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AI art "Look up at the sky. #2"
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Look up at the sky. #2

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(((man pointing to the sky))), ((one giant hand reaching up from the sky)), (many giant eyes in the sky), city, cityscape, scenery, 1boy, black suit, skyscraper, orange sky, flat color, creepy, from below, from ground, wide shot, pointing up, from behind, (masterpiece, best quality:1.3), (absurdres absolutely resolution), (8k), (detailed beautiful face and eyes), (detailed illustration), (super fine illustration), __PROMPT__, Collage Art, Detailed Horror Art, newspaper texture, random images, random texts, random characters, extra, extra eyes, extra body parts, surreal
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Größe
1024 x 1024
Sampling-Schritte
24
Sampling-Methode
Euler a
CFG Scale
4
Negativ
abstract, bad quality, worst quality, bad anatomy, bad hands, comic, jpeg artifacts, patreon logo, patreon username, web address, (signature:1.3), watermark, text, logo, artist name, censored, child, young, light particles, realistic, 3d, wet, sad, long fingers, closed eyes, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked

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(masterpiece best quality 1.2) ultra-detailed character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward extreme wide angle full body framing 1creature solo Zion Tenth Birth Catastrophe form a being so massive the camera cannot contain it the frame is filled by the creature's body and the body extends beyond the frame edges in every direction implying infinite continuation the creature has six arms three on each side each arm a different length and thickness and angle — the topmost arms reaching upward and outward like grasping hands the middle arms extended sideways like balancing poles the lowest arms hanging downward like afterthoughts each arm ends in a hand with too many fingers and each finger ends in a different shape — a claw a point a mouth an eye a key each hand is a different tool for a different catastrophe four legs visible beneath the massive form not legs in the traditional sense but structural pillars thick and root-like and spread wide like the legs of a spider or the roots of a tumor-tree the legs are not separate from the ground they have fused with it the creature is rooted into reality and reality is rooting into the creature body bulbous and massive and covered in tumors but not random tumors — each tumor is a face a different face a face of someone whose fortune has been stolen each tumor-face has milky white eyes with crimson irises and each pair of eyes sees a different possible future each tumor-face has a mouth filled with sharp teeth and each mouth is whispering a different prediction the whispers overlap and combine into a cacophony of prophecy that drives everything in proximity to madness the primary face is at the top of the body — the largest face the original face its mouth is lipless and stretched wide showing massive teeth each tooth carved with a tiny engraved symbol representing a different form of misfortune the primary face's eyes are the largest — milky white with crimson irises that swirl like weather patterns the eyes do not look at the viewer they look at everything simultaneously because catastrophe does not choose a target it targets choice itself thick black smoke billowing from every tumor-face and from the primary mouth and from every crack in the creature's skin the smoke does not dissipate it accumulates it builds and layers and creates a canopy of darkness above and around the creature like a private storm system the smoke obscures vision and within the smoke visible hallucination-flickers — images of people's worst fears projected in shadow-play against the smoke walls the karma meter visible not on the creature's forehead but as a floating phenomenon — a massive glowing dial hovering above the primary face like a second sun the dial is split into halves one dark one light and the dark half is growing the karma meter is climbing and the higher it climbs the more the environment warps structures in the background not just collapsing but rearranging — buildings swapping floors the sky changing color weather inverting rain falling upward the ground splitting into chessboard tiles that rearrange themselves the environment is not being destroyed it is being reorganized by misfortune and the reorganization is more terrifying than destruction because destruction at least leaves ruins but catastrophe leaves nothing recognizable the creature's body language is immobile it does not need to move it has rooted into reality and now reality orbits it it is the center of gravity for misfortune and everything falls toward it and breaks rim light along six arm silhouettes reaching in different directions rim light catching tumor-faces with milky crimson eyes whispering overlapping prophecies rim light catching primary lipless mouth with carved misfortune-teeth rim light catching massive milky eyes with swirling crimson weather-pattern irises rim light catching floating karma meter dial overhead dark half growing rim light catching billowing accumulated black smoke canopy with hallucination-shadow projections rim light catching rearranging environment — buildings swapping floors sky inverting chessboard ground tiles rim light catching four root-like legs fused with ground rim light catching hands ending in different shapes — claw mouth eye key shadow cataclysmic catastrophe shadow with reality rearranging around rooted god-thing chiaroscuro catastrophic divine lighting with milky-crimson irises and black smoke canopy and floating karma-meter dial ambient glow highly detailed 8K cinematic composition detailed Zion Form 10 Catastrophe rooted tumor-faced karma-dial reality-rearranging texture
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arm each finger visible in the tight frame the fingers detailed the stone-skin of each finger showing strata the layers running horizontally across each finger each finger a geological core sample each finger a record of pressure and time — BUT the palms are not merely resting — from both palms a CITY is growing — miniature towers and walls and bridges and cathedrals assembling themselves from white light spreading outward from the fingertips across the armrests and down the throne and onto the floor visible in the lower portion of the frame the city is not built the city is SPOKEN into existence the architecture growing from the hands the way language grows from a mouth each building a word each district a sentence the city growing from the stone figure's palms and spreading across the armrests and the throne's base and onto the floor where the soul-lights live the city visible in the immediate foreground beneath the figure's hands the towers rising from between the figure's spread fingers the walls growing along the armrests the city using the throne as its foundation the foundation the figure the figure the foundation the city the figure the city the foundation, the throne sits at the center of a vast underground chamber but the chamber is visible only at the edges of the tight frame the ceiling not visible the walls far away and barely seen the floor stretching outward covered in a dense carpet of small white lights the lights visible in the lower frame and at the edges each light a soul thousands of them each one the size of a marble each one glowing faintly white each one arranged in concentric rings radiating outward from the throne the rings visible in the immediate foreground around the throne's base the souls nearest the throne brightest and largest in the tight frame the souls at the edges of the frame smaller and dimmer the gradient visible in the close framing the nearest souls bright marble-sized lights the farther souls pinpricks the depth visible the soul-field stretching away into darkness at the frame's edges, the city growing from the figure's hands growing INTO the soul-field the white-light architecture spreading across the soul-rings visible in the foreground the towers rising from between the nearest souls the walls growing along the concentric rings using the soul-rings as foundation the city and the souls becoming one the souls the city's lights the city the souls' architecture the fusion visible in the close frame the fusion the foreground the foreground the fusion, the figure's arms covered in fine white lines tracing a vascular system — not veins but BLUEPRINTS the white lines visible in close detail across the arms and chest the lines precise and architectural each line a specification each junction a load-bearing calculation the blueprints matching the city growing from the palms the body the blueprint the city the building the body and the city sharing the same plan the plan written on the skin and executed from the hands the match visible in the tight frame the match the detail the detail the match, the figure's face massive and mostly obscured by shadow but the eyes visible two burning red points deep-set staring forward from beneath a heavy brow of black stone the red the only warm light the warm the red the red the warm the eyes visible in the upper frame the eyes the focal point the point the red the point the stillness the patience the patience the stillness the mouth closed a straight horizontal line the line the stone the stone the line, the only light sources are the souls themselves the field of white lights illuminating the figure's stone body from below in every direction the soft white light casting up across the geological strata of the chest and arms the strata visible in the soul-light the layers lit from below the shadow the shadow the light the light the shadow the light from below the stone from above the light the soul the soul the light the stone the stone the soul the contrast the contrast the warm the red the cold the white the contrast the contrast the warm the cold, the growing city's white-light architecture adding a second light source the blue-white glow of the structures mixing with the white soul-light the mixing visible in the foreground the gradient from warm-white at the souls to cool-blue-white at the city-towers the gradient the growth the growth the gradient the mixing the light the light the mixing, rendered as a dark fantasy illustration with heavy atmospheric perspective the soul-lights growing smaller and dimmer with distance visible at the frame's edges the black stone of the body rendered in visible geological strata texture the strata detailed in the close framing each layer visible each shade of black distinct the white-light city rendered in clean precise architectural linework the two textures — stone strata and light architecture — meeting at the figure's waist the meeting the boundary the boundary the fusion the fusion the 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grim
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ