Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…
View details
PWS 17822
Parameter anzeigen
- Qualitäts-Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Größe
- 768 x 1280
- Sampling-Schritte
- 18
- Sampling-Methode
- Euler
- CFG Scale
- 4.5
- Negativ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked
Verwendetes Modell und LoRA
Ähnliche Bilder
Mehr anzeigen
ら
tasmanian tiger, thylacine, animal focus, no humans, stripes on back, dull orange fur, marsupial, full body, realistic, masterpiece, ultra detailed
らい⛈️
o
krysdecker, masterpiece, amazing quality, best quality, white background, full body, maned wolf, no humans, animal focus, glowing eyes
ovddhtml
1animal, numbat, small striped australian marsupial, long pointed snout, sharp pale cream stripes across the back, close-up, cinematic macro shot, macro lens, from above, slight high angle, head raised, looking directly at viewer, looking at viewer, quiet dark eyes, glossy black round eyes, wet nose, whiskers, melancholic, silent, still, dark misty eucalyptus forest, dusk, deep shadows, muted earthy colors, film grain, no text, no watermark, no signature, widescreen composition
A tight macro close-up shot from slightly above, looking down onto the small striped marsupial as it stands on a damp fallen eucalyptus limb in the dark forest. The camera sits close and low over the animal's back, so the long pointed snout lifts toward the lens and the head tilts up, the wet black nose catching a faint highlight, both glossy dark eyes directed straight into the viewer with a quiet, unblinking stillness. The sharp pale cream stripes band the back in crisp, beautiful bars from shoulder to rump, each edge reading clearly against the darker grey-brown fur, and the fur's fine texture is visible in the macro focus while the long snout and thin foreclaws stay tack-sharp. Its forepaws grip the bark, claws hooked into the grooves, the small body balanced on the limb with one hind foot braced behind. Behind and around it the eucalyptus forest recedes into mist: tall pale trunks fading to soft grey-green silhouettes, dangling ribbon bark and narrow leaves hanging in the middle distance, the deep background dissolving into cold fog so only the subject and the near bark hold focus. Dusk light comes from below and behind the animal -- a dim amber-violet afterglow low at the horizon, the sun fully out of view, the upper canopy dark blue-indigo -- rimming the fur along the snout and the top of the back while the chest and the underside of the branch fall into deep shadow; no other light source, so the shadows stay black and the mist glows faintly only where that afterglow reaches it. The palette is strict muted earth: grey-brown and cream on the animal, cold slate green and charcoal in the forest, a thin wash of dull amber at the mist. Fine film grain lies over the whole frame, most visible in the mist and the dark shadows. Silent, still, melancholic.
C9I
a
three animals, anatomical study, flayed musculature, no skin, muscle fibers exposed, red striated muscle over bone, pale tendon sheaths, Chinese xigou sighthound anatomy, slender sighthound build, deep narrow chest, tucked abdomen, long narrow elongated skull, long muzzle, sharply bared teeth, clenched jaw, gritted teeth, lips pulled back, exposed gums, wing membrane between forelimbs, patagium stretched under the armpits, thin translucent membrane webbing from elbow to flank, hind legs slightly longer than forelegs, digitigrade stance, reduced neck musculature, exposed throat tube, trachea visible through open throat, cervical spine exposed, string of vertebrae bare along the neck, concept art diagram composition, anatomical plate layout, three figures in staggered row, design register, seamless pale grey ground, specimen study, side profile heads, half-closed eyes, neutral studio light, fine ink linework, washes of muted red and bone white, quiet clinical dread
A concept-art anatomical plate on a completely empty pale grey field, seen in a flat eye-level plate view: three skinless xigou sighthounds arranged in a staggered row receding from left foreground to right background, each turned in side profile so the long narrow skull, the bared clenched jaw and the thin neck read as pure outline against bare paper. Every body is stripped of skin — striated red muscle corded along shoulder and haunch, pale tendon flashing at every joint, rib and vertebra reading as ridge under fibre — and the neck of each is deliberately under-muscled: the trachea runs as a pale ribbed tube down the front of the throat, unobstructed, and the cervical vertebrae stand as a bare linked column behind it, no muscle closing over either.
The nearest hound stands in three-quarter profile at the left, jaws locked wide enough to show clenched interlocking teeth and grey-pink gum line, its weight carried on the slightly longer hind legs, forelegs lighter and shorter in front. Between the two forelimbs a wing membrane spans from the inner elbow across to the flank — a thin, taut, faintly translucent sheet sagging in a shallow catenary, its surface showing pale vessels fanning out from the armpit, edges crisply bordered where it meets muscle. The second hound stands a step behind and to the right, head turned further into profile, membranes slack with one foreleg lifted and flexed so the sheet folds along a single crease. The third is smallest in the frame at right background, fully side-on, hind legs planted long, throat tube and spine catching a narrow highlight.
One soft directional light from the upper left rakes every figure: the exposed vertebrae throw short defined shadows across the throat tube, the wing membranes glow warm where the light passes through them and darken to rust at the folds, and a single contact shadow anchors each set of paws to the grey field. Nothing else occupies the composition — no props, no scenery, the bare ground reading as unprinted paper. Palette limited to bone white, muted crimson, tendon ivory and a cool grey ground. Fine clinical linework, quiet clinical dread.
aaalingaaa
Empfohlene Benutzer
Werden dir gefallen
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
1
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
Kommentare