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Sasaki Chiho - The Devil is a Part-Timer!
KI-Kunst โSasaki Chiho - The Devil is a Part-Timer!โ von senbo tou auf PixAI. Erstellt mit Illustrious XL personal merge (noob v-pโฆ.
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- Grรถรe
- 768 x 1280
- Sampling-Schritte
- 8
- Sampling-Methode
- Euler a
- CFG Scale
- 1.25
- Negativ
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, signature, watermark
Verwendetes Modell und LoRA
![[Haruka v2 / SD1.5] ไฝใ
ๆจ ๅ็ฉ - ใฏใใใ้ญ็ใใพ! / Sasaki Chiho - The Devil is a Part-Timer! - AI Model cover image](https://images-ng.pixai.art/images/thumb/93862286-b321-4dd3-9fad-212f0f080e26)
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1girl, blush, smile, curvy, slim waist, hourglass figure, brown hair, single braid, blue scrunchie, red polo shirt, dress shirt, white side panels, black stripes, name tag, black apron on waist, sitting in stool, table, street, day, nostalgic anime style, traditional media, watercolor, painterly, surrealism, horror, paint, masterpiece, harsh lighting, muted colors, masterpiece, best quality, glossy skin, shiny skin, oily skin, wet skin, glistening skin, sweaty skin, water droplets on skin, dewy skin, reflective highlights on skin, smooth flawless skin, soft skin texture, skin with healthy glow
user_somethingidk
copyright: mcdonald's
solo, 1girl, facing viewer, front view, cowboy shot, standing, corporate uniform, mcdonald's uniform, 2010s fashion, vertical cap, white short-sleeved blouse, charcoal necktie, black vest, cream piping, thick cream-colored piping on chest, black tight skirt, pencil skirt, light beige pantyhose, black shoes, looking at viewer, light smile, one brow slightly raised, hands clasped in front, slight head tilt, straight hair, brown hair, low ponytail, indoors, fast food restaurant interior, counter, soft overhead fluorescent light,
A single woman faces the viewer squarely in a cowboy shot, framed from just above the cap to mid-thigh; the camera sits at her chest height, dead-on frontal, so the uniform reads as a clean symmetrical silhouette while her pose keeps it from going stiff. Both shoulders are squared to the lens, but her weight has settled onto her left leg: that hip pushes out slightly, the right knee bends, and the tight black pencil skirt pulls taut across the left thigh and creases once at the right hip. Her hands are clasped low in front of her waist, fingers interlocked, the pale forearms of the white short-sleeved blouse showing from the elbow down, and the pressed sleeves just brushing the tops of her arms. The black vest sits over the blouse, buttoned, its V opening over the charcoal necktie that falls straight down the white front placket; a thick cream piping runs in one continuous band across the top of the chest just under the collarbones, from shoulder seam to shoulder seam, and its raised edge catches a fine highlight. The necktie's knot is snug and slightly off-centre to her left, a small human crookedness. The vertical cap sits level on her head, cream front panel with a low crest, brim shading her forehead enough to dim the top of her face. Her legs are together, the light beige pantyhose faintly sheening under the overhead light with a slight darkening where the knee of the stretched leg presses forward. Her head tilts a few degrees to her right, chin level, both eyes on the lens; a quiet, practiced light smile lifts one corner of her mouth a little higher than the other, and one brow is faintly arched, the look of a manager who has already judged the day.
The background is a fast food counter interior at a modest distance: a stainless counter edge crosses horizontally behind her hips, a lit menu board with illegible glowing panels sits far behind her head, and the tile floor recedes under the counter, all of it slightly out of focus so she stays the subject. Soft fluorescent light comes from directly above and a little forward, laying a mild shine on the cap's front panel, the cream piping and the tops of her shoulders, putting gentle shadow beneath the vest's lower hem and under her chin; a short, faint shadow pools on the floor between her feet. The colour scheme stays restrained โ black in the vest and skirt, white in the blouse, charcoal in the tie, cream in the piping and cap front, warm beige in her skin and the pantyhose โ with the background's muted steel and menu-board green kept low. Quiet, tidy, faintly nostalgic.
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