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Purple Dreads
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- Größe
- 614 x 1024
- Sampling-Schritte
- 25
- Sampling-Methode
- Euler a
- CFG Scale
- 6
- Negativ
- worst quality, bad quality, very displeasing, displeasing, bad anatomy, artistic error, lowres, bad hands, signature, artist name, multiple views, variations, old, oldest, missing fingers, excess fingers, extra hands, excess hands
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あべろん
や
high-quality modern anime illustration with cinematic blue lighting, glossy hair, detailed eyes, and a clean, polished rendering style, dark atmosphere, 1boy, lean muscular, black hair, slicked-back bangs, blue eyes, multiple piercings, black bracelets, wedding ring on left ring finger, t-shirt, hoodie, open clothes, sweatpants, standing, leaning back slightly, weight on back leg, lazy posture, right hand in pocket, outdoors, day, city street, masterpiece, best quality, highres, half updo
やじこ
character: baji_keisuke, copyright: tokyo_revengers
1boy, solo, baji keisuke, black hair, long hair, loose unbound hair, yellow eyes, tsurime, black t-shirt, white bomber jacket, oversized jacket, jacket draped over shoulders, arms out of sleeves, sleeves hanging empty, collar open, rain, rain droplets, wet hair, wet clothes, standing, hands in pockets, from below, cowboy shot, three-quarter view, looking down, looking to the side, slightly sad expression, half-closed eyes, lowered gaze, furrowed brow, small frown, overcast, cool desaturated palette, cinematic lighting, anime screencap style, cel shading, crisp linework
A low three-quarter view from below, cowboy shot, the figure standing at the near edge of a narrow street that recedes into wet grey distance behind his shoulder. He is turned a little away from the camera, chin dropped, yellow eyes looking down and off to the left, unfocused, past the frame edge; the near brow is pulled slightly together and the mouth is a small flat frown, corners just barely down. His long black hair is soaked, strands stuck flat across his cheek and jaw, the rest hanging heavy and darkened with water past his collarbone. The white bomber jacket is thrown over his shoulders like a cape: the collar sits bunched at the back of his neck, both sleeves hang empty and swing slightly forward, the hem catching at his upper arms; it is cut large so the shoulders ride wide and the body of it drapes loose. Under it the black t-shirt is soaked through at the chest and shoulder, clinging to the shape of him, the fabric darker where the water has run. Both hands are shoved into the t-shirt's front pockets, elbows tucked in, shoulders rolled slightly forward against the rain, weight settled on the back foot. Rain falls in visible slanted streaks across the whole frame, thin bright threads against the dark; drops strike the crown of his head and the white jacket's shoulders and burst into fine spray, and a few run down the jacket's sleeve and drip from the empty cuff. The wet asphalt under him holds a broken, darker, softer reflection of his white shoulders. Flat overcast light, no sun, everything cool grey-blue with the white jacket and yellow eyes the only warm notes; background buildings simplified into soft grey blocks with illegible wet signage. Quiet melancholy.
エマ
あべろん
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