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AI artwork
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Ashamed Kitten

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dream galaxy, galaxy (theme), surreal, dreamcore, purple lineart, galaxy elements, kawaii style, aesthetic, soft colors, pastel colors, colored lineart, glitter effect, fantasy style ,romantic, 1boy 1girl, cuddling.,Female, curvy, large breasts, long brown twintails brunette girl, pink eyes, crop top and skirt, blushing, happy,Alfons Heiderich, FMA, blond haired male, blue eyes, suspenders, button up
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Größe
896 x 1344
Sampling-Schritte
28
Sampling-Methode
Euler a
CFG Scale
5
Negativ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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character: franziska_von_karma, miles_edgeworth, artist: kunaboto, copyright: ace_attorney two characters, couple, couple portrait, franziska von karma, miles edgeworth, portrait, upper body portrait, huge breasts, suit, gloves, black gloves, puffy long sleeves, long sleeves, white shirt, black vest, ascot, short hair, blue hair, white hair, blue eyes, mole under eye, earrings, grey hair, curtained hair, grey eyes, smile, blush, looking at each other, eye contact, starry sky, night, night sky, from side, profile, standing close together, shoulders touching, arms linked, cowboy shot, high angle, dutch angle, depth of field, bokeh, cinematic lighting, detailed background, absurdres, masterpiece, best quality The view is a tilted high angle from slightly above and beside the pair, a dutch angle canting the horizon so the star field slides diagonally behind them, framed as an intimate cowboy shot that crops at mid-thigh and keeps both faces inside the upper third. The two stand shoulder to shoulder on a dark open ledge with no visible railing, turned three-quarters toward one another so their profiles nearly meet, and the camera rolls their shoulders into a shared diagonal. On the right of frame, the woman with short blue-white hair cut at the jaw stands tall, her chin lifted and turned toward her companion; between the collar points of her white shirt and the black of her vest and the fall of her dark jacket, her chest is full and heavy, lifting the puffed shoulder of her long sleeve so the fabric gathers in deep folds where the sleeve cap meets the yoke and rounds forward over the bust. Her gloved hands are both in the frame: the left hand in its black glove rests flat on the man's upper arm, fingers curled around the sleeve, and the right glove is brought up near her own collar, thumb hooking the edge of her lapel, the leather creasing at the knuckles. On the left of frame, the man with grey hair parted and curtained back from his forehead stands a half inch taller, angled toward her; he wears a pale suit jacket over a black vest, a knotted pale ascot at the throat, and his long sleeves fall straight and unscarred to black-gloved hands, one glove hanging loose at his side and the other closed near his hip, the thumb pressed along the seam of his pocket. Their shoulders touch and press, his left arm overlapping behind her right, and their weight is committed to the near foot, so both torsos lean in a touch and both jackets pull back from the contact. Their eyes meet across the narrow gap: she looks up into his face with a wide, closed-lip smile that lifts one corner first, color high on both cheeks; he looks down into hers with a lopsided smile and a slow blink, blush warming the tips of his ears and the line of his jaw. Behind and above them the night is absolute, one deep indigo grading to near-black at the crown of the frame, and the stars are the only light other than a faint cool rim that catches the outer edge of each face, each glove, and each shoulder; the star field is dense and varied in size, near-white to pale blue, with a soft halo of brighter points scattered across the upper right, and a faint milky wash of clustered light crossing behind their heads. A low warm glow rises from somewhere below the ledge and grazes the underside of their chins and the fronts of their vests, while the backs of both figures fall into shadow toward the camera. Their loose hair and the puffed sleeve on her far side stir a little in a thin breeze that moves opposite the tilt of the frame, and where their shoulders press, the fabric of both jackets shows a flattened, compressed crease that persists as they hold the pose. The palette is restricted to deep indigo night, cool white starlight, the pale grey of his suit, the black of their vests and gloves, and the warm living red of their blush. Painterly digital rendering with soft gradient shading, crisp dark linework and glowing highlights, tender and luminous.
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