Sign up free, get 10,000 credits
Starter credits added when you sign up.
Sign up and create 8 images for free
Starter credits added when you sign up.
Marina Rusinova
KI-Kunst von Marina Rusinova auf PixAI. Erstellt mit SDVN7-NijiStyleXL.
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
Vom Autor versteckt
Verwendetes Modell und LoRA
![style of Karen Knorr [SDXL] 365 - AI Model cover image](https://images-ng.pixai.art/images/thumb/541eb073-af27-4332-bcbf-75af24552b3f)
Ähnliche Bilder
Mehr anzeigen
cinematic shot, wide shot, from below, dutch angle, no humans, abandoned greenhouse interior, broken arched window, shattered stained glass mosaic window, twigs and branches growing through the broken window, wild plants overgrown on walls, ivy, moss, ferns, stone reflecting pool, wellspring, calm water surface, moving water, ripples, concentric ripples, small birds bathing, splashing water droplets, white doves perched on branches, doves perched on window ledge, black crows, crows in flight, crows on branch, dim sun rays, god rays, volumetric light shafts, fog, mist, dust settled on ground, floating dust motes, wind, wind-blown leaves, cool colors, teal and slate blue palette, bright yellow hues, yellow-green moss highlights, sharp focus, crisp detail, photorealistic render, physically based rendering, cinematic lighting, atmospheric perspective, HDR, simple composition, tranquil
The camera sits low and tilted, looking up and slightly across the flooded floor of a forgotten conservatory: a wide cinematic shot whose perspective makes the tall walls converge overhead, the whole frame steeped in cool slate and teal air. In the midground a shallow stone reflecting pool fed by a low wellspring at its far lip holds an unbroken sheet of still water; on its near edge three small brown-grey birds stand belly-deep, caught mid-bath, wings half-flared, scattering a spray of droplets that hang in the air, and each ring where a drop lands spreads in perfect circles only where the water is truly open, breaking into ellipses where it laps the mossy stone rim. Above and to the left a shattered arched window splits the wall: lead cames and shards of stained glass in dim blue, green and amber still frame the empty gaps, and through those gaps — and through the mosaic of coloured panes — bare twigs and slender branches push inward, their bark scored and leafing at the tips, swaying as the wind presses them against the broken mullions. Two white doves perch on a horizontal branch just inside the breach, claws wrapped tight around the wood, one preening its shoulder, the other turning its head to the open sky; higher in the dark beams a scatter of black crows sit and one drops from its perch with wings spread, feathers ruffled by the draught. Wild plants have taken the walls: ivy ropes the brickwork, ferns unfurl from mortar joints, and moss creeps along every upward-facing ledge. A single shaft of dim sun cuts in through the highest intact pane and lands in a lopsided pool of pale gold on the flooded flags, catching the bright yellow of a moss bloom; outside it the air is cold blue and the fog softens the far wall into a flat silhouette. Fine dust has settled in an even film across the dry ground at the frame's near edge, and where the wind stirs it, motes drift up and cross the light — the only motion against the still water. Everything is razor-sharp: the water beads on each bird's back, the grain of the bark, the flaking lead in the glass, the individual dust grains. Cool, hushed, unhurried.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
birds bathing, doves perched, crows, broken glass window, twigs and branches emerging from broken window, branches growing through window frame, dim sun rays, god rays, dust settled on ground, reflecting pool, moving water, ripples, calm water surface, wild plants on walls, ivy on masonry, stained glass mosaic windows, wellspring, fog, wind, windy, falling leaves, cool colors, bright yellow hues, blue-grey palette, yellow accents, no blur, sharp focus, crisp, high detail, cinematic shot, wide shot, low camera, from below, water level view, no humans, no people, photoreal render, physically based lighting, volumetric light shafts, simple composition, still atmosphere
The camera sits almost at the waterline of the reflecting pool, tilted slightly upward so the flooded ruin's wall rises across the upper half of the frame; nothing human appears anywhere in it. In the foreground the pool fills the bottom third as a flat dark slate-blue mirror, its surface broken by concentric rings where four small brown-grey sparrows and finches splash chest-deep, wings half-spread and flicking droplets that hang as sharp beads in the air; each ring spreads as an even circle outward and flattens where it meets the stone lip, and the birds' blurred-fast wingtips are frozen crisp by the high shutter. Behind the pool a cracked stone floor recedes, its crevices packed with a fine even layer of pale grey dust that no footstep has disturbed, and the dust lifts in thin streaks where the wind combs low across it. At midground the broken window stands in the ruined wall: a tall arched opening whose leaded glass has shattered, jagged shards still gripped in the frame, and through the empty panes a mass of bare twigs and slender branches pushes inward from outside, forking into the room and casting thin shadows on the inner sill. Along the same wall, to the left and right of the broken arch, two intact stained glass mosaic windows glow — small tessellated fields of deep cobalt, teal and desaturated green with a scatter of amber — their colour falling as faint coloured patches on the dust and on the pool's near edge. Three pale grey doves perch along the intruding branches at different heights, one preening with its beak buried in its shoulder, one facing left in profile with its head cocked down toward the water, one gripping a thicker bough with both feet and its tail hanging; two black crows sit higher on the stone ledge above the arch, one with its head turned sharply sideways watching the bathers below, the other hunched and motionless. Wild plants colonise the wall: ivy and thin grass tufts sprout from mortar joints and hang in strands that the wind pushes all one way, leaves fluttering and stems bending toward the right. The wellspring feeds the pool from a low stone spout at the left edge, a thin continuous stream falling and dimpling the surface. Fog fills the depth beyond the arch, softening the far wall into a pale grey veil while the near stone stays razor-sharp. Light comes only from the low sun behind the ruin, striking through the broken arch and the fog as three or four dim, clearly bounded shafts that graze the dust and catch the airborne motes; everything the shafts miss sits in cool blue-green shadow, and the only warmth in the image is the bright yellow the low sun pulls from the ivy's new leaves, the amber shards in the mosaic glass, and the yellow-lit rims of the doves' wings. The palette is dominated by cool slate blue, grey-green and pale fog grey, kept deliberately simple and uncluttered, with those yellow accents as the single warm note. Wind is legible everywhere at once: the ivy streams sideways, the fog drifts in the shafts, the pool's surface carries a fine wind-ruffle over its ripples, and loose dust and a few dry leaves travel low across the flagstones. Every plane — droplets, feather barbs, glass shards, dust grains, leaf veins — is tack-sharp, no depth-of-field falloff anywhere. Serene, hushed.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
birds bathing, doves perched, crows, broken glass window, twigs and branches emerging from broken window, branches growing through window frame, dim sun rays, god rays, dust settled on ground, reflecting pool, moving water, ripples, calm water surface, wild plants on walls, ivy on masonry, stained glass mosaic windows, wellspring, fog, wind, windy, falling leaves, cool colors, bright yellow hues, blue-grey palette, yellow accents, no blur, sharp focus, crisp, high detail, cinematic shot, wide shot, low camera, from below, water level view, no humans, no people, photoreal render, physically based lighting, volumetric light shafts, simple composition, still atmosphere
The camera sits almost at the waterline of the reflecting pool, tilted slightly upward so the flooded ruin's wall rises across the upper half of the frame; nothing human appears anywhere in it. In the foreground the pool fills the bottom third as a flat dark slate-blue mirror, its surface broken by concentric rings where four small brown-grey sparrows and finches splash chest-deep, wings half-spread and flicking droplets that hang as sharp beads in the air; each ring spreads as an even circle outward and flattens where it meets the stone lip, and the birds' blurred-fast wingtips are frozen crisp by the high shutter. Behind the pool a cracked stone floor recedes, its crevices packed with a fine even layer of pale grey dust that no footstep has disturbed, and the dust lifts in thin streaks where the wind combs low across it. At midground the broken window stands in the ruined wall: a tall arched opening whose leaded glass has shattered, jagged shards still gripped in the frame, and through the empty panes a mass of bare twigs and slender branches pushes inward from outside, forking into the room and casting thin shadows on the inner sill. Along the same wall, to the left and right of the broken arch, two intact stained glass mosaic windows glow — small tessellated fields of deep cobalt, teal and desaturated green with a scatter of amber — their colour falling as faint coloured patches on the dust and on the pool's near edge. Three pale grey doves perch along the intruding branches at different heights, one preening with its beak buried in its shoulder, one facing left in profile with its head cocked down toward the water, one gripping a thicker bough with both feet and its tail hanging; two black crows sit higher on the stone ledge above the arch, one with its head turned sharply sideways watching the bathers below, the other hunched and motionless. Wild plants colonise the wall: ivy and thin grass tufts sprout from mortar joints and hang in strands that the wind pushes all one way, leaves fluttering and stems bending toward the right. The wellspring feeds the pool from a low stone spout at the left edge, a thin continuous stream falling and dimpling the surface. Fog fills the depth beyond the arch, softening the far wall into a pale grey veil while the near stone stays razor-sharp. Light comes only from the low sun behind the ruin, striking through the broken arch and the fog as three or four dim, clearly bounded shafts that graze the dust and catch the airborne motes; everything the shafts miss sits in cool blue-green shadow, and the only warmth in the image is the bright yellow the low sun pulls from the ivy's new leaves, the amber shards in the mosaic glass, and the yellow-lit rims of the doves' wings. The palette is dominated by cool slate blue, grey-green and pale fog grey, kept deliberately simple and uncluttered, with those yellow accents as the single warm note. Wind is legible everywhere at once: the ivy streams sideways, the fog drifts in the shafts, the pool's surface carries a fine wind-ruffle over its ripples, and loose dust and a few dry leaves travel low across the flagstones. Every plane — droplets, feather barbs, glass shards, dust grains, leaf veins — is tack-sharp, no depth-of-field falloff anywhere. Serene, hushed.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
birds bathing, several small birds splashing in shallow water, doves perched, several doves perched on branches, twigs and branches emerging from a broken glass window, branches growing through shattered windowpanes, broken window, shattered glass, dim sun rays, volumetric light shafts, dust settled on the ground, dust motes on flagstones, calming reflecting pool, still reflecting pool, moving waters, ripples, wild plants grown on walls, vines and weeds on stone walls, stained glass mosaic windows, stained glass mosaic, wellspring, spring source at the pool's head, fog, mist, cool colors, bright yellow hues, dull ambience, simple aesthetic, sharp focus, everything in focus, deep depth of field, no blur, intricate detail, cinematic composition, wide shot, from a low three-quarter angle, no humans, no characters.
The view is a low three-quarter wide shot across the floor of an abandoned stone springhouse, camera set just above the waterline so the reflection pool fills the lower third and the far wall with its shattered windows rises behind it. The geometry is fixed and readable from left to right: at the far left the wellspring itself, a low stone basin where water wells up out of a cracked lip and spills over into a shallow runnel; the runnel crosses the foreground toward the center, opening into the broad calming reflecting pool that lies flat and glass-still, mirroring the window wall above it; the broken glass window with its stained glass mosaic occupies the center-right of the far wall, a tall arched frame whose leaded mosaic panels -- cobalt, teal, slate green, one amber-gold rosette -- are shattered out in a jagged star of missing panes, and through that hole a thick twiggy branch pushes inward, splitting into thinner forks that reach down over the pool. Wild plants have taken the wall: ivy and thin wiry weeds creep up the mortar joints on both sides of the window and hang in strands from the sill. On the branch forks, four doves perch in a staggered row at different heights, gripping the bark with pink feet, bodies angled toward the light, one preening its shoulder with its beak buried in the feathers, the nearest turning its head down toward the water. In the shallow runnel at the lower left, several small brown sparrows and a single dark songbird are bathing: one crouched low with its breast in the water and wings half-lifted, throwing a fine spray of droplets, another fluffing itself in a quick shake so its wet feathers ruffle out, a third dipping its head and flicking it back. Water off each bather's wings runs off in beads and dimples the surface; the spreading rings cross the still pool and break the mirror image of the window into wobbling segments that heal again a hand's width away. The only light source is the low sun coming through the broken window: dim, fog-diffused shafts dropping at a shallow angle from the upper right, laying pale gold bars across the dust-covered flagstones, catching the airborne dust as bright motes inside the shafts, and gilding the tops of the ivy leaves while the wall below and the far corners fall into cool blue-grey shadow. The palette is disciplined: cool teal, slate and blue-grey across the stone, water and fog, against bright yellow hues restricted to the sun shafts, the dust motes, the amber mosaic rosette and the warm glints on the doves' plumage. Fog hangs in a low band over the pool, softening the far wall's upper arch into haze while everything from the foreground flagstones to the perched doves stays crisply resolved, edge to edge. Fine mineral detail on the wet stone, wet feathers, lead cames and glinting glass shards on the sill. Quiet, damp, unhurried.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
Empfohlene Benutzer
Werden dir gefallen
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
5
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
2
...
Tofu
1
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Kommentare