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AI artwork
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Asuna Yuuki

KI-Kunst von Asuna Yuuki auf PixAI. Erstellt mit YaminabePony.

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masterpiece, best quality, ultra-detailed, very aesthetic, sharp focus, depth of field, vibrant colors, ray tracing, best lighting, detailed illustration, detailed background, cinematic, beautiful face, beautiful eyes, 1girl, lying on bed, blue eyes, maid outfit, black dress with white frills, white apron with black bows, spiked choker, blush , sitting in a large christmas present box, wrapped in red ribbons, dressed like a christmas present, christmas background, head tilt, arched back, blonde hair, solo , leaning back, from the side, black gloves, belt with red ribbon, white ruffled headband, colored inner hair, multicolored hair, <lora:LCMTurboMix2fix:1>, lamiapgr, braided hair, Annie Leonhart, Attack on Titan, 1girl, Blonde hair, Blue eyes
Parameter anzeigen
GrรถรŸe
512 x 768
Sampling-Schritte
28
Sampling-Methode
Euler a
CFG Scale
6
Negativ
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry

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1girl, solo, upper body, portrait, very long wavy golden-blonde hair, high side ponytail, black hair ribbon, side-swept bangs, soft green eyes, gentle closed-mouth smile, white frilled maid headdress, black victorian maid dress, long sleeves, high white lace collar, white frilled apron, black satin elbow gloves, opaque black thigh-high stockings, fully clothed, neck to feet covered, no exposed skin beyond face and hands, black satin glove raised to her cheek, gloved hand near face, head tilt, looking at viewer, standing gracefully, bright white classical hallway, tall windows, soft diffused side daylight, semi-realistic rendering, realistic skin texture, subsurface scattering, individually visible hair strands, photographic depth of field, 85mm lens, shallow depth of field, warm inviting mood Shot as an upper-body portrait on an 85mm lens, the woman fills the frame from the crown of her headdress to just below the waist, the white frilled apron bib and the satin sheen of one black sleeve dominating the lower edge. She stands in a bright, airy white classical hallway, angled a quarter-turn away from the tall window wall on her left so that the soft diffused daylight rakes across the left side of her face while the right side falls into gentle open shadow; the tall windows repeat in perspective down the corridor behind her shoulder and dissolve into creamy bokeh, the white plaster walls and pale stone floor losing definition with the shallow depth of field. Her golden-blonde hair is gathered high at the right side of her head in a long wavy ponytail that spills forward over her shoulder, the black ribbon tied snug at the base, side-swept bangs falling across her brow; single strands catch the window light along the wave crests, each readable against the bokeh. Her green eyes look directly at the viewer, warm and steady, and her closed-mouth smile curves slightly more on one side. One black satin-gloved hand is raised near her right cheek, fingers relaxed and slightly curled, the glove's elbow-length cuff riding just below the bend of her arm; her other arm rests unseen at the frame edge. A high white lace collar sits snug at her throat above the long-sleeved black victorian dress, the white frilled apron crisply layered over it, opaque black thigh-high stockings showing at the very bottom of the crop, every inch of her from neck to feet fully covered with no bare skin but her face. The window glass throws a soft sheen over the satin glove and a faint rim of cool daylight along the edge of her cheek and the black ribbon; the hallway's whiteness is tinted faint warm cream where the sun grazes the far wall. Highly detailed semi-realistic rendering with real skin texture and subsurface softness, intimate, warmly inviting.
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