, segmented mechanical arms peek out, and from beneath the coat, several long, jointed insect-like legs extend and sway in the wind. A small travel bag is carried on the shoulder by a leather strap, and a worn leather pouch and water bottle hang from a cloth belt wrapped multiple times around the waist. Its slender metal limbs move gently in the wind, and the being floats freely in the air with arms and wings spread, as if becoming one with the wind itself, with compound eyes narrowed in a peaceful expression. The puppet strings that were hanging from the shoulders and limb joints are just now snapping, scattering in spirals into the wind, turning into sharp points of light that ascend and vanish upward. Far below, beyond the gaps in the clouds, is the world where this being once resided—an old cityscape stretching to the horizon, with rows of brick houses crowded together, cobblestone main streets radiating from the city center, alleys branching like a maze, a fountain in the center of a square shining with silver threads of light, several spires and bell towers piercing the sky, the clock tower face burning white, the circular stained-glass windows of the cathedral emitting white circles of light, rows of chimneys on roofs emitting thin smoke, white dots of laundry fluttering on terrace windows and balconies, street trees casting shadows, and small roofs of market tents packed closely together creating a mottled pattern of light and dark. Several stone bridges cross the narrow river winding through the city, the water's surface burning with ribbon-like reflections of light, small sailboats and waterwheels huddle against the embankments, and at the edge of the city, old city walls curve around the town, with the ridgeline of watchtowers melting into the light of the horizon. The buildings are more densely packed toward the center and become sparser toward the outskirts, opening up into green patterns of fields and forests; the more distant the cityscape, the more it melts into a pale light-blue haze, creating layers of aerial perspective, while the shadows of the clouds in the foreground thinly cover the city, drawing mottles of light and shadow. Strong oblique sunlight scorches the ridgelines of the metal exoskeleton, emitting sharp highlights, while the edges of the torn cloth glow white in the backlight, and the backside of the body sinks into deep shadow, creating a silhouette-like three-dimensionality. A single image where the boundary between light and shadow runs clearly, evoking a sense of freedom and a new start. Beautiful anime-style coloring, vivid blue and white contrast, high-contrast colors, a sea of clouds with aerial perspective and the depth of a detailed cityscape, cinematic wide composition, and hard front-lighting.
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masterpiece, 強いコントラストを持つ、大空と雲海、そして遥か下方に広がる遠景の街並みの風景。影は深く、光は明るく、中間色が締め落とされた硬質な高コントラストの階調で、画面全体が彫刻のようにくっきり浮かび上がる。青く澄み渡る大空は上部で濃い藍色の影を帯び、雲のふちだけが灼きつけられたように白く光る。白い積雲は強い順光を受けて輪郭を黒く縁取りながらまぶしく輝き、雲海の上を風に乗って漂うのは細身の機械的な人型の昆虫のような存在。その体は繊細な金属の外骨格で覆われ、頭部には小さな複眼が鋭い光点を宿し、背中には半透明の薄い翅が塵のように開いて光を透かす。人間と同じように旅装を身につけているが、その服は長い旅の果てのぼろぼろの姿――擦り切れた襟元の高い長袖の旅装束は肘や肩が破れて中から金属の節が覗き、色の違う布で当てた継ぎ接ぎの跡が散り、ほつれた糸が風にたなびく。肩に羽織った裾の破れた長いトレンチ状の外套は、長い裂け目から布片が垂れ下がり、色あせた生地に擦り傷と虫食い穴が開き、背中の布は薄く擦り切れて透けるほど傷んでいる。袖口と外套の裂け目からは、節になった細く長い機械的な腕が覗き、外套の下からは細長い節くれだった昆虫のような脚が何本も伸びて風に揺れている。肩には革のストラップで小型の行囊を背負い、腰には布帯を何重かに巻いてくたびれた革袋と水筒を吊るす。その細い金属の手足が風の中でゆるやかに動き、存在は両腕と翅を広げて風そのものと一体化したように自由な姿勢で宙に漂い、複眼は細められて穏やかな表情。肩や手足の関節から垂れていた人形の糸が今まさに千切れ、渦を描いて風の中に散り、鋭い光点となって上方へ昇って消えていく。遥か下方の雲の切れ間の彼方には、かつてこの存在がいた世界――古びた街並みが地平線まで続き、レンガ造りの家々が軒を連ねてひしめき合い、石畳の大通りが街の中心から放射状に伸び、路地が迷路のように枝分かれし、広場の中央には噴水が銀の光の糸を立てて輝き、いくつもの尖塔と鐘楼が空へ突き立ち、時計台の文字盤が白く灼き上がり、大聖堂の彩りガラスの丸窓が光を通して白い円を放ち、屋根の上には煙突の列が細い煙を立ち昇らせ、テラスの窓やベランダに洗濯物の白い点々が風にはためき、街路樹の並木が影を落とし、市場のテントの小さな屋根がぎっしりと並んで明暗のまだらを作る。街を縫う細い川には幾つもの石橋が架かり、川面が帯状の光の反射で灼き上がり、岸壁には小さな帆船や水車が寄り添い、街のはずれには古い城壁が弧を描いて街を囲み、見張り塔の稜線が地平線の光の中に溶け込んでいる。街の中心ほど建物が稠密に積み重なり、外れに向かうほど家並みがまばらになって畑や林の緑の模様へと開け、遠い街並みほど淡い水色の霞に溶けて空気遠近の層を作り、手前の雲の影が街の上を薄く覆って光と影のまだらを描く。斜射する強い日差しが金属の外骨格の稜線を灼き上げて鋭いハイライトを放ち、破れた布の端が逆光に透けて白く光り、体の裏側は深い影に沈んでシルエットのような立体感を作る。光と影の境界がくっきりと走る、自由と再出発を感じさせる一枚。アニメ調の美麗な塗り、鮮やかな青と白のコントラスト、ハイコントラストな色彩、空気遠近のある雲海と精緻な街並みの奥行き、シネマティックなワイド構図と硬質な順光のライティング。
Mode
pro
Size
576 x 1744
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

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