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AI art "愛宕と指揮官" featuring #Overknees, #Tierohren, #Militäruniform, #Atago and #Commander
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愛宕と指揮官

この画像は、愛宕と指揮官た親密に寄り添うシーンです。彼女のほんのり照れた笑顔と、彼の優しい表情に心癒されます。私はこのキャラクターの魅力に一目惚れして、何度も見返してしまいます。いいねやフォローで応援してもらえると嬉しいです！次の作品もお楽しみに～

#Overknees#Tierohren#Militäruniform#Atago#Commander
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usuezou

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1girl, atago\(azur lane\), takao\(azur lane\), 1boy, commander\(azur lane\), group hug, garter stockings, beautiful legs, smile, K-cup, onee-sama, short white military uniform, zettai ryouiki, teardrop under right eye (atago), thigh, blushing, bedroom, droopy eyes (atago), height difference, atago (height:170cm), takao (height:170cm), commander (height:140cm), happy, affectionate, multiple girls, multiple characters
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Ursprünglicher Prompt
アズールレーン愛宕 アズールレーン高雄 アズールレーン指揮官 愛宕と高雄と指揮官を３人とも表示 ガーターストッキング 美脚 笑顔 Kカップ お姉さま 丈の無い白い軍服 絶対領域 愛宕の右目だけの下に泣きボクロ 笑顔 太もも 愛宕と高雄2人にハグされて照れてる身長140センチのショタ指揮官 寝室 愛宕はタレ目気味 愛宕の身長170高雄の身長170センチセンチ 指揮官の身長180センチ ３人仲良く３人でハグ 女性2人に男１人 愛宕は笑顔 高雄は照れてる 指揮官は照れてる 愛宕と高雄の身長は同じ170センチ
Größe
768 x 1280
Sampling-Schritte
28
Sampling-Methode
Euler a
CFG Scale
5
Negativ
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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Haruka v2 - AI Model cover image

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Haruka v2
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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4#Attack on Titan#Mikasa Ackerman
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