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Robert Robertson from Dispatch
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- Größe
- 768 x 1280
- Sampling-Schritte
- 25
- Sampling-Methode
- Euler a
- CFG Scale
- 6
- Negativ
- NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,
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a
character: steve_harrington
short hair, brown hair, thick hair, blue eyes, male focus, solo, collared shirt, short sleeves, jacket, wristwatch on left wrist, from below, close-up, portrait, looking down at viewer, head tilted down, one eyebrow raised, lopsided smirk, leaning forward, one hand in hair, standing, three-quarter view, daylight, rim light, warm palette, freckles, sharp focus
The camera sits low and close, angled up from chest height so the face fills the upper two-thirds of a vertical frame: a three-quarter close-up seen from below, the jaw cutting a clean diagonal from lower left toward upper right, the far shoulder slipping out of frame at the bottom edge. Brown, thick, short hair is swept up and pushed back off the forehead, and the man's left hand is buried in it — fingers combed through the top, thumb braced behind the ear, the hair springing back into loose crests where the hand has passed, one strand falling out of line across the temple. His right arm hangs out of frame; the weight rides on the right leg, the left hip dropped, the whole torso tipped forward toward the lens so the shirt collar falls open and the trapezius line rises under the fabric. Above the eyes, one eyebrow is arched higher than the other; both blue eyes are cut half-lidded downward, fixed on the viewer positioned below, and the brow-knit pulls a shallow crease across the bridge of the nose. The mouth is a closed lopsided smirk, the left corner pulled up and the right held flat, cheek lifting on that side and the smile line deepening from the nostril. A faint scatter of freckles crosses the upper cheeks and nose. The shirt is pale blue, short-sleeved, collar open with the top buttons undone and the placket flat against the chest; a jacket of darker navy is slung open over one shoulder and falls behind the upper arm, its edge soft and out of focus at the frame line. On the left wrist a steel wristwatch shows just behind the ear at the top of the frame, its face catching the light. Light comes in warm from the upper left, low afternoon sun: it shapes the left side of the face, throws a hard bright edge along the left cheekbone and the nose bridge, picks a burnt-gold rim along the hair's top crests and along the shirt's shoulder seam, and lets the right half of the face fall into warm shadow — the cast shadow of the nose lands straight down over the lip. Behind him the ground is a seamless warm amber-tan sweep, entirely out of focus, no scenery. The palette stays in warmed browns, tans and pale blue with one cold steel glint from the watch and the eyes. Every pore, every hair edge and the light stubble along the jaw are resolved; the background dissolves to soft grain. Effortlessly arrogant, sun-warm.
Alfred
a
character: steve_harrington
short hair, brown hair, thick hair, blue eyes, male focus, solo, collared shirt, short sleeves, jacket, wristwatch on left wrist, from below, close-up, portrait, looking down at viewer, head tilted down, one eyebrow raised, lopsided smirk, leaning forward, one hand in hair, standing, three-quarter view, daylight, rim light, warm palette, freckles, sharp focus
The camera sits low and close, angled up from chest height so the face fills the upper two-thirds of a vertical frame: a three-quarter close-up seen from below, the jaw cutting a clean diagonal from lower left toward upper right, the far shoulder slipping out of frame at the bottom edge. Brown, thick, short hair is swept up and pushed back off the forehead, and the man's left hand is buried in it — fingers combed through the top, thumb braced behind the ear, the hair springing back into loose crests where the hand has passed, one strand falling out of line across the temple. His right arm hangs out of frame; the weight rides on the right leg, the left hip dropped, the whole torso tipped forward toward the lens so the shirt collar falls open and the trapezius line rises under the fabric. Above the eyes, one eyebrow is arched higher than the other; both blue eyes are cut half-lidded downward, fixed on the viewer positioned below, and the brow-knit pulls a shallow crease across the bridge of the nose. The mouth is a closed lopsided smirk, the left corner pulled up and the right held flat, cheek lifting on that side and the smile line deepening from the nostril. A faint scatter of freckles crosses the upper cheeks and nose. The shirt is pale blue, short-sleeved, collar open with the top buttons undone and the placket flat against the chest; a jacket of darker navy is slung open over one shoulder and falls behind the upper arm, its edge soft and out of focus at the frame line. On the left wrist a steel wristwatch shows just behind the ear at the top of the frame, its face catching the light. Light comes in warm from the upper left, low afternoon sun: it shapes the left side of the face, throws a hard bright edge along the left cheekbone and the nose bridge, picks a burnt-gold rim along the hair's top crests and along the shirt's shoulder seam, and lets the right half of the face fall into warm shadow — the cast shadow of the nose lands straight down over the lip. Behind him the ground is a seamless warm amber-tan sweep, entirely out of focus, no scenery. The palette stays in warmed browns, tans and pale blue with one cold steel glint from the watch and the eyes. Every pore, every hair edge and the light stubble along the jaw are resolved; the background dissolves to soft grain. Effortlessly arrogant, sun-warm.
Alfred
kenny style, bara anime style, clear and clean lines, body all sweaty and hairy, 1boy, mature male focus, perfect face, short hair and beard, mischievous smile, brown skin, ue3r_il_v1, 3d, cgi, stylized, realistic, dramatic light
teqk1ø
a
character: steve_harrington
short hair, brown hair, thick hair, blue eyes, male focus, solo, collared shirt, short sleeves, jacket, wristwatch on left wrist, from below, close-up, portrait, looking down at viewer, head tilted down, one eyebrow raised, lopsided smirk, leaning forward, one hand in hair, standing, three-quarter view, daylight, rim light, warm palette, freckles, sharp focus
The camera sits low and close, angled up from chest height so the face fills the upper two-thirds of a vertical frame: a three-quarter close-up seen from below, the jaw cutting a clean diagonal from lower left toward upper right, the far shoulder slipping out of frame at the bottom edge. Brown, thick, short hair is swept up and pushed back off the forehead, and the man's left hand is buried in it — fingers combed through the top, thumb braced behind the ear, the hair springing back into loose crests where the hand has passed, one strand falling out of line across the temple. His right arm hangs out of frame; the weight rides on the right leg, the left hip dropped, the whole torso tipped forward toward the lens so the shirt collar falls open and the trapezius line rises under the fabric. Above the eyes, one eyebrow is arched higher than the other; both blue eyes are cut half-lidded downward, fixed on the viewer positioned below, and the brow-knit pulls a shallow crease across the bridge of the nose. The mouth is a closed lopsided smirk, the left corner pulled up and the right held flat, cheek lifting on that side and the smile line deepening from the nostril. A faint scatter of freckles crosses the upper cheeks and nose. The shirt is pale blue, short-sleeved, collar open with the top buttons undone and the placket flat against the chest; a jacket of darker navy is slung open over one shoulder and falls behind the upper arm, its edge soft and out of focus at the frame line. On the left wrist a steel wristwatch shows just behind the ear at the top of the frame, its face catching the light. Light comes in warm from the upper left, low afternoon sun: it shapes the left side of the face, throws a hard bright edge along the left cheekbone and the nose bridge, picks a burnt-gold rim along the hair's top crests and along the shirt's shoulder seam, and lets the right half of the face fall into warm shadow — the cast shadow of the nose lands straight down over the lip. Behind him the ground is a seamless warm amber-tan sweep, entirely out of focus, no scenery. The palette stays in warmed browns, tans and pale blue with one cold steel glint from the watch and the eyes. Every pore, every hair edge and the light stubble along the jaw are resolved; the background dissolves to soft grain. Effortlessly arrogant, sun-warm.
Alfred
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
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이름
이름
1
...
Tofu
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3
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