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Towa Higurasi

AI art by Towa Higurasi on PixAI. Made with Tsubaki.3.

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Towa Higurasi

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character: yata:_fulgor_(pgr) 1girl, solo, date, black school uniform, black blazer, white collared shirt, dark pleated skirt, smiling, light smile, closed mouth, looking at viewer, from side, cowboy shot, head tilt, grey hair, short hair, ahoge, sidelocks, hair between eyes, hair over one eye, yellow eyes, orange eyes, mechanical arms, extra arms, cafe terrace, day, outdoor, sitting, hand on table, elbow on table, chin rest, leaning forward, sunlight, warm light A profile-leaning three-quarter view from her left side, cowboy shot framing her seated at a small round cafe table, the composition opening toward the right of the frame where the terrace railing and a row of potted plants recede out of focus. She sits with her weight settled onto her right hip, torso angled about thirty degrees toward the camera, one forearm resting flat on the tabletop with the palm down and fingers loosely curled against the rim of a saucer, and the other arm propped on the table so her hand catches her chin, fingertips tucked under the jaw and the elbow planted. Her chin tilts a little toward her shoulder, and she smiles — a closed-lip, faint, satisfied curve, one corner pulled a touch higher, the lower lid of the visible eye lifting slightly with it; the eye that the fringe does not cover is fixed directly on the viewer, warm and steady, the pupil catching a small highlight. Grey hair, cropped short, falls in a blunt fringe across her brow so the left half of her face is veiled by a sweep of it; two sidelocks frame her cheeks and a single short strand stands up from the crown, tipped by the drift of a light breeze. Mechanical arms rise behind her shoulder from a harness at her back, their segmented joints folded close to her spine and their plated fingers relaxed, half of them occluded by the line of her shoulder in this view; one slim articulated forearm rests along the back of her chair, its metal edge returning a narrow bright streak. She wears the black school uniform: a dark blazer buttoned once at the waist, its lapels sitting flat, sleeves ending at the wrist above the cuff of a crisp white shirt whose collar shows a strip of white at her throat, and a dark pleated skirt fanning softly where she sits; her legs are crossed at the knee under the table edge and one dark shoe is visible past the table's shadow. The terrace is a quiet street-corner cafe in daylight: a light stone floor, a low railing, an empty chair opposite her whose seat cushion is still compressed from recent weight, and the blurred geometry of leaves and awning behind her. Sun comes low from the front-left, warming the right side of her face and the tabletop and laying a crisp diagonal of shade across the left of her blazer; the mechanical plates at her back catch a hard specular glint where they face the light and go matte grey where they do not, and her long shadow and the table's fall together across the stone, the two shadows touching but not merging. The palette holds black, white and warm stone, with the yellow-orange of her eyes and the brass of the sunlight as the only saturated notes. Quietly tender.
Show Parameters
Original Prompt
date with yata Fulgor,she wearing black school uniform,she smile
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1408 x 1408
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.74k

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AI artwork
Avatar image of Towa Higurasi
character: yata:_fulgor_(pgr) 1girl, solo, date, black school uniform, black blazer, white collared shirt, dark pleated skirt, smiling, light smile, closed mouth, looking at viewer, from side, cowboy shot, head tilt, grey hair, short hair, ahoge, sidelocks, hair between eyes, hair over one eye, yellow eyes, orange eyes, mechanical arms, extra arms, cafe terrace, day, outdoor, sitting, hand on table, elbow on table, chin rest, leaning forward, sunlight, warm light A profile-leaning three-quarter view from her left side, cowboy shot framing her seated at a small round cafe table, the composition opening toward the right of the frame where the terrace railing and a row of potted plants recede out of focus. She sits with her weight settled onto her right hip, torso angled about thirty degrees toward the camera, one forearm resting flat on the tabletop with the palm down and fingers loosely curled against the rim of a saucer, and the other arm propped on the table so her hand catches her chin, fingertips tucked under the jaw and the elbow planted. Her chin tilts a little toward her shoulder, and she smiles — a closed-lip, faint, satisfied curve, one corner pulled a touch higher, the lower lid of the visible eye lifting slightly with it; the eye that the fringe does not cover is fixed directly on the viewer, warm and steady, the pupil catching a small highlight. Grey hair, cropped short, falls in a blunt fringe across her brow so the left half of her face is veiled by a sweep of it; two sidelocks frame her cheeks and a single short strand stands up from the crown, tipped by the drift of a light breeze. Mechanical arms rise behind her shoulder from a harness at her back, their segmented joints folded close to her spine and their plated fingers relaxed, half of them occluded by the line of her shoulder in this view; one slim articulated forearm rests along the back of her chair, its metal edge returning a narrow bright streak. She wears the black school uniform: a dark blazer buttoned once at the waist, its lapels sitting flat, sleeves ending at the wrist above the cuff of a crisp white shirt whose collar shows a strip of white at her throat, and a dark pleated skirt fanning softly where she sits; her legs are crossed at the knee under the table edge and one dark shoe is visible past the table's shadow. The terrace is a quiet street-corner cafe in daylight: a light stone floor, a low railing, an empty chair opposite her whose seat cushion is still compressed from recent weight, and the blurred geometry of leaves and awning behind her. Sun comes low from the front-left, warming the right side of her face and the tabletop and laying a crisp diagonal of shade across the left of her blazer; the mechanical plates at her back catch a hard specular glint where they face the light and go matte grey where they do not, and her long shadow and the table's fall together across the stone, the two shadows touching but not merging. The palette holds black, white and warm stone, with the yellow-orange of her eyes and the brass of the sunlight as the only saturated notes. Quietly tender.
Towa Higurasi
AI artwork
Avatar image of Towa Higurasi
character: yata:_fulgor_(pgr) 1girl, solo, date, black school uniform, black blazer, white collared shirt, dark pleated skirt, smiling, light smile, closed mouth, looking at viewer, from side, cowboy shot, head tilt, grey hair, short hair, ahoge, sidelocks, hair between eyes, hair over one eye, yellow eyes, orange eyes, mechanical arms, extra arms, cafe terrace, day, outdoor, sitting, hand on table, elbow on table, chin rest, leaning forward, sunlight, warm light A profile-leaning three-quarter view from her left side, cowboy shot framing her seated at a small round cafe table, the composition opening toward the right of the frame where the terrace railing and a row of potted plants recede out of focus. She sits with her weight settled onto her right hip, torso angled about thirty degrees toward the camera, one forearm resting flat on the tabletop with the palm down and fingers loosely curled against the rim of a saucer, and the other arm propped on the table so her hand catches her chin, fingertips tucked under the jaw and the elbow planted. Her chin tilts a little toward her shoulder, and she smiles — a closed-lip, faint, satisfied curve, one corner pulled a touch higher, the lower lid of the visible eye lifting slightly with it; the eye that the fringe does not cover is fixed directly on the viewer, warm and steady, the pupil catching a small highlight. Grey hair, cropped short, falls in a blunt fringe across her brow so the left half of her face is veiled by a sweep of it; two sidelocks frame her cheeks and a single short strand stands up from the crown, tipped by the drift of a light breeze. Mechanical arms rise behind her shoulder from a harness at her back, their segmented joints folded close to her spine and their plated fingers relaxed, half of them occluded by the line of her shoulder in this view; one slim articulated forearm rests along the back of her chair, its metal edge returning a narrow bright streak. She wears the black school uniform: a dark blazer buttoned once at the waist, its lapels sitting flat, sleeves ending at the wrist above the cuff of a crisp white shirt whose collar shows a strip of white at her throat, and a dark pleated skirt fanning softly where she sits; her legs are crossed at the knee under the table edge and one dark shoe is visible past the table's shadow. The terrace is a quiet street-corner cafe in daylight: a light stone floor, a low railing, an empty chair opposite her whose seat cushion is still compressed from recent weight, and the blurred geometry of leaves and awning behind her. Sun comes low from the front-left, warming the right side of her face and the tabletop and laying a crisp diagonal of shade across the left of her blazer; the mechanical plates at her back catch a hard specular glint where they face the light and go matte grey where they do not, and her long shadow and the table's fall together across the stone, the two shadows touching but not merging. The palette holds black, white and warm stone, with the yellow-orange of her eyes and the brass of the sunlight as the only saturated notes. Quietly tender.
Towa Higurasi

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