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AI artwork
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Bagus nabil Fahmi

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Masterpiece, highest quality, Ultra HD, 8K, perfect anatomy, perfect body, addxl, AddXL, Anime, Manga, Bold Outline, Colorful, 1 girl, solo, shimizu misaki, brown hair, brown eyes, long hair, bob cut, slightly curled ends, hair over one eyes, butterfly bangs, playful face, better pose, wrapped body from shoulders down byvetwrap, mummification \(bound\), cocooned in yellow vetwrap, smooth and snug wrapping, tight vetwrap, head and neck completely free and uncovered, covering from shoulders downward, arms fully bound at sides, legs fully bound together, glossy vetwrap texture, tight layers, straight posture, cute happy face, makeup, elegant features, graceful, soft anime style, detailed vetwrap folds, shoulder wrapped, vetwrap tightly wrapped around upper body, vetwrap stopping just at the shoulders
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Größe
584 x 1496
Sampling-Schritte
24
Sampling-Methode
Euler a
CFG Scale
5.5
Negativ
nsfw, long neck, deformed, mutated, mutation, ugly, disfigured, no excessive wrapping around the throat, no vetwrap covering the lower part of the chin or neck, no tight wrapping around the face that obscures the neck, no wrapping that covers the throat or jawline, no sloppy wrapping, no uneven or messy layers, no loose or uneven wrapping around the neck or chin area, no covering the collarbone, no unnatural neck proportions, no distortion of the vetwrap texture, no unrealistic or unnatural body proportions, no visible injuries or damage, no off-model elements, no exaggerated features, no incomplete or inconsistent vetwrap coverage, no wrong or uneven color application, no off-model colors, no arms behind back, no arms in front, arms fully wrapped at sides only, no distorted or misshapen vetwrap folds, no loose ends, no NSFW content drawn face, skin blemishes, skin spots, acne, the wrong limb, lowers, bad anatomy, bad hands, text, error, missing fingers, extra digit,Excess fingers, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry,Black line,Excess hands, extra hands, jpeg artifacts

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AI artwork
余
character: hirasawa_yui 1girl, hirasawa_yui, brown_hair, short_hair, hair_between_eyes, hairclip, blue_ribbon, brown_eyes, canvas_body_bag, white_canvas_bag, full_body_bag, head_out_only, no_visible_arms_in_bag, knees_bent, standing, duct_tape_over_mouth, tape_gag, neck_tied_with_string, cloth_flap_over_face, taut_fabric_following_body_contour, feet_fully_encased, from_side, full_body, dutch_angle, looking_at_viewer, blush, worried_eyes, bare_face, indoor, wooden_floor, soft_window_light, A slightly low dutch-angled side view of a single girl standing on a bare pale wooden floor, caught in a small off-balance shift of weight: her knees are softly bent, both heels still flat, thighs pressed together so the taut white fabric pulls in a straight diagonal from hip to knee. Her whole body from the shoulders down — torso, arms, hips, thighs, calves, ankles, and every toe — is sealed inside one continuous bag of thick sturdy white canvas, cut so close to her body line that it reads as a second skin and not a sack: the weave is plainly visible, the fabric strains pale over the swell of her chest, creases in short tension folds behind the bent knees, and a bulge at the shoulder where her arms are trapped flat against her sides and elbows pressed to her ribs. The bag is neither too big nor too small — it stops exactly at the base of her throat, where a length of thin cord is wound twice and knotted tight, cinching the cloth into a puckered ring of gathered pleats so nothing shows beneath it. Above that knot the top edge of the canvas has been left long and stands up in a stiff 10-centimetre collar of cloth that flares forward past her jaw and leans out over her face, its cut edge slightly frayed and casting a thin shadow across her cheek and the bridge of her nose. Only her head is exposed: short brown hair falling to her jaw, a small hairclip and a blue ribbon at the side of her head, brows drawn up and inward, brown eyes wide and tilted down toward the tape at her mouth. A single strip of grey-silver duct tape is laid flat across her lips and sealed onto both cheeks, its ends pressed down with visible thumb-creased wrinkles, the tape's glossy surface catching the light while strands of hair are trapped under its lower edge. Her gaze is aimed at the viewer, chin slightly lifted, a faint blush high on both cheeks; the small unsteadiness of her stance shows in a tiny scuff of displaced dust under her left heel. Single light source: a window off to the left, cool daylight at a low angle, striking the left side of the bag so the canvas goes bright to near-white and throwing the side away from the window into soft cool grey shadow; the light rims the stiff protruding cloth collar and leaves a crisp small shadow of the collar on her forehead. No other lighting: the far corner of the room falls away dark. Palette is restricted to white and off-white canvas, warm pale-brown floorboards and her brown hair, the blue of the ribbon and the grey of the tape — nothing else admitted. The room is otherwise empty and quiet. Tender, faintly uneasy.
余命一万一日
AI artwork
余
character: hirasawa_yui 1girl, hirasawa_yui, brown_hair, short_hair, hair_between_eyes, hairclip, blue_ribbon, brown_eyes, canvas_body_bag, white_canvas_bag, full_body_bag, head_out_only, no_visible_arms_in_bag, knees_bent, standing, duct_tape_over_mouth, tape_gag, neck_tied_with_string, cloth_flap_over_face, taut_fabric_following_body_contour, feet_fully_encased, from_side, full_body, dutch_angle, looking_at_viewer, blush, worried_eyes, bare_face, indoor, wooden_floor, soft_window_light, A slightly low dutch-angled side view of a single girl standing on a bare pale wooden floor, caught in a small off-balance shift of weight: her knees are softly bent, both heels still flat, thighs pressed together so the taut white fabric pulls in a straight diagonal from hip to knee. Her whole body from the shoulders down — torso, arms, hips, thighs, calves, ankles, and every toe — is sealed inside one continuous bag of thick sturdy white canvas, cut so close to her body line that it reads as a second skin and not a sack: the weave is plainly visible, the fabric strains pale over the swell of her chest, creases in short tension folds behind the bent knees, and a bulge at the shoulder where her arms are trapped flat against her sides and elbows pressed to her ribs. The bag is neither too big nor too small — it stops exactly at the base of her throat, where a length of thin cord is wound twice and knotted tight, cinching the cloth into a puckered ring of gathered pleats so nothing shows beneath it. Above that knot the top edge of the canvas has been left long and stands up in a stiff 10-centimetre collar of cloth that flares forward past her jaw and leans out over her face, its cut edge slightly frayed and casting a thin shadow across her cheek and the bridge of her nose. Only her head is exposed: short brown hair falling to her jaw, a small hairclip and a blue ribbon at the side of her head, brows drawn up and inward, brown eyes wide and tilted down toward the tape at her mouth. A single strip of grey-silver duct tape is laid flat across her lips and sealed onto both cheeks, its ends pressed down with visible thumb-creased wrinkles, the tape's glossy surface catching the light while strands of hair are trapped under its lower edge. Her gaze is aimed at the viewer, chin slightly lifted, a faint blush high on both cheeks; the small unsteadiness of her stance shows in a tiny scuff of displaced dust under her left heel. Single light source: a window off to the left, cool daylight at a low angle, striking the left side of the bag so the canvas goes bright to near-white and throwing the side away from the window into soft cool grey shadow; the light rims the stiff protruding cloth collar and leaves a crisp small shadow of the collar on her forehead. No other lighting: the far corner of the room falls away dark. Palette is restricted to white and off-white canvas, warm pale-brown floorboards and her brown hair, the blue of the ribbon and the grey of the tape — nothing else admitted. The room is otherwise empty and quiet. Tender, faintly uneasy.
余命一万一日

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ