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๐Yaz๐
KI-Kunst von ๐Yaz๐ auf PixAI. Erstellt mit Hoshino v2.
Parameter anzeigen
- Grรถรe
- 896 x 1152
- Sampling-Schritte
- 28
- Sampling-Methode
- Euler a
- CFG Scale
- 5.5
- Negativ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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character: freddy_fazbear, foxy_(fnaf), bonnie_(fnaf), copyright: five_nights_at_freddy's_1
1girl, solo, long hair, ballet bun, hair bun, pink ribbon in hair, delicate facial features, large eyes, expressive eyes, large breasts, pink tutu, fitted leotard, short sleeves, white tights, ballet slippers, standing, full body, from below, looking at viewer, old abandoned pizzeria, derelict restaurant interior, checkered tile floor, rotted tables and chairs, party hats, paper plates, balloons, stage in background, three animatronics on stage, brown bear animatronic with black top hat and black bowtie holding microphone, purple rabbit animatronic with red bowtie holding guitar, yellow chicken animatronic with bib holding cupcake, red fox animatronic behind purple curtain, eyepatch, hook hand, pirate cove curtain, moody lighting, dim, slightly dark atmosphere, horror, dust motes, cracks in wall, tangled cables, anime style, high detail
Full-body shot from a low camera just above the tiled floor, tilting up: the girl stands dead center in the middle of the worn black-and-white checkerboard floor of the long-abandoned pizzeria, the whole of her small figure inside the frame from the crown of her ballet bun to the flat soles of her ballet slippers, the ceiling and the tops of the walls cropped away above her. She is turned a quarter toward the right of frame but her chin tips back and her big expressive eyes look slightly up and past the lens, uneasy but composed, lips softly parted, one brow faintly drawn. Her weight rests on the left leg with the right knee brushed in front and the right toe pointed down to touch the floor; both hands are clasped loosely at the front of her tutu, fingers interlaced, elbows slightly out. Long hair is swept up and back into a tight ballet bun high on the back of her head, not one strand escaping, and a length of pink ribbon is knotted around the bun's base with two short ends trailing down toward her nape; a few loose wisps stir at her temples from the draft. Delicate fine-boned features, small nose and soft jaw, huge glossy eyes with bright catchlights. She wears a fitted pale-pink leotard with short sleeves stretched snug over her large chest and shoulders, a stiff layered pink tutu flaring at her hips, opaque white tights running seamless down both legs, and soft pink ballet slippers flat on the tiles, the ribbons crisscrossing her ankles. Around her the pizzeria is falling apart: tables pushed askew with toppled party hats, sagging streamers, a spill of faded confetti across the floor, duct tape peeling from the walls, a burst balloon flat on the tiles, grey dust filmed over every surface and visible in the air as slow motes. Far behind her, the show stage sits raised against the back wall, and on it three slumped animatronics stand in a row facing front: the brown bear in his black top hat and black bowtie, microphone hanging in one paw; the purple rabbit with his red bowtie and guitar; the yellow chicken with her bib and cupcake. Her small silhouette stands well forward of them, so their bulky shapes read at maybe a fifth of her height, simplifying distant detail without flattening it. To the right, deeper into the room, the tattered purple star-spangled curtain of the cove hangs half drawn; through the gap a single slice of a red-furred animatronic is visible โ one yellow eye catching the light beneath the patch strap, a sliver of the snout, a hook hand resting still against the curtain edge. Lighting is the only light in the room: a few surviving bulbs in the ceiling cans cast weak pools of sickly warm tungsten down through the dust, one shaft falling directly on Zuma's shoulders, tutu and white tights so she glows out of the gloom, while the animatronics stay half in shadow and the corners of the room fall away into total darkness, their long shadows stretched across the checkered floor behind them. The room's palette is confined to worn pink, ivory and warm white on the girl against tobacco-brown shadows, faded yellow-brown tiles, dull purple curtain and dusty teal walls. Tall, quiet dread.
Lukasz Wilk
character: freddy_fazbear, foxy_(fnaf), bonnie_(fnaf), copyright: five_nights_at_freddy's_1
1girl, solo, long hair, ballet bun, hair bun, pink ribbon in hair, delicate facial features, large eyes, expressive eyes, large breasts, pink tutu, fitted leotard, short sleeves, white tights, ballet slippers, standing, full body, from below, looking at viewer, old abandoned pizzeria, derelict restaurant interior, checkered tile floor, rotted tables and chairs, party hats, paper plates, balloons, stage in background, three animatronics on stage, brown bear animatronic with black top hat and black bowtie holding microphone, purple rabbit animatronic with red bowtie holding guitar, yellow chicken animatronic with bib holding cupcake, red fox animatronic behind purple curtain, eyepatch, hook hand, pirate cove curtain, moody lighting, dim, slightly dark atmosphere, horror, dust motes, cracks in wall, tangled cables, anime style, high detail
Full-body shot from a low camera just above the tiled floor, tilting up: the girl stands dead center in the middle of the worn black-and-white checkerboard floor of the long-abandoned pizzeria, the whole of her small figure inside the frame from the crown of her ballet bun to the flat soles of her ballet slippers, the ceiling and the tops of the walls cropped away above her. She is turned a quarter toward the right of frame but her chin tips back and her big expressive eyes look slightly up and past the lens, uneasy but composed, lips softly parted, one brow faintly drawn. Her weight rests on the left leg with the right knee brushed in front and the right toe pointed down to touch the floor; both hands are clasped loosely at the front of her tutu, fingers interlaced, elbows slightly out. Long hair is swept up and back into a tight ballet bun high on the back of her head, not one strand escaping, and a length of pink ribbon is knotted around the bun's base with two short ends trailing down toward her nape; a few loose wisps stir at her temples from the draft. Delicate fine-boned features, small nose and soft jaw, huge glossy eyes with bright catchlights. She wears a fitted pale-pink leotard with short sleeves stretched snug over her large chest and shoulders, a stiff layered pink tutu flaring at her hips, opaque white tights running seamless down both legs, and soft pink ballet slippers flat on the tiles, the ribbons crisscrossing her ankles. Around her the pizzeria is falling apart: tables pushed askew with toppled party hats, sagging streamers, a spill of faded confetti across the floor, duct tape peeling from the walls, a burst balloon flat on the tiles, grey dust filmed over every surface and visible in the air as slow motes. Far behind her, the show stage sits raised against the back wall, and on it three slumped animatronics stand in a row facing front: the brown bear in his black top hat and black bowtie, microphone hanging in one paw; the purple rabbit with his red bowtie and guitar; the yellow chicken with her bib and cupcake. Her small silhouette stands well forward of them, so their bulky shapes read at maybe a fifth of her height, simplifying distant detail without flattening it. To the right, deeper into the room, the tattered purple star-spangled curtain of the cove hangs half drawn; through the gap a single slice of a red-furred animatronic is visible โ one yellow eye catching the light beneath the patch strap, a sliver of the snout, a hook hand resting still against the curtain edge. Lighting is the only light in the room: a few surviving bulbs in the ceiling cans cast weak pools of sickly warm tungsten down through the dust, one shaft falling directly on Zuma's shoulders, tutu and white tights so she glows out of the gloom, while the animatronics stay half in shadow and the corners of the room fall away into total darkness, their long shadows stretched across the checkered floor behind them. The room's palette is confined to worn pink, ivory and warm white on the girl against tobacco-brown shadows, faded yellow-brown tiles, dull purple curtain and dusty teal walls. Tall, quiet dread.
Lukasz Wilk
character: freddy_fazbear, foxy_(fnaf), bonnie_(fnaf), copyright: five_nights_at_freddy's_1
1girl, solo, long hair, delicate facial features, large expressive eyes, hair in a ballet bun, pink ribbon in hair, pink tutu, fitted ballet leotard with short sleeves, white tights, ballet slippers, full body, standing, empty neglected pizzeria interior, animatronic bear with top hat and bowtie, animatronic rabbit on stage, animatronic chicken on stage, fox animatronic behind curtain, purple curtain marked "Pirate Cove", "Freddy Fazbear's Pizza" signage, atmospheric dim lighting, slightly dark mood, from below, full body shot, dutch angle, arms held in low rounded ballet arms, chin lifted, gaze forward at the viewer, stage lights overhead, checkered tile floor, dusty
The camera sits low near the tiled floor, looking up and slightly tilted, so the girl's full figure towers gently over the checkerboard tiles at the center of the old pizzeria. She stands in a low rounded ballet arm position with her weight carried on her left foot, right toe pointed softly forward, chin lifted so her large eyes look straight down the lens; the dancer's bun holds at the crown of her head with the pink ribbon's tails faintly swinging from the tilt of her head. The abandoned dining room recedes behind her: ranks of dusty tables with party hats left askew, a wide stage at the midground holding a top-hatted bear in bowtie beside a tall rabbit and a chicken animatronic frozen in a slack pose, and at the right side of the room the arched purple curtain of Pirate Cove, parted a hand's width so a red-furred fox head with a hook-tipped arm shows through in the gap. Overhead the pendant stage lights are the only source, throwing warm amber cones that catch the tutu's tulle and the white of her tights and leave long soft shadows pooling beneath the tables; the fox's corner is cut by a single red glimmer across fur. Palette: dusty pink, faded purple, off-white tights against a brown-on-cream checkered floor, and the amber of the lamps against deep shadow. Light dust hangs in the lamp cones and settles on the upward faces of the tables, and the tulle of the tutu drifts in the still air. Atmospheric and quietly unsettling.
Lukasz Wilk
character: freddy_fazbear, foxy_(fnaf), bonnie_(fnaf), copyright: five_nights_at_freddy's_1
1girl, solo, long hair, delicate facial features, large expressive eyes, hair in a ballet bun, pink ribbon in hair, pink tutu, fitted ballet leotard with short sleeves, white tights, ballet slippers, full body, standing, empty neglected pizzeria interior, animatronic bear with top hat and bowtie, animatronic rabbit on stage, animatronic chicken on stage, fox animatronic behind curtain, purple curtain marked "Pirate Cove", "Freddy Fazbear's Pizza" signage, atmospheric dim lighting, slightly dark mood, from below, full body shot, dutch angle, arms held in low rounded ballet arms, chin lifted, gaze forward at the viewer, stage lights overhead, checkered tile floor, dusty
The camera sits low near the tiled floor, looking up and slightly tilted, so the girl's full figure towers gently over the checkerboard tiles at the center of the old pizzeria. She stands in a low rounded ballet arm position with her weight carried on her left foot, right toe pointed softly forward, chin lifted so her large eyes look straight down the lens; the dancer's bun holds at the crown of her head with the pink ribbon's tails faintly swinging from the tilt of her head. The abandoned dining room recedes behind her: ranks of dusty tables with party hats left askew, a wide stage at the midground holding a top-hatted bear in bowtie beside a tall rabbit and a chicken animatronic frozen in a slack pose, and at the right side of the room the arched purple curtain of Pirate Cove, parted a hand's width so a red-furred fox head with a hook-tipped arm shows through in the gap. Overhead the pendant stage lights are the only source, throwing warm amber cones that catch the tutu's tulle and the white of her tights and leave long soft shadows pooling beneath the tables; the fox's corner is cut by a single red glimmer across fur. Palette: dusty pink, faded purple, off-white tights against a brown-on-cream checkered floor, and the amber of the lamps against deep shadow. Light dust hangs in the lamp cones and settles on the upward faces of the tables, and the tulle of the tutu drifts in the still air. Atmospheric and quietly unsettling.
Lukasz Wilk
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แฏโ
โก โก แฏโ
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
8
logos
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
ํธ๋ฅธ ๋ฌผ๊ฒฐ ์์ ์ ๋น๋ก์ด ์๋
์กฐ๊ฐ
anime
๐๐๐๐๐๐๐๐
miku
๐๐๐๐๐๐๐๐
๐งฃ๐ ๐ช โงโห โก หโโง
(mai)
โ๏ธLoliciaโ๏ธ
weirdcore...
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
reunited at last
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
โหโนโก ๐ฏ๐๐ป๐ป๐ ๐ด๐ถ๐ฟ๐น โกโนหโ
โโกโ ๐๐พ๐ฝ๐ฝ๐ฎ๐ป๐ฏ๐ต๐โขสัษ.๐๐
...
Tofu
6
...
Tofu
2
โห ๊ฐแข. .แข๊ฑ ๐๐ โง
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใชใช
Sg75
...
Tofu
1
์ด๋ฆ
์ด๋ฆ
2
...
Tofu
1
...
Tofu
3
the ballerina
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
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