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AI art "伊之助 Inosuke"
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伊之助 Inosuke

#Minijunge#außerhalb des Bildes#Demon Slayer: Kimetsu no Yaiba#Inosuke Hashibira#uneindeutiges Geschlecht#Gekreuzter Pony#Hand-Fokus#Hände schöpfen#Haare zwischen den Augen
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Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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character: kochou_shinobu 1girl, 1boy, mother and son, kochou shinobu, black hair, purple hair, short hair, multicolored hair, parted bangs, butterfly hair ornament, purple eyes, haori, japanese clothes, demon slayer uniform, long sleeves, holding baby, carrying, 2-year-old boy, toddler, small light blue cotton kimono, white sash, happy, light smile, open mouth, ^ ^, dotera, blush, looking at each other, from side, close-up, cowboy shot, warm window light, golden hour, cozy interior A waist-up close-up seen from the side, both figures in profile facing each other across a narrow wedge of air. Shinobu stands with her weight settled onto her back foot, hips turned slightly toward the boy as she carries him against her chest — one forearm under his seat taking the full weight, her other palm spread flat between his shoulder blades, thumb stroking a slow line up and down the cotton. Her chin tips down to the exact level of his forehead and her eyes are half-closed in a soft curve, the violet irises catching a thin bright rim along the lower lid; a small closed-lip smile lifts one corner of her mouth higher than the other. Her short black-to-purple hair, side-parted bangs over her brow, moves a little as she leans, the butterfly ornament at the back of her head tipping with the tilt. The two-year-old boy is bundled upright against her shoulder, his small hands fisted in the collar of her haori, bare chubby knees tucked either side of her forearm; his round face is turned up at her, mouth open in a delighted crow, both cheeks flushed warm, eyes closed into happy crescent slits. He wears a tiny light blue cotton kimono with a white sash knotted at the front; the fabric creases into soft bunched folds where her arm compresses it under him, and one pushed-back sleeve of her haori has slipped to expose a bare forearm. Behind them the interior falls away into unlit warm shadow — a plain plaster wall, the suggestion of a shoji lattice dim at the frame edge — while the only light is a low late sun coming through a window out of frame to the right: a golden shaft laying a bright band across his cheek, the top of her shoulder and her forearm, leaving her back and the room behind them in deep amber darkness. Warm honey, cream-white, the pale baby blue of the kimono and the muted purple-black of her hair and uniform — the palette stays in that range with nothing else admitted. Dust motes hang visibly in the shaft of light, thickening where it crosses between their faces. Tender, quietly radiant.
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