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Sororitas: Chainsword
KI-Kunst „Sororitas: Chainsword“ von Succulent auf PixAI. Tags: Warhammer 40.000, Warhammer Fantasy, Bob, Kettensäge. Erstellt mit Kodo's Personal Models.
Prompts sind auf PixAI standardmäßig öffentlich, aber Creator können sie bei jedem veröffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafür entschieden – die Wörter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst ändert sich dadurch nichts: Das Werk bleibt öffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
Vom Autor versteckt
Gesichtskorrektur
Verwendetes Modell und LoRA
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1girl, solo, human, short hair, white hair, blue eyes, pale skin, human ears, no animal ears, no fox ears, no tail, warhammer 40k, adeptus sororitas, sister of battle, metallic burgundy armor, power armor, rose-gold trim, rose gold accents, white hood, nun's headdress, rose-gold circlet, white tabard, holding bolt pistol, holding chainsword, bronze-plated bolt pistol, chainsword with ivory trim, dual wielding, action pose, mid-stride, firing stance, from below, dutch angle, dynamic angle, foreshortening, teeth clenched, fierce expression, looking at target, looking to the side, clenched hands, billowing tabard, motion blur on weapon swing, embers, sparks, concrete rubble, gothic ruin, depth of field, dramatic perspective,
Seen from below and tilted a few degrees off level, a single armored Sister of Battle drives forward across broken ground, filling the frame from boot to raised weapon. She is unmistakably human - pale skin flushed with exertion, a blocky human ear exposed where the white hood sweeps back, short white hair cropped close at the jaw and sticking to her temple with sweat. The nun's headdress frames her face in white cloth, its brow band replaced by a slim rose-gold circlet that bites a bright line above her eyes; her blue eyes are narrowed and locked on something off-frame to the right. Her lips are pulled back from her teeth in a snarl, jaw set, one cheek streaked with dust.
Her armor is lacquered metallic burgundy, deep wine-red plates carrying a wet-looking metallic sheen, and every plate edge, rivet and fluted ridge is bound in rose-gold trim that catches a hot low light. Massive layered pauldrons ride her shoulders; the white tabard falls from her belt between the thigh plates, kicking back and twisting with her stride. On the left side her armored fist wraps the grip of a bronze-plated bolt pistol, its flat bronze flank warm and matte, barrel leveled forward just past her hip. On the right her gauntleted hand takes a two-finger grip high on the chainsword's hilt, the weapon raised diagonally across her body, ivory-inlaid trim running the spine of its housing, teeth a blur of motion with a faint spray of sparks trailing its arc. Her weight is on the leading left foot, right heel lifting, the knee bent and driving; the hip is cocked and the whole line of her body leans into the charge.
The light comes from a single low source behind and to her left, rimming the hood's edge and the rose-gold circlet with white fire while her face and chest fall into cooler shadow. Dust and fine rubble hang in the air around her boots, kicked up by the stride, and the concrete beneath her is cracked and scorched, its far edge lost in haze. In the background, out of focus, dark gothic masonry arches lean and crumble. The palette holds to burgundy, rose gold, bone white and the dull gray of pulverized stone. Fierce, unstoppable.
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