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AI art "cherries" featuring #Frucht and #Kirsche for keywords cherry tree, flower, detailed petals, fruit
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cherries

KI-Kunst „cherries“ von bob collie auf PixAI. Erstellt mit Moonbeam.

cherries

#Frucht#Kirsche
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Kommentare

cherry tree, flower, detailed petals, fruit
Parameter anzeigen
Größe
512 x 512
Sampling-Schritte
20
Sampling-Methode
Euler a
CFG Scale
6
Negativ
worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t

Verwendetes Modell und LoRA

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photorealistic photograph, no humans, still life, food photography, white ceramic bowl, bowl piled with fresh shiny red apples, red apples, glossy apple skin, water droplets, scattered green leaves, one apple on the counter beside the bowl, wooden counter, rustic kitchen counter, morning light from window, soft natural colors, 50mm lens, shallow depth of field, close-up, slightly high angle, three-quarter view Shot on a 50mm lens at close range, from a slightly elevated three-quarter angle looking down across a worn rustic wooden counter, the white ceramic bowl sits just left of frame centre as the anchor of the composition, its thick rim catching a bright rim of light along the upper edge, the bowl packed with fresh shiny red apples heaped above the rim so the topmost apples are stacked and overlapping, each one a saturated crimson deepening to a dark maroon in the shadowed cleft between fruits, their skins glossy and tight, a few beads of condensation catching pinpoint highlights on the upper curves, the pile leaning gently to the right where one apple has settled into the dip of its neighbours. The bowl's white glaze reads cool and clean against the warm honeyed wood, and a thin soft shadow pools under the base where the ceramic meets the counter. To the right of the bowl, close but clearly separate, a single red apple rests directly on the counter, its stem end angled toward the viewer, a small dry calyx visible, its unpolished underside picking up a duller reflection from the wood. Loose green leaves are scattered across the countertop in a loose arc around the bowl's right side and foreground — some lying flat with their veins catching the light, one tilted up against the bowl's outer wall — their cool green a deliberate counterpoint to the red fruit. Between the bowl's foot and the loose apple, fine scratches and grain lines of the old countertop are visible; a shallow bead of moisture from the apples has run into one of the board's seams and darkened that line. Gentle morning light rakes in from a window at the upper left, out of frame, low-angled and slightly diffuse: it strikes the left sides of the apples and the bowl's left rim, wraps the heaped fruit in a soft honeyed glow, and leaves the right side of the pile and the far side of the counter in a mild, luminous half-shadow, with a long soft directional cast shadow from the bowl stretching toward the lower right and a crisp bright edge along the top-left curvature of each apple. Beyond the counter the farmhouse kitchen falls out of focus — a blurred pale wall, a hint of a window frame's white trim at the left edge glowing with daylight, the soft suggestion of a hanging cloth or shelf — rendered as indistinct warm neutrals so nothing competes with the fruit. The palette is soft and natural: crimson and deep maroon in the apples, clean off-white in the bowl, warm honey and ash brown in the wood, cool fresh green in the leaves, all muted toward a pale creamy daylight register. Fine true-to-life detail — apple-skin texture, powdery bloom at the stems, the slight speckling on one apple's shoulder, the glaze's micro-fine crazing — with the background softly defocused from the 50mm's shallow depth of field. Cozy, quietly abundant.
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