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Silver Knight
KI-Kunst von Silver Knight auf PixAI. Erstellt mit Haruka v2.
Parameter anzeigen
- Ursprünglicher Prompt
- Dex-Star_XL, Clean, bold black outlines with vibrant, saturated colors,Julie Su, smile, closed eyes, massive breasts,anthro echidna, 1girl, long hair, smile, open mouth, white gloves, furry female, tail, pink hair, sidelocks, belt, pink eyes, boots, purple highlights, sally acorn, massive breasts,brown fur, two-toned fur, short hair, bangs, blue eyes, drink, smile, open mouth, hearts, 2girls, kitchen,
- Größe
- 1024 x 1024
- Sampling-Schritte
- 28
- Sampling-Methode
- Euler a
- CFG Scale
- 5
- Negativ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Verwendetes Modell und LoRA
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rs
character: amy_rose, sash_lilac
kissing, kiss on mouth, lips touching, 2girls, yuri, sash lilac, purple hair, long hair, green eyes, pink eyes, animal ears, tail, colored skin, blue gloves, boots, detached sleeves, japanese clothes, dress, shorts, furry, amy rose, pink hair, long hair, white hairband, green eyes, animal ears, tail, bare shoulders, bangle, bracelet, bike shorts, high heel boots, high heels, height difference, one hand on cheek, other hand at waist, eyes closed, head tilt, face-to-face, profile, close-up, upper body, vertical composition, warm interior, window light, looking at another, blush, soft romantic atmosphere
A vertical close-up in near-profile: the taller figure on the left, the shorter on the right, both turned three-quarters toward each other so their mouths meet squarely in the center of the frame, their lips pressed together in a single sealed kiss rather than a peck. She tilts her chin down to meet her partner and settles one gloved hand along the shorter woman's jaw, thumb resting at the cheekbone, fingers spread behind the ear; her other hand sits flat at the small of the shorter woman's back, pulling her a half step in, hips lightly apart. The shorter woman rises onto the toes of her high-heeled boots, heels lifted just off the floorboards, one hand gripping the taller woman's detached sleeve at the elbow, the other pressed flat against her chest. Both pairs of eyes are shut, lashes touching the cheek, brows faintly drawn in concentration. The taller woman's long purple hair falls forward over her shoulder and a loose strand slips between their faces, catching at the corner of the kiss; behind her back, her tail curls up in a slow S. The shorter woman's long pink hair sweeps back from her face under the white hairband, one lock lifted off her bare shoulder as her head tilts, and her tail flicks out sideways for balance.
Only her own mouth and chin stay visible in the kiss; her pointed ears lift above the hairline. Late-afternoon sun enters from the left through a tall window, laying a soft warm band across their cheekbones, glowing through the loose purple strand and the edge of pink hair, and leaving the right side of the frame in cool shade. Warm honey and dusty rose dominate the palette, with the blue of the gloves and the deep teal of the dress the only cool notes; the background falls into soft unreadable shadow so nothing competes with the joined mouths. A single detail anchors the physics: the loose purple strand between them is bent out of straight where both faces squeeze it, and the shorter woman's raised heel hovers a centimeter proud of the floorboard, its shadow detached beneath it, tender and quiet.
Roddy shuffle
Sally photo section
Eiji Nakamura
ja
character: amy_rose, sash_lilac
kissing, lips pressed together, mouth-to-mouth kiss, 2girls, yuri, vertical composition, portrait orientation, sash lilac, purple hair, long hair, green eyes, animal ears, tail, colored skin, gloves, boots, detached sleeves, blue gloves, dress, shorts, amy rose, pink hair, long hair, white hairband, green eyes, animal ears, tail, bare shoulders, bike shorts, boots, gloves, bracelet, high heel boots, close-up, profile, from side, eyes closed, blush, hand on another's cheek, hand on another's waist, leaning forward, standing, indoor, warm lamp light, soft light, tender
A vertical portrait-format close-up seen in profile from the side, both figures turned to face each other across the frame's center. Sash Lilac stands on the left in profile facing right: purple hair grown long, spilling past her shoulders in a soft fall that the turn of her head swings slightly forward across her cheek, small animal ears set in it, a slender tail curled behind her hip out of the contact zone, her skin a soft cool lilac-pink. She wears her detached sleeves and blue gloves, the gloved hand of her near arm lifted to rest along Amy's jaw, thumb at the cheekbone, fingers spread back toward the ear without covering it; her other blue-gloved hand settles at Amy's waist above the hip. She leans in from the hip, weight carried on her front foot, chin tipped up to meet the other mouth.
Amy Rose stands on the right in profile facing left: pink hair worn long, falling down her back and over the far shoulder in a heavy wave, the white hairband holding it back from her brow, animal ears rising through it, her tail sweeping behind her calves. Her bare shoulders are exposed above the short bodice, bike shorts under the shorts hem, high-heeled boots planting her with the front heel slightly lifted as she rises onto it to close the last centimeter; her gloved hand grips Lilac's sleeve at the upper arm, bracelet at her wrist catching the light. Her head tilts so the two mouths meet squarely: lips pressed to lips, a closed-mouth kiss, the seam where they join the sharpest edge in the picture. Both sets of eyes are closed, lashes down, brows drawn soft; a warmth of blush sits high on both cheeks, and Amy's lips press with a slight upward corner.
The two profiles fill the vertical frame from chest to just above the ears, faces overlapping the center line, the far arm of each figure hidden behind the near body so the silhouette reads as one closed shape. Contact points: lip to lip, Lilac's gloved palm to Amy's cheek, her other glove at Amy's waist, Amy's glove closed around Lilac's sleeve. One warm lamp stands off-frame to the upper left; its light strikes the left side of Lilac's face, the bridge of Amy's nose and the crests of both heads, and both cast shadows fall to the lower right, deep and soft, the room beyond dimming into brown-grey darkness. Palette restricted to Lilac's cool lilac and purple against Amy's warm pink, with the white hairband as the single bright accent and the gloves' blue the only cool note in the lower frame. Detail budget goes to the joined mouths, the closed lids, the fingers at the cheek and the fall of the two heads of hair where it crosses the seam. Tender, hush-quiet.
jiron amos
ja
character: amy_rose, sash_lilac
2girls, sash lilac, purple hair, long hair, green eyes, pink eyes, animal ears, tail, colored skin, blue gloves, detached sleeves, japanese clothes, dress, shorts, amy rose, pink hair, very long hair, long-haired amy, hairband, white hairband, green eyes, animal ears, tail, bangle, bare shoulders, gloves, bike shorts, high heel boots, tall boots, kiss, kissing on the mouth, lips touching, yuri, face to face, eyes closed, vertical, from side, profile, cowboy shot, intimate, indoor, warm lamp light, purple and pink palette, arms around waist, hand on cheek, blushing
A vertical composition seen in strict side profile at chest height, two figures facing one another and kissing on the mouth. On the right, a pink-haired girl with very long pink hair that falls past her hips and spills in a soft cascade over her right shoulder, held back from her temples by a white hairband, her green eyes closed, one bare shoulder turned toward the camera; the pink strands nearest the kiss are lifted and slightly displaced by the shared breath. On the left, a purple-haired girl, her long purple hair gathered down her back, her pink-toned skin catching the light, wearing blue gloves and a detached-sleeve dress over shorts; her left gloved hand cups the pink-haired girl's cheek, fingertips pressing softly just below the jaw, while her right arm circles the other girl's waist and pulls her in at the small of the back, thumb hooked against the shorts' waistband. The pink-haired girl's near bare arm slides up over the purple girl's shoulder, glove-free hand resting flat between the shoulder blades, fingers spread and curling slightly into the cloth. Their lips meet in the exact center of the frame and slightly above the vertical midpoint; both sets of animal ears are tipped forward, the two tails — pink and purple — crossing behind their hips in a loose S. The two figures are turned only a few degrees off pure profile, so their noses brush and no third angle is implied; crop ends just below the purple girl's hip and just above the pink girl's hair, so the background remains a small margin of wall at the left edge. Environment is an enclosed interior corner: a warm plaster wall of mottled amber and a dark wooden shelf edge crossing horizontally at the very top of the frame, nothing else visible. Light is a single warm lamp low and to the left of the camera, striking the pink-haired girl's face and shoulder first and falling off into a dimmer purple shadow on the far side of the purple-haired girl's head, so the lit halves of their faces are brighter and the shadows behind them are deep and soft; a single soft cast shadow of their joined silhouettes falls low on the wall to the right, and the pink girl's long hair shows a bright rim along the top edge where the lamp grazes it. Palette is limited to pink, purple, dark wood and warm amber lamplight, with blue only in the purple girl's gloves. Detail budget is spent on the mouth contact, the hand on the cheek, the gloved fingers at the waist, the meeting of the two hair colours, and the displaced pink strands at the kiss. Quietly tender.
jiron amos
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Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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