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Towa Higurasi

AI art by Towa Higurasi on PixAI. Made with Tsubaki.3.

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Towa Higurasi

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character: yata:_fulgor_(pgr) 1girl, solo, date, black school uniform, black blazer, white collared shirt, dark pleated skirt, smiling, light smile, closed mouth, looking at viewer, from side, cowboy shot, head tilt, grey hair, short hair, ahoge, sidelocks, hair between eyes, hair over one eye, yellow eyes, orange eyes, mechanical arms, extra arms, cafe terrace, day, outdoor, sitting, hand on table, elbow on table, chin rest, leaning forward, sunlight, warm light A profile-leaning three-quarter view from her left side, cowboy shot framing her seated at a small round cafe table, the composition opening toward the right of the frame where the terrace railing and a row of potted plants recede out of focus. She sits with her weight settled onto her right hip, torso angled about thirty degrees toward the camera, one forearm resting flat on the tabletop with the palm down and fingers loosely curled against the rim of a saucer, and the other arm propped on the table so her hand catches her chin, fingertips tucked under the jaw and the elbow planted. Her chin tilts a little toward her shoulder, and she smiles — a closed-lip, faint, satisfied curve, one corner pulled a touch higher, the lower lid of the visible eye lifting slightly with it; the eye that the fringe does not cover is fixed directly on the viewer, warm and steady, the pupil catching a small highlight. Grey hair, cropped short, falls in a blunt fringe across her brow so the left half of her face is veiled by a sweep of it; two sidelocks frame her cheeks and a single short strand stands up from the crown, tipped by the drift of a light breeze. Mechanical arms rise behind her shoulder from a harness at her back, their segmented joints folded close to her spine and their plated fingers relaxed, half of them occluded by the line of her shoulder in this view; one slim articulated forearm rests along the back of her chair, its metal edge returning a narrow bright streak. She wears the black school uniform: a dark blazer buttoned once at the waist, its lapels sitting flat, sleeves ending at the wrist above the cuff of a crisp white shirt whose collar shows a strip of white at her throat, and a dark pleated skirt fanning softly where she sits; her legs are crossed at the knee under the table edge and one dark shoe is visible past the table's shadow. The terrace is a quiet street-corner cafe in daylight: a light stone floor, a low railing, an empty chair opposite her whose seat cushion is still compressed from recent weight, and the blurred geometry of leaves and awning behind her. Sun comes low from the front-left, warming the right side of her face and the tabletop and laying a crisp diagonal of shade across the left of her blazer; the mechanical plates at her back catch a hard specular glint where they face the light and go matte grey where they do not, and her long shadow and the table's fall together across the stone, the two shadows touching but not merging. The palette holds black, white and warm stone, with the yellow-orange of her eyes and the brass of the sunlight as the only saturated notes. Quietly tender.
Show Parameters
Original Prompt
date with yata Fulgor,she wearing black school uniform,she smile
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1408 x 1408
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.74k

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AI artwork
Avatar image of Towa Higurasi
character: yata:_fulgor_(pgr) 1girl, solo, date, black school uniform, black blazer, white collared shirt, dark pleated skirt, smiling, light smile, closed mouth, looking at viewer, from side, cowboy shot, head tilt, grey hair, short hair, ahoge, sidelocks, hair between eyes, hair over one eye, yellow eyes, orange eyes, mechanical arms, extra arms, cafe terrace, day, outdoor, sitting, hand on table, elbow on table, chin rest, leaning forward, sunlight, warm light A profile-leaning three-quarter view from her left side, cowboy shot framing her seated at a small round cafe table, the composition opening toward the right of the frame where the terrace railing and a row of potted plants recede out of focus. She sits with her weight settled onto her right hip, torso angled about thirty degrees toward the camera, one forearm resting flat on the tabletop with the palm down and fingers loosely curled against the rim of a saucer, and the other arm propped on the table so her hand catches her chin, fingertips tucked under the jaw and the elbow planted. Her chin tilts a little toward her shoulder, and she smiles — a closed-lip, faint, satisfied curve, one corner pulled a touch higher, the lower lid of the visible eye lifting slightly with it; the eye that the fringe does not cover is fixed directly on the viewer, warm and steady, the pupil catching a small highlight. Grey hair, cropped short, falls in a blunt fringe across her brow so the left half of her face is veiled by a sweep of it; two sidelocks frame her cheeks and a single short strand stands up from the crown, tipped by the drift of a light breeze. Mechanical arms rise behind her shoulder from a harness at her back, their segmented joints folded close to her spine and their plated fingers relaxed, half of them occluded by the line of her shoulder in this view; one slim articulated forearm rests along the back of her chair, its metal edge returning a narrow bright streak. She wears the black school uniform: a dark blazer buttoned once at the waist, its lapels sitting flat, sleeves ending at the wrist above the cuff of a crisp white shirt whose collar shows a strip of white at her throat, and a dark pleated skirt fanning softly where she sits; her legs are crossed at the knee under the table edge and one dark shoe is visible past the table's shadow. The terrace is a quiet street-corner cafe in daylight: a light stone floor, a low railing, an empty chair opposite her whose seat cushion is still compressed from recent weight, and the blurred geometry of leaves and awning behind her. Sun comes low from the front-left, warming the right side of her face and the tabletop and laying a crisp diagonal of shade across the left of her blazer; the mechanical plates at her back catch a hard specular glint where they face the light and go matte grey where they do not, and her long shadow and the table's fall together across the stone, the two shadows touching but not merging. The palette holds black, white and warm stone, with the yellow-orange of her eyes and the brass of the sunlight as the only saturated notes. Quietly tender.
Towa Higurasi
AI artwork
Avatar image of Towa Higurasi
character: yata:_fulgor_(pgr) 1girl, solo, date, black school uniform, black blazer, white collared shirt, dark pleated skirt, smiling, light smile, closed mouth, looking at viewer, from side, cowboy shot, head tilt, grey hair, short hair, ahoge, sidelocks, hair between eyes, hair over one eye, yellow eyes, orange eyes, mechanical arms, extra arms, cafe terrace, day, outdoor, sitting, hand on table, elbow on table, chin rest, leaning forward, sunlight, warm light A profile-leaning three-quarter view from her left side, cowboy shot framing her seated at a small round cafe table, the composition opening toward the right of the frame where the terrace railing and a row of potted plants recede out of focus. She sits with her weight settled onto her right hip, torso angled about thirty degrees toward the camera, one forearm resting flat on the tabletop with the palm down and fingers loosely curled against the rim of a saucer, and the other arm propped on the table so her hand catches her chin, fingertips tucked under the jaw and the elbow planted. Her chin tilts a little toward her shoulder, and she smiles — a closed-lip, faint, satisfied curve, one corner pulled a touch higher, the lower lid of the visible eye lifting slightly with it; the eye that the fringe does not cover is fixed directly on the viewer, warm and steady, the pupil catching a small highlight. Grey hair, cropped short, falls in a blunt fringe across her brow so the left half of her face is veiled by a sweep of it; two sidelocks frame her cheeks and a single short strand stands up from the crown, tipped by the drift of a light breeze. Mechanical arms rise behind her shoulder from a harness at her back, their segmented joints folded close to her spine and their plated fingers relaxed, half of them occluded by the line of her shoulder in this view; one slim articulated forearm rests along the back of her chair, its metal edge returning a narrow bright streak. She wears the black school uniform: a dark blazer buttoned once at the waist, its lapels sitting flat, sleeves ending at the wrist above the cuff of a crisp white shirt whose collar shows a strip of white at her throat, and a dark pleated skirt fanning softly where she sits; her legs are crossed at the knee under the table edge and one dark shoe is visible past the table's shadow. The terrace is a quiet street-corner cafe in daylight: a light stone floor, a low railing, an empty chair opposite her whose seat cushion is still compressed from recent weight, and the blurred geometry of leaves and awning behind her. Sun comes low from the front-left, warming the right side of her face and the tabletop and laying a crisp diagonal of shade across the left of her blazer; the mechanical plates at her back catch a hard specular glint where they face the light and go matte grey where they do not, and her long shadow and the table's fall together across the stone, the two shadows touching but not merging. The palette holds black, white and warm stone, with the yellow-orange of her eyes and the brass of the sunlight as the only saturated notes. Quietly tender.
Towa Higurasi
AI artwork
Avatar image of Towa Higurasi
character: yata:_fulgor_(pgr) 1girl, solo, date, black school uniform, smile, closed mouth, mechanical arm from backpack, mechanical arms, extra arms, grey hair, short hair, hair over one eye, ahoge, sidelocks, hair between eyes, yellow eyes, orange eyes, sitting, outdoor cafe table, leaning forward on elbows, hands clasped under chin, head tilt, looking at viewer, from above, close-up, warm afternoon light, lens flare Shot from above and slightly to her front, the grey-haired girl sits alone at a small round outdoor café table, leaning forward so both elbows rest on the tabletop and her clasped hands support her chin; her head tips up toward the high camera, one yellow-orange eye visible past the long sidelock that falls over the other, the short grey hair and single ahoge lifting slightly in the warm breeze. She wears a black school uniform — dark blazer over a white-collared shirt, pleated black skirt — its fabric catching a thin rim of afternoon sun along the shoulders, and from the top of her backpack, propped against the chair back beside her, a segmented mechanical arm unfolds on jointed metal segments, its forearm braced on the table edge and its gripper resting beside her saucer, a second slimmer limb folded compact behind the pack's straps. A light smile curves her lips, softening at the corners, and her gaze holds the viewer's with easy warmth. The background is a quiet café terrace dissolved into shallow focus: a second empty cup, a saucer, blurred greenery and a warm stone wall behind her; low golden sunlight rakes in from the right, laying a bright edge across her cheek, the metal arm's segments and the table rim, while soft shadow pools beneath the table and along the left of her face. The mechanical limb throws its own crisp shadow onto the white cloth, sharper than her soft one, a small tell that the light is real. Warm umber, cream and black palette accented by the amber glint of her visible eye and the brushed steel of the arm; tender and quietly happy.
Towa Higurasi

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