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tickling
Parameter anzeigen
- Größe
- 768 x 1280
- Sampling-Schritte
- 25
- Sampling-Methode
- Euler a
- CFG Scale
- 6
- Negativ
- worst quality, bad quality, very displeasing, displeasing, bad anatomy, artistic error, lowres, bad hands, signature, artist name, multiple views, variations, old, oldest, missing fingers, excess fingers, extra hands, excess hands, extra fingers, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked
Verwendetes Modell und LoRA
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1boy, solo, short orange hair, spiky hair, green eyes, child, young boy, energetic, bare feet, soles, toes, toe ties, red rope, rope, feet up, head out of frame top, lying in box, rectangular box, cardboard box, confined, mechanical hand, tickling, laughing, open mouth, tears, helpless, struggling, bound, from above, close-up, pov,
Shot from directly overhead, looking straight down into the open top of a tall sealed rectangular cardboard box that fills the whole frame edge to edge, brown corrugated walls rising in a hard rectangle around a dark interior. Through the box's single top opening only two things emerge: near the upper edge of the opening, a boy's head — short spiky orange hair fanned against the inner wall, green eyes squeezed shut then flying wide open in a jolt of waking, brows shot up, mouth stretched in a huge open-mouthed laugh, cheeks flushed, a tear beading at each outer corner. Near the lower edge of the same opening, both bare feet poke up out of the box, ankles swallowed by the cardboard edge, soles turned toward the sky and toward the camera, ten toes splayed and pulled backward by several thin red ropes that run from each toe down and back to the box rim, the cords taut so the soles arch open and the skin across them pulls shiny and tight. Three thin mechanical hands on articulated steel arms reach down into the opening from the upper corners of the frame: one blunt-tipped metal finger drags slowly along the near sole's arch, another set of pincers skitters between the toes of the far foot, a third hovers a knuckle's width above the heel, and where each metal tip touches, the skin dimples and the toes jerk against their red cords. The boy's shoulders and arms are sealed below the cardboard, nothing of them visible; only the straining tendons of his neck and the box wall trembling faintly with his laughter show the struggle. Light comes from one bare bulb directly above the opening, so the soles and the top of the head are the brightest things in the frame, the inner box walls fall away into deep brown shadow, and the red cords throw thin hard shadows across the pale soles. Palette held to cardboard brown, the orange of his hair, the red of the ropes, and the cold grey of the mechanical arms, nothing else admitted. Faint dust motes drift in the bulb's cone above the opening. Helpless, giddy.
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