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Etienne Anger-Fire/Ikari no hono

Hi, guys! My name is Etienne Ikari no hi! I love the games, art, all of thoses!

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AI artwork
Avatar image of Etienne Anger-Fire/Ikari no hono
1girl, solo, 18 years old, black hair, pink eyes, white fedora, brown coat, white shirt, black belt, black pants, white shoes, black fingerless gloves, large breasts, smile, looking at viewer, brown aura, dog spirit, redesign, full body, standing, one hand raised, fingers spread, aura radiating from shoulders, glowing outline, windblown coat, from below, dutch angle, dramatic perspective A single 18-year-old woman stands at a slight three-quarter angle, seen from a dramatic low angle with a subtle dutch tilt, her full figure framed from the white shoes up to the white fedora. Her black hair is short and tousled, blown across her forehead by an updraft from the energy around her; her pink eyes meet the viewer directly, bright and steady, and a confident closed-lip smile curves her mouth with one corner pulled a little higher. She wears the white fedora tilted, a brown coat hanging open over a white shirt buttoned high, cinched by a black belt at her waist above black pants, her feet planted wide in white shoes. Her right hand is raised palm-up at chest height, black fingerless-gloved fingers spread and slightly curled as though gathering something invisible; her left hand hangs low and loose at her hip. A brown aura erupts from her shoulders and back, curling outward in warm amber-smoke tendrils and a soft brown rim-glow that halos her silhouette against a deep twilight backdrop; the coat's hem and tails lift and billow away from her body with the expelled force. Behind her right shoulder the dog spirit coalesces from the same brown light -- a translucent hound shape in amber and umber, ears pricked, muzzle low, its eyes two burning specks; it is not a solid animal but a projection of the aura, edges breaking into drifting sparks. The ground beneath her is a cracked concrete plane lit only by her own glow, faint warm caustics pooling at her feet where the aura grazes the surface and darkening into the surrounding dusk; the aura is the sole light source, and beyond its reach the scene is absolutely dark. Palette limited to browns, warm ambers, whites, blacks and her pink eyes. Sharp cinematic cel-shaded illustration, high quality, dramatic, quietly powerful.
Nov 14, 2026 9:49 PM
AI artwork
Avatar image of Etienne Anger-Fire/Ikari no hono
1boy, solo, 18 years old, male, black hair, pink eyes, white fedora hat, smile, brown coat, white shirt, black belt, black pants, white shoes, black fingerless gloves, looking at viewer, brown aura, coyote spirit, standing, cowboy shot, from side, dutch angle, dutch angle, low angle, glowing aura, energy aura, spirit, animal companion, light smile, one eyebrow raised, hands in pockets, coat blowing in the wind, night sky, stars, wind, dynamic angle, masterpiece, best quality, high quality A dutch angle with the camera low and off to one side, so the boy's tall silhouette cuts diagonally across the frame. He stands with his weight settled on his back hip, the off-side foot angled outward, the front knee soft, the long hem of the brown coat lifting away from his thighs in the cold night air. His face is turned fully to the viewer and tilted a few degrees against the roll of the camera: pink eyes bright and steady on the lens, one eyebrow lifted, the corner of his mouth drawn up in a small, confident, lopsided smile. Under the wide brim of the white fedora, his black hair falls over his brow and across the nape of his neck. The coat hangs open over the white shirt, and the black belt holds the black pants in a sharp, clean line; white shoes planted wide, scuff-free, pressing into the dark ground with no visible seam. His hands rest with black fingers spread out of the fingerless gloves, the bare fingertips visible as he rests them casually in his coat pockets. A warm brown aura rises off him in slow curls of glowing vapor, running up his shoulders and past the brim of the hat. Behind him, a translucent coyote spirit stands tall and alert, ears pricked, muzzle raised, its body made of shivering amber light, a thin thread of the same glow pulling from the center of the boy's chest out to the spirit's paws. The coyote is huge, nearly twice his height at the shoulder, and its glow spills a faint warm edge onto the back of his hat, the tips of his black hair, and the rim of his shoulders. The light source is the aura itself: it lights the boy and the spirit from behind and from below, leaving the front of his face and the underside of the coat full of deep brown shadow, and beyond that warm pool the night is otherwise nearly dark, with a thin scatter of faint stars above the brim of the hat and cold mist curling low around the white shoes. Reddish-brown, black, white and amber are the only colors admitted: black in the hair and cloth, white in the shirt, shoes and hat, brown through the coat and the aura, and amber for the spirit and the glow. The image is composed at the scale of a cowboy shot, showing the coat to the knee and the ground under the wide-set feet, with the coyote spirit cropped at the top edge, giving the impression that it towers out of the frame; the spirit's glow catches the tips of his hair and the edge of his collar as a final, warm rim. Quietly confident and wildly stylish.
Nov 14, 2026 9:49 PM
1
AI artwork
Avatar image of Etienne Anger-Fire/Ikari no hono
A digital anime illustration of the character from image1 and the character from image2 locked in a close embrace, hugging tightly and kissing each other on the lips with their eyes closed. The male character from image1 has dark skin, spiky red hair with black underlayers, and a red headband. He wears his original outfit: a black sleeveless shirt featuring a red and gold phoenix design, black pants, red bandages wrapped around his arms and hands, red goggles resting around his neck, and red tribal tattoos on his shoulder. The female character from image2 has light skin and long wavy brown hair tied back with a large pink bow. She wears her original outfit: a short pink vest over a white top, a pink skirt layered over black biker shorts, white bandages wrapped around her arms and legs, and black fingerless gloves. Their arms are wrapped around one another affectionately. The background is a softly lit, warm environment that highlights their intimate moment. The style of the image remains faithful to image1.
Nov 11, 2026 2:36 AM
AI artwork
Avatar image of Etienne Anger-Fire/Ikari no hono
1boy, 1girl, 2girls, multiple boys, couple, dark skin, dark-skinned male, 18 years old, red hair, black hair, two-tone hair, red hair above black hair below, spiked hair, medium hair, red hair over ears, long bangs, hair between eyes, red headband, very long headband, headband tails, red eyewear around neck, glasses around neck, shirtless, topless male, red bandages, bandaged arms, red devil marks, mark on right arm, golden phoenix marks, mark on left arm, black and red shorts, summer shorts, full body, sitting, sitting on ground, seiza, light skin, teenager, medium breasts, brown hair, very long hair, curly hair, ponytail, pink bow, hair bow, pink bikini, bikini, closed eyes, kissing, kissing each other, girl looking at viewer, looking at viewer, beach, sand, ocean, side by side, outdoors, day, blue sky, from side, profile, cowboy shot, full body, high detail, warm palette Seen from a low side three-quarter angle, the two sit on the pale sand facing the ocean, close together and turned slightly toward each other in profile; the boy is on the far left of the frame and the girl on the right. The boy's legs are folded under him with the knees half-sunk in the sand, his weight dropped onto his left hip; his bare right hand presses into the sand between them for balance, fingers spread and denting the surface, and his left elbow rests on his raised knee. His dark-skinned torso is bare and upright, and the short black and red summer shorts bunch at the hip where he leans. His right forearm shows the red devil marks and his left the golden phoenix marks, both partly hidden under the red bandage wraps that coil from wrist to elbow; the very long red headband tails stream off behind his dark spiked hair in the sea breeze, the red top section catching the sun and the black underlayer catching her shadow. The red-rimmed eyewear hangs loose at the base of his throat, tilted down by his bowed head. His eyes are shut as he leans in. The girl sits on her hip with her legs tucked to one side, one calf resting against the sand and her far hand braced flat behind her on the beach; the long curly brown ponytail falls forward over one shoulder and the pink bow sits high at the crown of her head, its ribbon ends pressed flat against the curl. Her pink bikini is bright against the sand. Her lips meet his and her face is turned only partly, her eyelids closed and only her near eye showing while the far eye is hidden behind the curve of her cheek; her head tips up to meet his. Their mouths touch with a slight pressure and the sand under their hips is pressed into two shallow hollows; the boy's shoulder and the girl's shoulder overlap in the frame, and both faces are in profile with the sky and the sea line closing behind them. The light comes from the high left sun, warm and direct, making a bright rim down the boy's right shoulder and the girl's cheek with the shadows of their bodies lying to the right across the sand, sharp and short. The ocean is a band of deep blue along the middle of the frame and the sky a pale gradient above it. The palette is limited to the warm sand, the red and black of the boy's hair and shorts, and the pink of her bikini and bow, with the blue sea as the quiet base. The soft spray from a nearby wave hangs in the air behind them as a fine mist, and the sun catches the spray so that the sea looks brighter just where the boy's hair blocks the light. The picture reads warm, sun-bleached and quietly tender.
Nov 6, 2026 7:58 AM
AI artwork
Avatar image of Etienne Anger-Fire/Ikari no hono
2girls? no — 1boy, 1girl, 2 characters total, full body, sitting on ground, sitting side by side, beach, boy: dark skin, 18 years old, red and black two-tone hair, spiked hair, medium hair, red hair over ears, red bangs on top, black hair below, long bangs, hair between eyes, red eyes, slit pupils, red eyewear around neck, red headband, very long headband, red bandaged arms, red devil marks on right arm, golden phoenix marks on left arm, black and red summer shorts, shirtless, smile, girl: light skin, teenager, green eyes, looking at viewer, brown hair, curly ponytail, very long hair, pink hair bow, pink bikini, medium breasts, smile, both smiling, barefoot, daylight, from above, wide shot, uncropped full bodies, both heads fully in frame, sand, ocean horizon, summer. The camera looks down on the two of them from a few steps back and above, close enough that the long diagonal of the shoreline fills the frame behind them but wide enough that both whole bodies sit inside the picture with sand in front of their feet and sky above their heads; they are side by side on the ground, the boy on the left of frame and the girl on the right, hips nearly touching, both turned a quarter toward the camera rather than square to it. The boy, darker skin of a young man of eighteen, sits with his weight on his right hip and his right knee drawn up, left leg folded flat across the sand in front of him, left forearm dropped loose over that raised knee so the red bandage wrapping runs from wrist to elbow in overlapping strips and the golden phoenix marks on that left arm flare their wings across the outer forearm where the wraps part; his right hand is planted flat in the sand behind his hip for balance, which turns the red devil marks on that right upper arm to the camera. His hair is red on top and black underneath, medium length and spiked up and back, long red bangs falling past his brows so one strand crosses between his eyes; the very long red headband is tied so its tails stream out sideways behind his head and keep lifting in the sea wind instead of lying flat, and the red eyewear hangs on its band around the front of his bare neck, resting on his collarbone, lenses catching two small hard glints. His chest and shoulders are bare, black-and-red summer shorts loose over his hips with sand already clinging where his thigh presses it, feet bare and dusted with sand. He leans a little towards the girl, one brow arched higher than the other, and grins — a wide, lopsided, easy grin — and he is looking at her, not at the lens, watching her for her reaction. The girl, light skin, a teenager, sits with her knees folded to one side, both hands braced on the sand beside her straight-arm, shoulders up, the lowest curve of a medium-busted chest held in the pink bikini top cupped by its own shape and a small sand print where her bottom ties press the beach; her very long curly brown hair is drawn back into a ponytail that, being curly and very long, spills over her far shoulder and coils down heavily on the sand behind her, each curl picked out by the light, and the new pink hair bow sits high at the base of the tie in a crisp clean knot, its loops still holding their freshly-set shape. Her green eyes come straight up the slope of the beach to the viewer under the camera, chin tipped up for it, and her smile is a bright closed attempt that opens at one corner into a grin. Her free hand rests palm-down between the boy's hip and her own, the two of them so close that her shoulder nearly touches his upper arm without quite doing it. The wind comes in from behind camera-left: it pushes the boy's headband tails and his long red bangs toward camera-right, lifts the loose ends of the red wraps on his forearms, and blows a few short curls of the girl's ponytail across her cheek; a single grain-fine dusting of dry sand sticks only to the parts of their skin that are pressed to the ground or damp with salt spray — the boy's planted palm and turned-up thigh, the girl's braced hand and folded calves — and stays off every upward-facing surface, which is where the sunlight lands instead. This is mid-afternoon, a low warm sun at camera-left off-frame, so their shadows fall short to the right over the sand with hard clean edges and the rim of light catches the boy's red spikes, the top of the girl's head and the sun-side arm of her bow; the sea behind them is a deep soft teal banded with white shallows, the sky pale and bleached above the horizon line, the empty foreground sand warm pink-tan and unmarked except for the hollow his heel has dug. Palette: the boy's red against black, the girl's pink against warm brown and tan, teal water and a bleached high sky, all under a warm salt-hazed sun. Effortlessly summery.
Oct 31, 2026 1:39 PM
1
AI artwork
Avatar image of Etienne Anger-Fire/Ikari no hono
1girl, solo, light skin, teenager, smile, medium breasts, green eyes, looking at viewer, brown hair, ponytail, very long hair, curly hair, new hair bow, pink bow, pink bikini, full body, sitting on ground, beach, focus, from above, sitting, hugging own knees, knees up, head tilt, looking up at viewer, open-mouth smile, sand, ocean, daylight The camera looks down at her from slightly above and in front, a full-body view that keeps her whole figure in frame from the pink bow at the crown of her head to her bare feet pressed into the sand. She sits on the beach with her weight settled back on her right hip, both knees drawn up and tilted a little to her left, her left forearm laid across the tops of her knees and her right hand planted flat in the sand behind her hip to prop herself up, fingers spread and sunk a knuckle deep. Her shoulders are loose, her chin tipped up and turned a touch toward her left shoulder so she meets the lens straight on with a bright open-mouthed smile, one brow lifted a half-degree higher than the other, green eyes wide and catching the light. Her very long curly brown hair is gathered into one high ponytail at the back of her crown, the curls springing loose and tumbling in a long heavy mass down past her shoulder blades and spilling onto the sand behind her where the ends kink and coil; the new pink bow sits at the base of the ponytail, its loops crisp and its tails flicked out to one side by the sea breeze. The pink bikini is a two-piece: the top is a simple triangle halter tied at the nape and the middle of her back, its cups understated so her medium bust reads as a soft natural curve rather than a display, and the bottoms are a low-rise brief with a knot at each hip; both pieces fit close and smooth, pale pink warming to rose where the sun rakes across them. A broad stretch of pale dry sand fills the foreground around her, the grains ridged into faint wind ripples and pitted where her hands and hips press in, and a compressed hollow marks each place her body meets the ground; her bare toes curl into the sand and cast small sharp shadows. Behind her the beach runs out to a flat band of sea, blurred by shallow depth of field into a soft teal-and-white shimmer with a thin line of surf, and further back the shoreline dissolves into haze, no other person anywhere in the frame. The light is a single high, warm late-afternoon sun from the upper right, so her right shoulder, the right side of her face and the tops of her knees take the brightest light, the shadowed side of her body falls into a cool blue-violet, and a short compact shadow pools under her hips and to her left, darkened and tinted with the reflected blue of the sand. The palette is held to three families: pale pink in the bikini and the bow, warm brown in her hair and the sunlit sand, and teal-to-white in the sea and sky, with her green eyes the one sharp accent. Every curl of the ponytail, the bow's fabric weave, the triangle seams of the bikini and the ridges of disturbed sand are drawn crisply while the water behind stays soft. Bright, sun-warm, easy.
Oct 31, 2026 10:25 AM
1#The Idolmaster
AI artwork
Avatar image of Etienne Anger-Fire/Ikari no hono
1girl, solo, 18 years old, light skin, smile, medium breasts, green eyes, looking at viewer, brown hair, very long hair, curly hair, ponytail, pink hair bow, pink bikini, pink short beach skirt, hugging own legs, knees up, sitting on sand, beach, ocean, from above, close-up, dutch angle, arms around knees, cheek resting near knee, shoreline, daylight, clear sky, warm palette, soft shadow The camera looks down from slightly above and off-axis, tilted a few degrees, so the girl sits small in the lower two-thirds of the frame with her own shadowed lap and the crests of her knees nearest the lens. She sits directly on the pale sand with her legs drawn up, both arms wrapped around her shins, forearms crossed over the front of her knees, her chin tipped down toward the left knee but her green eyes rolled up and fixed straight into the lens; her smile is open-lipped and a little crooked, one corner higher than the other, and a loose curl has fallen free of the ponytail to graze her cheekbone. Her very long curly brown hair is gathered high at the back of her head in a ponytail bound with a fresh pink hair bow, and the heavy curl of it spills over her shoulder and pools on the sand beside her hip, individual ringlets catching light on their upper curves and going dark in the hollows between them. The pink bikini top and its straps show above the bend of her arms, the pink short beach skirt spread around her hips where she sits, sand pushed into a small ridge against her thigh and one heel dug into a shallow trench she made getting down; the fabric is faintly darker at the hips where damp from the swimsuit has bled outward. Behind her the beach runs out of focus toward a flat turquoise sea, the horizon set high in the frame so the sand fills most of the picture; sunlight comes from the upper right and slightly behind the lens, so her face and the tops of her knees are fully lit, her ponytail casts a shadow forward onto her own spine, her shadow falls short and dense to her left, and the empty sand at the right edge carries the soft, slightly darker fringe of another shadow reaching in from out of frame. Palette: warm cream sand, blush and rose pink in bow, top and skirt against her light skin, sea-glass green in the eyes echoed in a thin band of water, and brown in the hair; nothing else admitted. High detail on her face, hands and the contact of arm against shin, simpler rendering on the blurred water. Sunlit, easy, a little playful.
Oct 27, 2026 9:10 PM
2#The Idolmaster#Akane Hino
AI artwork
Avatar image of Etienne Anger-Fire/Ikari no hono
1boy, solo, dark skin, dark-skinned male, 18 years old, medium hair, spiked hair, red hair, black hair, two-tone hair, red hair above black hair below, red hair over ears, long bangs, hair between eyes, red eyes, slit pupils, red eyewear around neck, eyewear hanging from neck, red headband, very long headband, trailing headband ends, smile, closed-mouth smile, shirtless, bare chest, black and red summer shorts, red bandages, bandaged arms, red devil marks on right arm, golden phoenix marks on left arm, sitting on ground, sitting, beach, sand, ocean, full body, wide shot, from above, dutch angle, looking up, head tilt, arm support, one knee up, toes in sand, best quality, high quality, high detail, A full-body wide shot taken from above and slightly off-axis, the camera canted a few degrees so the shoreline runs as a diagonal from lower left to upper right; the teenage boy sits on the sand at the lower-left third of the frame and the empty beach opens out above and to his right. He is planted on the ground with his weight sunk into his right hip, right leg folded flat under him along the sand, left knee pulled up with the left foot planted and the toes dug in; his right arm locks straight down behind him, palm pressed flat into the sand and the shoulder pushed up by the load, while his left forearm rests across the raised knee with the hand hanging loose. His torso is turned about three-quarters toward the lens and his chest is tipped back a touch by the arm support; his chin lifts and turns so he looks up into the camera from under his red bangs, a slow closed-lip smile pulling one corner higher than the other, the smile creasing the corner of the eye rather than the mouth. His hair is a medium, spiked shock gathered into short red points that catch the light: the top half is red, the underside above the nape is black, the sides fall in red over both ears, and long red bangs drop down the middle of his forehead with one strand falling exactly between his eyes. The red headband is tied around his temples, and its two very long tails stream away to his left, lifted and rippling on the sea wind. A pair of red-framed eyewear hangs on a cord around his neck and rests flat against his bare sternum, one lens turned toward the light. His bare dark-skinned chest and shoulders are basted in warm light; both arms are wrapped in red bandages in overlapping ridged turns from wrist to upper forearm, the right bandaged arm bearing abstract red devil marks — horned crescents and a barbed tail — laid over the wraps, the left bandaged arm bearing interlaced golden phoenix marks with layered wing feathers sweeping toward the elbow. His black summer shorts are cut high at the thigh and patterned in red, a thin red side stripe running down the outside seam and red blocks at the hem, hem and waistband dark against his skin. The beach is a broad reach of pale, fine-grained sand with shallow wind ripples, scattered broken shells and a wet, darker tideline in the lower right; in the far distance the sea sits flat and turquoise under a wide, pale sky with one low bank of haze near the horizon, nothing else in frame. The single light source is a high, warm sun off to the upper right, striking the right side of his face, the tops of his hair spikes, his right shoulder and the raised left knee, throwing a short hard shadow under his chin and a long shadow of his body across the sand toward the lower left, the headband tails casting flickering shadows as they flutter; where his palm presses the sand the grains are pressed into a shallow cup, and a dusting of dry sand clings to the outside of his left foot. The palette stays to warm skin tones, the two-tone red and black of hair and clothing, the sand's chalky pale ochre and the sea's pale turquoise, with the only metallic note the gold of the phoenix marks. Windblown, sunlit, effortlessly cool.
Oct 27, 2026 11:42 AM
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