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Evil Queen ๐ค 4
KI-Kunst โEvil Queen ๐ค 4โ von notlikeearth auf PixAI. Erstellt mit Haruka v2.
Prompts sind auf PixAI standardmรครig รถffentlich, aber Creator kรถnnen sie bei jedem verรถffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafรผr entschieden โ die Wรถrter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst รคndert sich dadurch nichts: Das Werk bleibt รถffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
Vom Autor versteckt
Verwendetes Modell und LoRA
![Evil Queen - Snow White (2025) ALPHA [PonyXL] - AI Model cover image](https://images-ng.pixai.art/images/thumb/64ee9be7-67fc-4592-a1cc-86b8291aeabc)
![B00ty Farm Artstyle [PDXL] - AI Model cover image](https://images-ng.pixai.art/images/thumb/d376cda7-1a34-40ec-bf55-3514959e7f65)
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e2
1girl, solo, evil queen, underworld ruler, mature female, sexy, villain expression, cruel smirk, raised eyebrow, looking down, looking at viewer, very long hair, magenta-red hair, wavy hair, windswept hair, tiara, dark crown, royal gown, plunging neckline, side slit, opulent jewelry, gold necklace, heavy gemstone choker, rings, gem-encrusted girdle, chaos magic, magenta-red magic, glowing energy, magic swirls, floating embers, obsidian palace, throne room, from below, cowboy shot, dramatic rim lighting, dynamic pose
From a low angle cowboy shot looking up, the sovereign of the underworld stands with her weight shifted decisively to her back hip, radiating imperious dominance. Her voluminous, waist-length magenta-red hair billows upward in heavy silken waves, lifted by unnatural thermal currents. Her face is set in a cruel, mocking villain expression: one dark brow sharply arched, half-lidded eyes casting a venomous gaze straight down at the viewer, and red-painted lips curling into an asymmetric, sadistic smirk that bares the edge of sharp teeth.
She is clad in a sumptuous, form-fitting midnight-black velvet gown that features a daringly low-cut sweetheart neckline and a high thigh slit, trimmed in heavy antique gold embroidery. Layered across her decolletage and shoulders are opulent royal jewelsโa wide choker set with massive faceted magenta rubies and dark onyx teardrops, matching cascading pendant necklaces, and an ornate, jagged royal crown of blackened gold perched atop her head, heavy with glittering gems. Her right hand is raised near her collarbone with curved, taloned black nails framing a concentrated vortex of volatile magenta-red chaos magic, which crackles and coils around her forearm in ribbons of distorted light. Her left hand rests casually on her hip, long fingers brushing an intricate, gem-studded golden girdle.
The setting is a monumental underworld throne chamber of polished black obsidian, with sharp basalt columns receding into deep violet gloom. The chaotic magenta-red magic acts as the primary illumination, casting intense upward highlights across her pale jawline, throat, and collarbones, while causing the multifaceted jewels to throw sharp, crimson-tinted specular gleams onto the surrounding stone. Near the core of the magical orb, the extreme heat causes a slight optical refraction and haze in the ambient air. Imperious cruelty.
eudelinbolat2026
r
1girl, solo, full body, head to toe, standing, hand on hip, chin lifted high, sly confident smile, looking down at viewer, from below, long voluminous curly dark brown hair, cascading over shoulders, deep dark brown eyes, fair skin, lean graceful figure, medium bust, curvy hips, long loose flowing brown floor-length gown, polished black chrome armored corset, ornate filigree plating, black chrome full-arm gloves, black chrome knee-high armored boots, oversized extravagantly ornate golden crown, tilted crown, dark fantasy, painterly detailed illustration, dim torch-lit castle throne room, warm torchlight, rim lighting, deep shadows,
She is seen from a low angle, from below, the camera set near knee height and tilted slightly back, so her whole figure fits framewise from the crown's peak at the top edge to the toes of her chrome boots at the bottom edge, the long gown's hem breaking just above the boots and the black-booted feet visibly planted on the stone floor. Her weight rests on her left leg with the right hip pushed out and the right knee relaxed inward, the right hand flat on that hip with the chrome-gloved fingers splayed over the gown's fabric, while her left arm hangs loose with the chrome gauntlet's fingers half-curled. Her chin is lifted high, the throat drawn long above the corset's filigree edge, and she looks down the line of her nose at the viewer with a narrow, sly, closed-lip smile whose right corner curls higher than the left, one brow faintly raised, eyelids half lowered. Curly dark brown hair springs in heavy spirals down past her shoulders, spilling forward over the black chrome corset's shoulder plates, and three curls swing free at her right cheek, stirred by a slow draft from the hall.
The crown sits at a haughty tilt to her left, far too wide for her skull: the gold band rests low over her brow and one side dips toward her ear, its ornate arcs and points rising past the top of the frame's margin, each spike catching a hot fleck of torchlight. Below the chin, the polished black chrome corset wraps her torso waist to bust, mirror-bright, its filigree plating raised in curled relief and reflecting fire in thin vertical streaks; beneath it the plain brown gown pools loose and heavy about her legs, moving in slow folds that ripple where the floor's cold air drifts along the stone. The full-arm chrome gloves run fingertip to upper arm, jointed plates ridging the elbows. Far behind her and above, the throne room recedes: a raised dais and the dark high back of a carved throne, two lit torches in iron sconces flanking it, their flames the only light source; the torchlight rakes in from behind and to her right so a warm rim burns along the crown's edge and her hair's outer coils, her right shoulder, the chrome corset's side and the boot's shaft, while the front of her face and body falls into deep, soft shadow, and her shadow stretches long and black across the flagstones toward the viewer. No other figures, the hall empty, the darkness beyond the torch pool absolute. Palette held to warm brown, black, and gold against near-black shadow. Quiet menace, effortlessly regal.
Robert
e
1girl, solo, queen of the underworld, from below, cowboy shot, looking down at viewer, evil smile, smirk, arched eyebrows, narrowed eyes, long hair, red-magenta hair, wavy hair, floating hair, cleavage, black and gold dress, high-slit dress, luxurious velvet gown, opulent royal jewelry, ruby crown, gemstone necklace, jewel-encrusted rings, gold filigree ornaments, chaos magic, glowing red-magenta magic, casting spell, magical energy ribbons, underworld throne room, obsidian dais, dark fantasy, dramatic rim lighting
Viewed from below in an imposing low-angle cowboy shot, the underworld queen stands poised upon an elevated obsidian dais, her weight shifted back onto one hip as she towers over the perspective. Her head is tilted slightly forward, casting an imperious, predatory gaze directly down at the viewer through narrowed eyes, accented by one sharply arched eyebrow and a cruel, asymmetrical smirk curling the corner of her dark-tinted lips. Her voluminous, long red-magenta hair cascades well past her waist in dense waves, with several stray locks lifted and undulating upward against gravity in the violent updraft of her sorcery.
She is clad in a seductive, corseted gown of midnight-black velvet lined with heavy gold embroidery and slashed with a daring neckline and hip-high leg slit. Luxurious royal jewels drip from her silhouette: a spired crown of blackened gold set with glowing cabochon rubies crowns her brow, a multi-tiered choker of interwoven gold filigree and teardrop magenta gemstones rests flush against her pale clavicle, and heavy gemmed signet rings encase her slender fingers with sharp black-lacquered nails. Her right hand is raised before her chest with claw-curled fingers, actively conjuring a volatile orb of red-magenta chaos magic that crackles in ribboning, ethereal arcs and wisps around her forearm. Her left hand rests casually against her hip, thumb hooked into the jewel-encrusted girdle of her skirt.
Behind her, a monumental throne hewn from jagged volcanic glass and dark metal looms in the subterranean gloom, flanked by towering colonnades lost in shadow. The primary illumination radiates directly from the crackling red-magenta chaos spell, casting stark, saturated magenta rim lighting across her shoulders, jawline, and the plush pile of the black velvet, while distant, smoldering underworld fissures below cast a faint amber ground reflection across the mirror-sheen obsidian floor. Ethereal cinders and embers drift lazily upward through the air, their paths disturbed and diverted by the swirling vortex of magical heat radiating from her palm. Sinister grandeur.
eudelinbolat
r
1girl, solo, dark fantasy, low-angle, three-quarter view, from below, sitting, crossed legs, elegant, villainess, adult woman, mid-twenties, long hair, voluminous curly hair, dark brown hair, hair spilling over one shoulder, deep dark brown eyes, fair skin, wicked grin, playful grin, open mouth, teeth, looking at viewer, beckoning, outstretched arm, one gloved hand extended toward viewer, black chrome full-arm gloves, armored corset, black chrome corset, ornate plating, cinched waist, brown gown, long loose gown, gown draping over throne arm, black chrome knee-high boots, boots crossed at the ankle, oversized golden crown, tilted crown, ornate crown, baroque throne, black obsidian and gold throne, grand throne, vast dark throne hall, stained-glass light shafts, god rays, floating dust motes, gloom, cinematic lighting, dramatic lighting, painterly, highly detailed, dark fantasy anime illustration
The camera sits low, well below her eye line, looking up at a three-quarter angle that catches the left side of her body and the diagonal of her legs; she dominates the upper two-thirds of the frame while the throne's base anchors the bottom edge. She lounges back in the black obsidian and gold baroque throne, spine pressed into the tall carved backrest, right hip bearing her weight, left leg crossed elegantly over the right so the black chrome knee-high boots meet and cross at the ankle and rest one atop the other mid-air. Her long loose brown gown pools along her right thigh and spills over the throne's gilded armrest, hem hanging in stretched folds down the arm's curve; the black chrome armored corset with ornate engraved plating cinches her waist hard, bright hard-edged highlights running along its ribs where the light rakes it. Both arms are black chrome from wrist to shoulder, the plating segmented over the elbows, and her left gloved hand is thrown forward toward the viewer, palm up, fingers curled inward in a slow beckoning beckon, foreshortened and larger than the rest of her by perspective; her right gloved hand rests loose on the armrest beside the gown. Her head tilts a little down at the viewer despite the low angle, the oversized extravagantly ornate golden crown sitting tilted to her left, its heavy gold filigree and points catching the light, its weight visibly pressing her hair down on that side. Long voluminous dark brown curls spill over her right shoulder and cascade down the corset, springy coils catching a rim of light; her deep dark brown eyes look straight down the angle at the viewer under half-lowered lids, and her wicked playful grin is wide and one-sided, one corner pulled higher, teeth showing. Behind and above her the vast dark throne hall recedes in gloom -- tall clustered columns, black-and-gold ribbing, deep arches lost in shadow -- and three narrow shafts of stained-glass light cut down through the murk from high windows out of frame, one striking her crown and the tilt of her cheek, one falling across the corset and the thrust forearm, the last laying a long coloured band on the throne-step and the floor behind her. Dust motes drift and glitter only inside those three shafts, invisible in the darkness between them; the rest of the hall is nearly black, and the light is the only source, its coloured edges cooling to violet and deep crimson away from the beam cores. Palette held to brown, black, gold and the stained-glass shafts' jewel tones, everything else swallowed by shadow. The chrome reads as dark mirror: each boot and glove carries one strong specular streak, and the boots' shafts reflect faint colour from the light band on the floor. Cinematic, painterly, highly detailed, seductive and menacing.
Robert
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