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メガネたぬき

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メガネたぬき

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<lora:SakuraMatou-IL-v1-08:1.0>, matou sakura\(fate\), 1girl, masterpiece, long hair, purple hair, hair between eyes, purple eyes, no pupils, red ribbon, hair ribbon, looking at viewer, anime coloring, wearing mermaid dress, wedding dress, movie premier gala, standing on the red carpet
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Ursprünglicher Prompt
<lora:SakuraMatou-IL-v1-08:1.0>, ChopioSakuraMatou, long hair, purple hair, hair between eyes, purple eyes, no pupils, red ribbon, hair ribbon, looking at viewer, anime coloring,wearing mermaid dress, wedding dress, movie premier gala, standing on the red carpet
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768 x 1024
Sampling-Schritte
5
Sampling-Methode
DPM++ SDE Karras
CFG Scale
1.8
Negativ
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), (extra fingers, polydactyly, extra legs, bad hands, bad feet, bad hand, bad finger, bad fingers, missing finger, split finger, split fingers, extra digits, fused arms, fused hands:1.2)

Verwendetes Modell und LoRA

VXP_illustrious (low cost version) - AI Model cover image

SDXL

VXP_illustrious (low cost version)
13.08k
Fate/stay Night: Heaven's Feel - Sakura Matou [Illustrious] - AI Model cover image

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Fate/stay Night: Heaven's Feel - Sakura Matou [Illustrious]
22

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AI artwork
sy
character: meltryllis_(fate), copyright: fate_(series) 1girl, solo, meltryllis, long hair, very long hair, purple hair, blue eyes, blue ribbon, hair ribbon, wedding dress, white bridal gown, bouquet, holding bouquet, both hands, two hands, looking back, turning head, over shoulder, smile, closed mouth smile, from behind, over-shoulder composition, standing, church interior, stained glass, aisle, backlight, lace, trailing veil, cinematic lighting, depth of field Over-shoulder composition from behind her, low camera close to her waist height, lens slightly to her left: her back fills the left two-thirds of the frame and her head is turned over her right shoulder toward the lens, chin near her shoulder, eyes blue and bright under lowered lids, lips closed in a small self-satisfied smile, one brow faintly raised. Long purple hair pours down her back past her hips, glossy, a blue ribbon tied where a loose half of it gathers high behind her head, the rest falling over the white satin of the gown and catching a thin rim of window light; the ribbon's ends trail over one shoulder blade. She wears a white wedding dress — a strapless bodice fitted at the waist, long lace sleeves that cover her wrists and reach past her fingers so the lace hems hang as she grips, the skirt full and pooling at her feet on the stone aisle, a soft veil pinned low and spilling down her back over the train. Both her hands are brought together in front of her body at waist height, cradling a rounded bouquet of pale cream and lilac flowers with their green stems wrapped in white ribbon; her fingers close on the wrap and on the lace hems at the same time, and because her head is turned we see only the tops of the blossoms cresting past her right hip, while the rest of the bouquet is hidden by her body — its perfume-soft silhouette visible, her grip on it read in the tension of both forearms and in the slight pull of the lace across her knuckles. Her weight rests on her left foot, right heel lifted a little out of the stone, the skirt distorted by the shift. Around her the church opens: a long stone aisle running to a lit doorway far beyond her, rows of dark pews receding on both sides, and tall stained-glass windows along the right wall throwing deep blue and violet light patches down onto the flagstones, one patch lying across the pool of her skirt. The window light is the only source that matters — it comes from behind and to her right, so her back and the veil glow, the far side of her face falls into soft shadow, and the light scatters through the lace sleeves, printing a faint lattice of shadow onto the white satin beneath. The flagstones run dull cool grey in the foreground and warm up toward the far door; deep blue, violet and white are the whole palette, the ribbon and the glass answering each other. Shallow depth keeps the far pews soft while the lace in her hands stays sharp. Serene, quietly triumphant.
S Y
#Fate-Serie#Meltryllis#Fate/Grand Order
AI artwork
sy
character: meltryllis_(fate), copyright: fate_(series) 1girl, solo, meltryllis, very_long_hair, purple_hair, blue_eyes, blue_ribbon, hair_ribbon, wedding_dress, bridal_veil, white_dress, long_sleeves, sleeves_past_wrists, holding_bouquet, flower_bouquet, both_hands, smiling, blush, looking_at_viewer, looking_straight_ahead, facing_forward, church, stained_glass, aisle, from_below, close-up, upper_body, soft_lighting, gentle_expression, bare_shoulders, collarbone The camera looks up from just below her chin — a close-up, three-quarter upward view framed so the church's vaulted ceiling and a tall lancet window rise behind her head. She stands in the center of a stone aisle, torso turned almost square to the lens, chin level so her gaze meets the viewer straight on, eyes open and steady, a soft closed-lip smile curving one corner of her mouth upward a little more than the other. Her cheeks carry a warm flush that spreads from the apples of her cheeks toward the bridge of her nose, deepening where the light touches. Both hands grip the stems of a bouquet at the level of her sternum — fingers overlapping the wrapped bundle, the pale flowers spilling upward past her collarbone; the flowers are not announced as a separate thing but held tight against the white bodice, a weight the two arms visibly take. Her very long purple hair falls in a heavy sheet behind her shoulders and a portion of it spills forward over one upper arm, the blue ribbon tied at the back of her head trailing down her spine. The wedding dress is white and unmistakable: a fitted bodice, long sleeves that cover past the wrists, the fabric gathering at her waist and disappearing below the close-up's crop; her shoulders are bare where the dress neckline dips, the skin catching the window light. Behind her the church is a deep, cool space: pale stone columns receding into shadow, a stretch of the aisle floor, and above her a pointed arch of stained glass glowing in muted blue and amber, its colored shafts falling across the left side of her face and shoulder while the right side of her cheek sits in soft blue-grey shadow. The window's colored light lays a faint blue patch on her purple hair and a warm amber highlight along the bouquet's petals — the light source is the window behind and above her, and everything facing the camera sits in gentle reflected fill. A few loose petals rest on the stone floor at the bottom edge of the frame where the bouquet's shadow pools, darker and softer than the stems that cast it. The palette is white, purple and cool stone grey, cut by the amber and blue of the glass. Tender, quietly radiant.
S Y
#Fate-Serie#Meltryllis#Fate/Grand Order

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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