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- Ursprünglicher Prompt
- The face is human, delicate, and melancholic, with a deep gaze turned outward, conveying fragility and introspection. Her hair is long, dark with bluish highlights, blending with the feathers. Her torso and part of her arm are covered in feathers in shades of blue, purple, and turquoise, which shine with iridescent reflections, reminiscent of the plumage of crows or exotic birds. One of her arms still appears human, but partially covered in scales/feathers, holding something close to her chest (difficult to identify, but apparently protecting something). The other arm blends into the enormous wings that dominate the scene: majestic wings, covered in large feathers in dark blue hues with violet and bluish highlights, spread out in a protective gesture. Wings: The wings are the most striking element of the composition. They envelop almost the entire body of the character, creating a sense of cocoon or shelter. The feathers have realistic texture and luminous reflections, ranging from deep shades of blue to hints of lilac. Legs: One leg remains human, with delicate bare feet, while the other has fully transformed into a bird's claw, with long, black, and powerful toes, like those of a predator. This detail reinforces the creature's duality. Environment and atmosphere: The setting appears to be light stone, like a floor illuminated by sunlight. There are dark stains on the floor, perhaps paint or stylized shadows. The creature's projected shadow better shows the shape of its wings, reinforcing its imposing nature. A few loose feathers appear on the ground., creating a visually striking and balanced composition, HD image, super detailed, good resolution, good lighting, Detailed Illustration, best quality, photorealistic, Clothes texture, complementary colors, super detailed clothes
- Größe
- 768 x 1280
- Sampling-Schritte
- 20
- Sampling-Methode
- Euler a
- CFG Scale
- 6
- Negativ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked
Verwendetes Modell und LoRA
![[SDXL] Artist Style: Rei/sanbonzakura - AI Model cover image](https://images-ng.pixai.art/images/thumb/7d81c3d7-6ff3-468d-8c9c-1081210845e4)
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Fly
あるぷす
1girl, solo, fallen angel, dark wings, black wings, feathered wings, shadowed face, obscured face, pitch-black face, no visible eyes, head tilted down, from below, low angle, tattered dress, charcoal dress, floating feathers, ruined stone, monochrome palette, dark slate, ash grey, off-white rim light, painterly, visible brush textures, loose sketch-like linework
Shot from below at a dynamic upward angle, the solitary girl descends onto fractured, soot-stained stonework, her head tilted slightly downward. Her entire face is submerged in an impenetrable, pitch-black shadow cast from above, completely obscuring her eyes, nose, and mouth in total darkness. Massive, ragged wings of layered ink-black and deep charcoal feathers spread wide from her shoulder blades, their tattered primary feathers fanning outward as several detached downy plumes drift upward against the residual air current. Her left hand is held close to her chest with curled fingers, while her right arm hangs slightly back, shoulders drawn inward in a tense, guarded posture. She wears a shredded, floor-grazing gown of deep slate and dark charcoal fabric, its torn hem fluttering above her bare feet. A stark, pale off-white backlight strikes from high behind her, sharply rim-lighting the upper ridges of her wings, the silhouette of her shoulders, and the outer edges of her ash-grey hair, while plunging the entire frontal plane of her body into dense shadow with deep inky violet undertones. The background recedes into a desolate expanse of crumbled stone arches veiled in muted slate-grey mist. Executed in a soft, painterly anime aesthetic with visible textured brushstrokes, layered tonal color blocks, and expressive, loose sketch-like linework. Solemn desolation.
Nezuko
Crow
あるぷす
ん？
A high-angle bird's-eye view photograph looking almost straight down at an anime girl kneeling collapsed on a bare, dark stone or concrete floor in a vast empty dark space. She is crumpled forward with her body curled inward, her knees folded beneath her and her torso bowed down, her face hidden and turned away from the camera. She has dark hair falling loosely around her head and shoulders. She wears a long flowing white dress or robe that pools around her body on the floor, the fabric spreading outward in soft folds and creases like spilled liquid.
From her back extend a pair of large white feathered angel wings — real, physical, three-dimensional wings with layered flight feathers and soft downy coverts. The wings are partially spread open to either side, not fully extended but splayed out in a pose of exhaustion or surrender, as if she collapsed mid-flight and the wings simply fell where they landed. The feathers are detailed and volumetric — individual primary feathers fan out at the wing tips while the inner wing shows denser layered plumage. The wings glow with an almost ethereal luminosity where the light catches them, the white feathers appearing to emit a soft radiance against the surrounding darkness.
A single shaft of cold light enters from the upper right of the frame, pouring down through what appears to be a tall unseen window high above. This beam of light cuts through the darkness at a steep diagonal angle and falls directly onto the figure and the floor immediately around her, creating a geometric patch of illumination — the window frame's mullions cast sharp-edged shadow lines across the lit area, projecting a cross-like or grid pattern of light and shadow onto the stone floor and across her white dress and wings. The light has a cold, pale blue-teal quality, almost moonlight-like, giving the entire lit area an otherworldly icy glow. Where the light strikes the wing feathers, they bloom into bright luminous white-blue, almost overexposed. Where the wings and dress fall outside the light beam, they quickly fade into the surrounding darkness.
Everything outside this single shaft of light is near-total blackness — the floor, the walls, the space around her dissolves into deep black void. The upper right corner of the frame shows a faint glimpse of the light source — perhaps the bottom edge of a high window or skylight, with what might be white curtain fabric barely visible.
The overall color palette is extremely limited — essentially monochromatic with a strong cool blue-green-teal color cast over everything, as if shot on expired or cross-processed film stock. The blacks have a slightly greenish-teal undertone rather than pure neutral black. The whites of the dress and wings lean blue-cyan rather than warm. A subtle film grain texture covers the entire image, adding an analog photographic quality — the grain is visible in the dark areas as noisy texture and in the highlights as fine organic particulate. The edges of the image are slightly soft with a vignette-like falloff, enhancing the tunnel-vision focus on the illuminated figure.
The composition places the girl slightly off-center in the lower-left portion of the frame, with the diagonal light beam creating a dynamic slash across the image from upper-right toward lower-left. The vast surrounding darkness emphasizes her isolation and smallness. The mood is profoundly melancholic, sacred, and haunting — a fallen angel who has come to rest on cold stone in an empty cathedral-like space, bathed in one last beam of indifferent light, wings spread in quiet defeat. The scene carries the weight of religious iconography — part Baroque painting, part contemporary photography — evoking the still, heavy silence after a fall from grace.
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