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AI art "Amamiya ren (joker outfit)" featuring #Persona, #Persona 5 and #Ren Amamiya
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Amamiya ren (joker outfit)

#Persona#Persona 5#Ren Amamiya
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1boy, amamiya ren (persona 5), black eyes, short hair, black hair, hair between eyes, black long coat, black pants, eye mask, masterpiece, tokyo background, special effects, light from behind
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Ursprünglicher Prompt
amamiya ren (1boy, black eyes, short hair, black hair, hair between eyes, black long coat, black pants, eye mask, masterpiece), tokyo background, special effects, light from behind
Größe
768 x 1280
Sampling-Schritte
28
Sampling-Methode
Euler a
CFG Scale
5
Negativ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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AI artwork
まろ
character: amamiya_ren, copyright: persona_5 1boy, solo, amamiya_ren, black hair, short hair, hair between eyes, messy hair, red eyes, glasses, black jacket, long sleeves, red gloves, black pants, shirt, from side, cowboy shot, dutch angle tilted tilt lower, leaning back against brick wall, hands in pockets, head tilted back, looking up, half-closed eyes, light smile, smug, alley, night, rain, wet, rain drops, streaked lenses, puddle, neon reflection, cinematic lighting The shot is a tilted cowboy shot from the side, the frame canted so the vertical lines of the alley lean hard to the right, and a lone young man leans the upper half of his back against the wet brick wall at the left of the frame. His weight rests on his right heel with the left leg crossed loosely in front of it, that left toe barely touching the soaked asphalt; both hands are pushed deep into the pockets of his black jacket, the long sleeves bunched at the wrists and the red gloves pulled taut across his knuckles where they vanish into the fabric. His short black hair is damp and clumped, strands falling between his eyes and sticking to his temple, and his head is tipped back against the brick so that his chin lifts and his red eyes look up and off past the top edge of the frame into the falling rain; the half-closed lids and one corner of his mouth pulled up give him a lazy, self-satisfied calm, entirely unbothered by the weather. His glasses sit low on his nose, and the rain has coated the lenses in fine streaks that catch the light and smear the view behind them into slivers of colour. The alley is narrow, brick on both sides, with the far end falling away into cold blue darkness. The single light source is a shop sign glowing overhead off-frame to the upper right, a hot magenta-white wash that strikes the top of his shoulders, the high ridge of his cheekbone, the outer rim of his glasses and the wet bricks behind his head, and throws his lower body and the ground beneath him into shadow; the light also smears a long broken reflection of itself across the puddle at the bottom of the frame, its colour stretched and warped by the moving water. Rain hits the puddle in overlapping rings, each one bright on its lit side and dark on its far side, and dust and grit ride in the runoff where it runs along the seams of the paving. The palette is held to wet black, cold rain-blue, the hot magenta of the sign and the single hard red of the gloves, nothing else admitted. Wide vertical framing, the alley's converging walls leading up and away, his figure occupying the centre-left third and a column of falling rain and open dark street filling the right. Quiet, effortless cool.
まろ

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