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Sadako Yamamura, Ring
KI-Kunst von 鬼畫符 auf PixAI. Tags: Absurd langes Haar, Schwarze Hose. Erstellt mit KantanMIX XLIllustrious - v1.6 LCM Turbo.
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- Ursprünglicher Prompt
- b8-ban noriba, train interior, yamamura sadako, 1girl, long hair, absurdly long hair, 1boy, black hair, hair over eyes, sitting, barefoot, photo background, side-by-side, red seat, sitting on seat, indoors, white nightgown, white dress, white shirt, forehead, black pants, full body, mature male, head down, wide sleeves, long dress, holding phone, briefcase, leaning on person, head on another's shoulder, smile, wet, shoes, hetero, tall male,
- Größe
- 1024 x 1024
- Sampling-Schritte
- 13
- Sampling-Methode
- Euler a
- CFG Scale
- 3
- Negativ
- lowres, worst quality, bad quality, bad anatomy, sketch, jpeg artifacts, signature, watermark,
Verwendetes Modell und LoRA
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ჱ̒ ᴗ ̫ ᴗ
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02 a
電車内で読書する黒髪の彼女
ニク
1girl, solo, adult woman, japanese office lady, sleeping, passed out, drunk, asleep, eyes tightly closed, closed eyes, mouth open, exaggerated sleeping expression, flushed cheeks, blush, messy black hair, black hair, dark navy business suit, fitted skirt, pencil skirt, white button-up shirt, fully buttoned shirt, buttoned collar, opaque black tights, limp arms, arms hanging down, slumped sideways, awkward pose, leaning heavily to one side, head lolling, seated, train seat, blue patterned seat upholstery, moquette fabric, nighttime, night, train interior, detailed train interior, train window, city lights outside window, night city, cool blue lighting, fluorescent lighting, black handbag beside her, handbag on seat, tipped-over can, empty drink can, spilled can on seat, zzz, floating "Zzz", wavy motion lines, motion lines, chibi inset, circular inset, chibi version of her, exhausted expression in inset, from the opposite seat, pov, straight-on view, wide shot, seated eye-level camera across the aisle, expressive clean lineart, comedic exaggerated manga aesthetic, humorous slice-of-life
The camera sits low in the opposite seat, straight across the aisle from her, so the frame is a seated passenger's-eye view: the facing bench runs horizontally across the picture, blue moquette upholstery with a repeating pale geometric leaf pattern stretching left and right, and she occupies the right two-thirds of that bench. Her body has lost its center of gravity to her left: her hip and thigh are planted on the cushion but her torso slides down and sideways against the window-side armrest and the glass, her spine curving into a slack comma, one shoulder jammed up near the window frame and the other dropped low. Her head lolls back and to the side with the chin tipped up and the throat exposed, eyes squeezed into tight curved shut lines, brows drawn up in a helpless frown, mouth fallen wide open in a soft snore, cheeks a hot blotchy flush that spreads across the nose bridge; a single strand of messy black hair is plastered to her cheek and the rest of it escapes in loose tangles over her brow and the armrest. Both arms hang dead straight down off the seat edge, wrists limp, fingers loosely curled and dangling, knuckles brushing the seat's front skirt panel. Her dark navy blazer is rumpled and pulled askew at one shoulder, the fitted skirt riding up a little where she's slid down, and her white shirt is buttoned all the way to the collar with the top button fastened tight — the collar sits neat and closed at her throat, a small rectangle of white against the slack curve of her neck — and her opaque black tights disappear into the shadow under the bench. Her black handbag slumps against her right thigh on the cushion, strap collapsed; a tipped-over empty drink can lies on the seat beside her hip, its open mouth pointing at the aisle, a thin dark trickle of leftover liquid runneling along the seat's piping seam and pooling in a shallow dip in the upholstery — the one physical tell that makes the spill legible. Above and behind her the window is a black rectangle of night streaked with the smeared horizontal comet-tails of passing city lights, cool blue-white and sodium-orange barred by the window frame and reflected faintly on the glass; the carriage's fluorescent strip along the ceiling is the only light source, a cold blue-white wash falling from above and slightly behind her, so the tops of her hair and shoulders catch a rim of pale light while her face, the underside of her chin and the folds of her suit sit in soft blue shadow, and her cast shadow drops short and dark onto the seat beneath her hip. Floating above her head, drawn in bold brushy manga lettering, "Zzz" rises and enlarges toward the top of the frame, tilted with her lolling head; loose wavy motion lines curve around her shoulders and the dangling arms, and short radiating lines flick out from the back of her skull at the point of impact with the armrest. In the upper left corner a small circular inset with a crisp round border holds the chibi version of her — tiny, big-headed, black hair a scribbled mess, cheeks two red circles, eyes screwed shut in a comical X-faced grimace, a bead of drool at the corner of her open mouth, chibi body flopped in the same sideways slump — the inset ring clean and flat against the carriage's dark ceiling. Behind the bench the train interior recedes: a chrome grab rail and hanging straps, a dark ad panel above the window, the door pillar at the frame's left edge, all of it simplified in clean even lineart with flat cel shading and a tight palette of deep navy, blue-grey, cold white and the single hot coral of her flushed face. Quietly ridiculous, dead-tired.
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entrophee_E:
푸른 물결 속의 신비로운 소녀
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anime
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miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
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weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
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이름
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2
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the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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