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AI artwork featuring #Wuthering Waves and #Changli
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Changli, Wuthering Waves

AI art by Fruit Punch on PixAI. Made with Tsubaki.3 Flash.

#Wuthering Waves#Changli
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Fruit Punch

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character: changli_(laurel_nymph)_(wuthering_waves), copyright: wuthering_waves sole female subject, 1girl, solo, feet focus, bare feet toward camera, soles facing viewer, toes in sharp foreground, feet large in frame, extreme foreground foreshortening, side view, profile, kneeling, sitting on heels, seiza, long kimono dress, fully covered up, ankles covered by hem, no shoes, no sandals, seductive smile, half-closed eyes, sideways glance, looking at viewer, long white hair, pink hair, two-tone hair, multicolored hair, very long hair, twin braids, braid, hair extensions, ring hair extensions, laurel crown, bare shoulders, black bow, jewelry, indoor, warm low lamplight, high detail, high quality, depth of field, A low, near-floor side view in strict profile: the camera sits barely above the tatami, aimed along the length of her kneeling body, so her bare feet fill the lower half and the near edge of the frame — soles angled toward the lens, toes the largest and sharpest forms in the picture, the far foot slightly behind and softer, both feet emerging from beneath the trailing hem of her kimono at the back of her seat. She kneels in seiza, weight settled onto her heels, shins flat to the mat, hips back over her ankles, spine curved forward and one shoulder dropped a little lower than the other, one hand resting flat on her thigh inside the sleeve-heavy fold, the other lifted to the collar with two fingertips just touching the fabric at her throat. Her head turns back over her near shoulder in profile so her chin comes toward the camera; her lips curve in a slow seductive smile, one corner higher than the other, eyes half-lidded and sliding sideways down to meet the lens under a lowered brow. Her long kimono dress covers her completely — collar closed high at the neck, sleeves falling to the wrists, the skirt wrapped and layered so only the feet and ankles escape the hem, no bare leg anywhere above the ankle, both ears bare and unadorned. Her very long two-tone white and pink hair, gathered into twin braids with braided hair extensions ringed at the ends, spills over her back and one braid slides forward across her shoulder, its tip resting near her lifted hand; the laurel crown sits low in her hair, and a black bow is tied at the back of the sash, its loops flattened against her spine; a thin chain of jewelry glints at her collarbone. The room is a dim tatami interior: paper-screen walls behind her, a single warm lamp low at the left casting the only light, so the soles of her feet catch the brightest highlight with their arches falling into soft shadow and the mat beneath them darkening away from the lamp; a long cast shadow runs from her knees toward the right edge, and the lamp's glow rims the outer edge of her braid and the back of one calf but leaves the far wall in deep brown-black. Palette held to cream, dusty pink, black and the warm amber of the lamp. Intimate, quietly provocative.
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Original Prompt
changli (laurel nymph) (wuthering waves), feet focus, feet toward the camera, high quality, long kimono dress, fully covered up, sitting down kneeling, , feet peaking from the back, seductive smile, high quality feet toward the camera side view, feet take up larger part of the screen
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.29k

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character: changli_(laurel_nymph)_(wuthering_waves), copyright: wuthering_waves feet focus, feet toward the camera, soles of feet toward viewer, bare feet, toes curled, long kimono dress, fully covered body, kimono hem pooled around the ankles, feet peeking out from behind the hem, seductive smile, half-closed eyes, head tilted down toward viewer, looking at viewer, lying on stomach, propped on elbows, chin resting on one hand, back arched, crossed ankles, from above, foreshortening, close-up on feet in foreground, white hair, pink hair, two-tone hair, very long hair, twin braids, ring hair extensions, hair spread across the floor, laurel crown, bare shoulders, black bow, gold jewelry, single figure, warm lamplight, wood floor, 1girl, The camera looks steeply down the length of her body from above and behind her head, foreshortened so that her bare soles are the nearest thing in the frame, huge and softly lit in the foreground, and her face is a small warm shape far down the perspective at the top of the image. She lies face-down on a dark polished wood floor, chest and hips pressed to the boards, back gently arched, weight carried on both forearms with her elbows planted wide and her chin propped in her right palm; her left hand rests flat on the floor beside her shoulder. The long kimono dress is closed to the throat and wraps her completely from collar to ankle, white silk with a wide black obi bound low across her back and a black bow at the back of the sash, the sleeves falling loose on either side of her arms; the skirt runs straight down her legs and gathers in a soft pooled fold at her heels, heavy enough to stay put. Only her feet come out from behind that fold: both soles turned up toward the lens, toes curled inward, one heel lifted slightly off the other foot, the pale fabric of the hem pushed into a shallow pleat where her ankles have moved under it. Nothing else of her skin shows but her face, her forearms and these two feet. Her hair is very long, white shading into pink at the ends, split into twin braids with ringed extensions that spill forward over her shoulders and stream across the floorboards ahead of her in two loose ropes, the ends fanned out flat. A slender laurel crown of gold leaves sits back on her head, and a slim gold earring and gold bracelets catch light at her wrist and ear. Her head is tilted down along her own back toward the viewer, chin still in her hand, eyes half-lidded and fixed on the lens, lips curved in a slow, knowing smile with one corner pulled higher than the other. A single warm lamp glows low and out of frame at the upper left, so light rakes across the soles and the silken back of the kimono, the braids cast thin shadows on the boards, and the floor darkens to near black in the lower right corner beyond the lamp's pool. Palette held to white silk, black sash, warm honeyed skin, and the rose and pearl of her hair against the dark wood. Quiet, slow-burning.
Fruit Punch
#Wuthering Waves#Changli
AI artwork
Avatar image of ꧁✿ 𝑮𝒐𝒐𝒅 𝑳𝒊𝒇𝒆 ✿꧂
character: hiyuki_(wuthering_waves) sole focus, extreme close-up on soles, soles in extreme foreground, bare feet, barefoot, soles visible, foot focus, from below, from feet, looking at viewer, over shoulder, looking back, lying on side, on bed, pillow, head on pillow, knees bent, legs apart, toes curled, one foot toes curled, other foot toes spread, spread toes, red toenails, red nail polish, greek foot, second toe longest, slender feet, delicate ankles, fair skin, matte skin, dry skin, long white hair, grey-white hair, high ponytail, sidelocks, red eyes, hair ribbon, off-shoulder white kimono, red accents, patterned fabric, bare shoulders, mature female, wide hips, seductive gaze, half-closed eyes, parted lips, 1girl, solo, high detail skin, detailed fabric, strong foreshortening, bright indoor lighting, daylight room, seductive, soft The camera sits low at the foot of the bed, tilted up along the length of her body, so the two soles fill the near foreground as huge soft shapes and the rest of her recedes into foreshortened depth behind them. Both heels press down into the pale mattress, sinking a shallow dimple into the linen, and the near foot turns its sole almost square to the lens: her toes are curled tight, the pads furrowed and the red polish catching light on the crimped nails, the arch a clean taut curve, the second toe standing longest above the curled row — a Greek foot read clearly even folded. The far foot lies a little deeper in the frame with its toes fanned wide, each toe separated by a dark sliver of shadow, the same red lacquer on every nail, and its ankle rolls outward so the tendon ridge shows under the matte, dry, fair skin — no sheen anywhere, the surface powder-soft and even, every crease and the faint cross-hatching of the sole drawn crisp. Between and behind the feet her legs bend at the knees and fall apart, thighs foreshortened into broad shapes, the fabric of her white-and-red outfit pulled taut over full mature hips in fine woven detail — red patterned bands and embroidered motifs running over white cloth, the seam strain and small fold shadows rendered thread by thread. Her torso twists to one side, one shoulder bared where the off-shoulder collar has slipped, and her head rests sideways on a soft pillow, white-grey hair spilling across it in loose strands, the high ponytail and long sidelocks falling over the pillow edge, one ribbon and hair ornament catching the light near her temple. She looks back at the lens over her shoulder: chin turned, red eyes half-lidded and steady, lips slightly parted, one brow faintly lifted — a slow, knowing seduction rather than a smile. Bright daylight floods in from a window high on the left, so the tops of her soles and the ridge of her shoulder take a warm even glow, while soft cool shadow pools in the gaps between her toes, under the arch of the near foot, and beneath her hip where the mattress gives way; the light is diffuse and shadowless-edged, a bright airy room with a hint of pale wall and sheer curtain blurred far behind. Palette held to white, warm fair skin, and red — red nails, red pattern in the cloth, red eyes — nothing else intruding. Intimate, languid.
꧁✿ 𝑮𝒐𝒐𝒅 𝑳𝒊𝒇𝒆 ✿꧂

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