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caelus_(honkai:_star_rail), a young man with grey, slightly messy short hair leans toward the screen with a tense, sleep-deprived expression, his yellow eyes wide and unfocused. He wears a black sleeveless top, revealing his collarbone and shoulders, along with a thin silver chain necklace. Large headphones rest on his head, slightly askew. The dimly lit bedroom behind him features a barely visible blurred figure in the doorway, adding an eerie atmosphere. A glowing RGB monitor casts cold blue and red highlights on his face, while a distorted chat window flickers at the edge of the frame. The scene is rendered in a chaotic, semi-realistic sketch style with harsh shadows, CRT scanlines, and a VHS-like distortion—complete with chromatic aberration, motion blur, and a grainy CCTV aesthetic. The composition evokes the unsettling mood of a horror game, blending 3D game-rendered visuals with an IMVU-inspired art style reminiscent of manjunjuu.
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Ursprünglicher Prompt
1男人，穹（caelus/HonkaiStarRail ），来自游戏玩家pov，腰部偏高，穹倾向于屏幕，大大的耳机，凌乱的头发，裸露的肩膀，人物身穿黑色无袖背心，细细的银链项链，他身后是昏暗的卧室，一个模糊的身影在门口几乎看不见，rgb显示器在他脸上发光，眼睛呆滞而紧张，就像他没睡过一样，打开侧面模糊的聊天窗口，冷蓝色灯光混合红色高光，正方形1:1，凌乱的素描风格，半真实的阴影，crt纹理，恐怖游戏玩家美学，imvu，游戏渲染，3d，vhs滤镜，cctv，软模糊，轻微运动污点，色差,<someone_Beautiful boy>,majunjuu style,style of manjunjuu,manjunjuu art style,imvu,game render,3d,vhs filter,cctv,soft blur,slight motion smear,chromatic aberration,
Qualitäts-Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Größe
1024 x 1024
Sampling-Schritte
25
Sampling-Methode
Euler
CFG Scale
4.5
Negativ
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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