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AI art "๐Ÿ“–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’œ๐Ÿ’™Lois taking notes in interview | DCAMU"
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๐Ÿ“–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’–๐Ÿ’œ๐Ÿ’™Lois taking notes in interview | DCAMU

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Prompts sind auf PixAI standardmรครŸig รถffentlich, aber Creator kรถnnen sie bei jedem verรถffentlichten Werk verbergen. Der Creator dieses Werks hat sich dafรผr entschieden โ€“ die Wรถrter, mit denen das Bild generiert wurde, bleiben also privat und nur diese Person kann sie sehen. Sonst รคndert sich dadurch nichts: Das Werk bleibt รถffentlich, und du kannst es wie gewohnt liken, kommentieren und teilen.
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Avatar image of Bryan Luna
1girl, solo, adult woman, short orange hair, orange hair with long side bangs framing the face, large brown eyes, fair skin, slim curvy figure, purple and black hero costume, purple bodysuit with black panels, high dark boots, wide black wristbands, standing, leaning forward, hands on desk, arching back, hip out, weight on one leg, looking at viewer, half-closed eyes, confident smirk, raised eyebrow, office, hero agency office, desk, office chair, paperwork, window with city skyline, blinds, warm afternoon light, from side, cowboy shot, dutch angle, sexy posing, in her office. Seen from a low three-quarter side angle canted a few degrees off level, the woman stands in her own hero-agency office and leans forward across the near edge of a wide dark-wood desk, both palms planted flat on the desktop with fingers spread, arms locked straight, so her shoulders push forward and her spine arches into a long curve; her weight rides on her right leg while her left knee bends and her left hip juts out, the pose asymmetric and deliberate. Her short orange hair, with its long side bangs, slides forward past her cheek from the tilt of her head, and the tail of a few strands lifts faintly in the still air of the room. Her face is turned toward the lens but her head is tipped down a little, chin lowered, lids dropped to half-closed, one eyebrow arched higher than the other, and one corner of her mouth pulled up into a confident lopsided smirk; her eyes hold the viewer directly, and the lowered lashes over a steady stare do all the work. The purple bodysuit with its black panels is pulled taut over her back and shoulders where she leans, the black wristbands sit snug at her wrists, and her high dark boots are planted firmly on the floor, the left toe turned out. Behind her the office is concrete and lived-in: a rolling office chair pushed back from the desk, stacks of paperwork and a lidded pen on the desktop, a low filing cabinet, a window with half-open blinds on the right side of the frame, and beyond the glass a hazy city skyline of rooftops and antennae. Warm late-afternoon sunlight rakes in through that window from behind and to the right, striking the edge of the desk, the rim of her shoulder and the top of her hair with a gold line, throwing her long cast shadow diagonally forward across the desktop toward the lower left of the frame, and leaving the side of her body turned from the window in soft cool shadow. The palette is warm amber and dusty grey-green against the purple of the suit and the black of her panels and boots, nothing brighter admitted. The blinds stripe the sun into thin bands that bend slightly where the light crosses the beveled desk edge, and the papers under her hands are pressed flat where her palms bear down, their corners lifted by the pressure. Effortlessly confident, faintly mischievous.
Bryan Luna
AI artwork
Avatar image of Bryan Luna
1girl, solo, adult woman, short orange hair, orange hair with long side bangs framing the face, large brown eyes, fair skin, slim curvy figure, purple and black hero costume, purple bodysuit with black panels, high dark boots, wide black wristbands, standing, leaning forward, hands on desk, arching back, hip out, weight on one leg, looking at viewer, half-closed eyes, confident smirk, raised eyebrow, office, hero agency office, desk, office chair, paperwork, window with city skyline, blinds, warm afternoon light, from side, cowboy shot, dutch angle, sexy posing, in her office. Seen from a low three-quarter side angle canted a few degrees off level, the woman stands in her own hero-agency office and leans forward across the near edge of a wide dark-wood desk, both palms planted flat on the desktop with fingers spread, arms locked straight, so her shoulders push forward and her spine arches into a long curve; her weight rides on her right leg while her left knee bends and her left hip juts out, the pose asymmetric and deliberate. Her short orange hair, with its long side bangs, slides forward past her cheek from the tilt of her head, and the tail of a few strands lifts faintly in the still air of the room. Her face is turned toward the lens but her head is tipped down a little, chin lowered, lids dropped to half-closed, one eyebrow arched higher than the other, and one corner of her mouth pulled up into a confident lopsided smirk; her eyes hold the viewer directly, and the lowered lashes over a steady stare do all the work. The purple bodysuit with its black panels is pulled taut over her back and shoulders where she leans, the black wristbands sit snug at her wrists, and her high dark boots are planted firmly on the floor, the left toe turned out. Behind her the office is concrete and lived-in: a rolling office chair pushed back from the desk, stacks of paperwork and a lidded pen on the desktop, a low filing cabinet, a window with half-open blinds on the right side of the frame, and beyond the glass a hazy city skyline of rooftops and antennae. Warm late-afternoon sunlight rakes in through that window from behind and to the right, striking the edge of the desk, the rim of her shoulder and the top of her hair with a gold line, throwing her long cast shadow diagonally forward across the desktop toward the lower left of the frame, and leaving the side of her body turned from the window in soft cool shadow. The palette is warm amber and dusty grey-green against the purple of the suit and the black of her panels and boots, nothing brighter admitted. The blinds stripe the sun into thin bands that bend slightly where the light crosses the beveled desk edge, and the papers under her hands are pressed flat where her palms bear down, their corners lifted by the pressure. Effortlessly confident, faintly mischievous.
Bryan Luna

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ใƒชใ‚ช