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jkmr-92

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jkmr-92

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,Yo Shindo, 1boy, male focus, muscular, unruly hair, messy hair, black hair, warm brown eyes, gold jaw-guard on the cheeks, thick green strap over shoulders, short black vest, black elbow pads, green wrist-guards, black baggy pants, black boots, seductive smiles, sparkles, glitters, looking at viewer, white background, action pose, back view
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Größe
768 x 1280
Sampling-Schritte
28
Sampling-Methode
Euler a
CFG Scale
5
Negativ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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AI artwork
Avatar image of SilverArtist13
copyright: boku_no_hero_academia 1boy, adult male, dark brown skin, muscular, black hair, medium hair, ponytail, hair between eyes, yellow eyes, smile, ((black sleeveless turtleneck shirt, wide-legged red silk trousers, black belt, black and gold steel knee pads on both knees, long black and gold forearm armor, fingerless gloves)), black belt, fingerless gloves, flat colors, defined sharp shadows, anime style, monochromatic grayscale, manga style, cowboy shot, from below, dutch angle, standing on one leg, arms up, outstretched arm, flexing, looking at viewer, grin, open mouth, :d, teeth, ponytail flying, wind The camera sits low and tilts a few degrees off level, looking up past the man's hips so his tall frame looms and the empty ground plane falls away beneath him. He is caught mid-motion: his weight rides on his straight right leg, planted forward, while his left knee is drawn up high and outward, so the black-and-gold steel knee pad on that bent knee faces the lens dead-on, catching a hard highlight along its polished upper edge. His right arm swings out and down across his body with the elbow nearly locked, the long black-and-gold forearm armor a tapered plated sleeve from just below the elbow to the wrist, gold trim running its length and chipped to bare steel at the bottom edge where it has taken knocks; his left arm is raised, fist opened halfway into a greeting, the fingerless glove leaving the fingertips and thumb bare against the plated wrist. The deep-cut armholes of the black sleeveless turtleneck expose the full sweep of his deltoid and triceps, the turtleneck collar folded snug high at his throat, the fabric stretched and creased at the armpit and drawn taut over a broad, defined chest and ridged abdomen. The wide-legged red silk trousers hang heavy in folds that pool at the ankle and snap back with the motion, the fabric's sheen reading in flat separated shapes, cinched at the waist by a plain black belt whose long tail whips out to his left with the turn. His head tips back a little, yellow eyes cut toward the viewer from under black strands that fall between his brows, the rest of his black medium-length hair gathered at the nape and streaming out behind him in one heavy tail that curves to the right of frame; his smile is open and cocky, one corner of the mouth pulled higher than the other, upper teeth showing, a faint crease at the cheek. The setting is a seamless empty off-white field with no horizon line, so the only shadow is the hard-cut one pooled directly under his planted foot, and the light comes from above and just left of the lens, throwing a crisp defined shadow under his chin, along the underside of both arms, down the right side of his torso and into the folds of the silk; every shadow is a clean-edged solid mass with no gradient, and every lit plane is a flat unbroken tone. The palette is monochromatic grayscale only, so the red silk reads as a light mid-gray with the widest value swing, the black shirt and belt plunge to near-black, the steel plates sit at the brightest highlight value with their gold trim as a slightly warmer gray, and his brown skin holds a broad mid-dark band between the white ground and the black cloth; nothing else is admitted. Manga linework: crisp black ink contours of varying weight, hatching reserved for the deepest crease under the raised knee, sharp cel-shaded shadow shapes, screen-tone-free flat fills. Wind pulls the ponytail and the trouser hems in the same direction, so the silk seems to come from the same gust as the hair. Effortlessly confident, bright.
SilverArtist13

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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