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- Ursprünglicher Prompt
- The Art Gallery of Ontario (AGO; French: Musée des beaux-arts de l'Ontario) is an art museum in Toronto, Ontario, Canada. Located on Dundas Street West in the Grange Park neighbourhood of downtown Toronto, the museum complex takes up 45,000 square metres (
- Qualitäts-Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Größe
- 1280 x 768
- Sampling-Schritte
- 25
- Sampling-Methode
- Euler
- CFG scale
- 4.5
- Negativ
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
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copyright: batman_(series), dc_comics
no humans, batmobile, car focus, vehicle focus, superhero car, 1car, from below, low angle, three-quarter view, armored car, black car, scalloped fins, jet engine, turbine exhaust, glowing headlights, tinted canopy, night, rain, wet street, puddle, reflection, steam, asphalt, city, skyscrapers, cinematic lighting, high contrast
From a dramatic low angle resting inches above the rain-slicked asphalt, the three-quarter perspective frames an imposing, long-nosed armored supercar poised in the center of an empty downtown avenue. The vehicle rests with its massive, deeply grooved front tires pressed firmly into pooled rainwater, cutting sharp ripples across the mirrored surface of the street. Its faceted, matte-black carbon-composite bodywork features sharply angled stealth plating that deflects the downpour, causing distinct water droplets to bead and streak horizontally along its sloping hood. Tapering backward, sweeping scalloped tail-fins evoke the silhouette of folded bat wings flanking the rear quarter panels, framing a central circular turbine afterburner that radiates a faint blue thermal shimmer against the wet road behind it. Twin narrow, slit-like headlights emit cutting beams of crisp white illumination, slicing through drifting steam that vents from an iron storm drain beneath the front bumper and illuminating suspended rain streaks in mid-fall. Towering, dark Art Deco stone skyscrapers rise into deep nocturnal fog on both sides, their distant warm amber window lights and sodium streetlamps casting long, distorted reflections across the saturated blacktop. The palette is strictly held to deep obsidian, wet graphite, and muted charcoal, electrified only by the piercing cold-white headlamp glare and neon-amber asphalt reflections. Menacing vigilance.
Yiğit Şerif Yaman The Man
Wallpapers for PC
Yiğit Şerif Yaman The Man
copyright: batman_(series), dc_comics
no humans, batmobile, car focus, vehicle focus, superhero car, 1car, from below, low angle, three-quarter view, armored car, black car, scalloped fins, jet engine, turbine exhaust, glowing headlights, tinted canopy, night, rain, wet street, puddle, reflection, steam, asphalt, city, skyscrapers, cinematic lighting, high contrast
From a dramatic low angle resting inches above the rain-slicked asphalt, the three-quarter perspective frames an imposing, long-nosed armored supercar poised in the center of an empty downtown avenue. The vehicle rests with its massive, deeply grooved front tires pressed firmly into pooled rainwater, cutting sharp ripples across the mirrored surface of the street. Its faceted, matte-black carbon-composite bodywork features sharply angled stealth plating that deflects the downpour, causing distinct water droplets to bead and streak horizontally along its sloping hood. Tapering backward, sweeping scalloped tail-fins evoke the silhouette of folded bat wings flanking the rear quarter panels, framing a central circular turbine afterburner that radiates a faint blue thermal shimmer against the wet road behind it. Twin narrow, slit-like headlights emit cutting beams of crisp white illumination, slicing through drifting steam that vents from an iron storm drain beneath the front bumper and illuminating suspended rain streaks in mid-fall. Towering, dark Art Deco stone skyscrapers rise into deep nocturnal fog on both sides, their distant warm amber window lights and sodium streetlamps casting long, distorted reflections across the saturated blacktop. The palette is strictly held to deep obsidian, wet graphite, and muted charcoal, electrified only by the piercing cold-white headlamp glare and neon-amber asphalt reflections. Menacing vigilance.
Yiğit Şerif Yaman The Man
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