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exterminator dale
Parameter anzeigen
- Ursprünglicher Prompt
- hat, orange hat, sunglasses, cigarette, Dale Gribble, King of the Hill, fighting, cockroach, bug spray, abandoned building,
- Größe
- 768 x 1280
- Sampling-Schritte
- 28
- Sampling-Methode
- Euler a
- CFG Scale
- 5
- Negativ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Verwendetes Modell und LoRA
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h
tłerraformers, humanoid cockroach creature, hard iridescent brown chitinous exoskeleton, segmented shiny carapace plates, long segmented antennae, jointed limbs, sharp claws, compound eye, no humans, no clothing, no accessories, from below, close-up, dutch angle, three-quarter view, low angle, foreshortening, arm outstretched toward viewer, clawed hand reaching, open mandibles, looking at viewer, dark interior, single overhead light source, backlit rim light, teal and rust palette, high contrast, shallow depth of field, gritty texture
A dutch-angled close-up from below, so the viewer is on the floor of a cramped dim utility corridor looking up: one terraformer fills the frame from the chest up, its head tilted down and to the left so the long segmented antennae sweep back across the ceiling pipes, and the whole torso leans forward over the camera in steep foreshortening. The iridescent brown carapace reads in overlapping hard plates — a broad ridged pronotum over the shoulders, thinner banded segments down the abdomen — each plate carrying a sheen that slides from rust-orange to oil-slick green as the angle changes; the surface is not smooth but finely pitted, catching pinpoint specular glints only where the top light hits it square. Its face is a wedge of chitin with two black compound eyes set wide apart and reflecting the overhead lamp as two small hard points of light; small mandibles part slightly, appendages flexing, a faint wet gleam along the mouthparts. The nearer arm drives toward the lens past its own shoulder, elbow high and bent, forearm foreshortened and huge, hand open and palm out, four long jointed fingers spread with curved claws darkened at the tips; the far arm is a shadowed shape braced against the corridor wall behind, lower down and partly cut by the frame edge. Its feet plant far below the crop on a wet concrete floor, weight forward onto the toes.
The only light is a single caged fixture overhead and behind the figure: it rims the antennae and the top edge of the carapace in a cold white-green line, throws a hard shadow of the reaching arm and open claws down across its own face and chest so the underside of the head sits in darkness, and puts a weak, broken reflection of the corridor's far end on the wet floor below. Palette is teal shadow, rust and tarnished bronze on the shell, black in the recesses, and a thin green-white at the light source. Behind it, pipes, a rusted grate and streaked tiles recede into shallow depth of field. One physical detail: a bead of condensation slides down the wall behind the outstretched forearm, tracking a seam in the tile and stopping where the mortar pitches. Close, humid dread.
hudao
h
1 monstrous creature, solo, cockroach chimera, anthropomorphic insect, muscular, extremely muscular, bara, huge pectorals, massive shoulders, thick neck, veined biceps, deep abdominal grooves, glossy exoskeleton, dark mahogany brown chitin, jagged armor plating, serrated forearm spines, clawed hands, digitigrade legs, insect tarsi gripping the ledge, multiple antennae, twitching antennae, faceted compound eyes, mandibles, open mandibles, sharp chelicerae, translucent inner wings folded under elytra, split carapace back plating, low angle, from below, foreshortening, looking down at viewer, towering, arms spread wide, jawlike mandibles open in a threat display, no humans, no gore, no blood, no wounds, no exposed organs, no dripping fluids, full body, symmetrical ledge composition
Seen from below in strong foreshortening, the creature fills the upper two-thirds of the frame: it has climbed to the top edge of a rain-slick concrete underpass parapet and leans over, its taloned insect feet hooked onto the ledge lip, the front pair of hands clamped flat to the concrete with knuckle plates splayed, four other serrated limbs braced against the wall behind it. Its head hangs down toward the lens, faceted compound eyes dark and glossy and catching the streetlamp as two bright pinpoint clusters, its mandibles spread wide in an open silent threat, a fan of long antennae swept back and quivering over its shoulders. The torso is a mass of glossy dark mahogany plate over hyper-defined muscle: thick armored pectorals separated by a deep sternal groove, deltoids bulging over the shoulder joints, vein-like chitin ridges running down the biceps, abdominal plates cut into hard blocks. The elytra split down the center of its back into two jagged halves and stick out slightly sideways, and beneath them the edges of thin translucent wings show, catching a pale amber rim. The camera sits at knee height at the bottom of the underpass, tilted up so the parapet cuts a hard diagonal across the frame and the creature's mass bottoms out against the night sky. Lighting comes only from a single sodium streetlamp off-frame low and to the left, throwing warm orange up the underside of the ledge and the creature's throat and lower face while leaving the top of its carapace in deep cool shadow; its cast shadow stretches across the wet concrete beneath it and the puddles beneath the ledge mirror it dimmer and softer. Palette: mahogany brown, wet tar black, sodium orange, and the cold blue-black of the sky. Detail budget spent on the mandibles, the eyes, the gripping talons and the sheen of the chitin. Menacing, heavy, terrifying.
hudao
h
1 creature, solo, giant insect chimera, heavily muscled humanoid torso, iridescent brown chitin exoskeleton, compound eyes, oversized jagged mandibles, long twitching antennae, four pairs of jointed insectoid arms from the ribs, centipede lower body, many segmented legs, house centipede fringe legs, flattened armoured ovipositor-like rear, camel cricket hunch, from below, low angle, worms-eye view, dutch angle, foreshortening, wide shot, dynamic crouching stance, rearing up, mandibles spread, arms flexed, claws gripping, looking down at viewer, aggression, dramatic rim light, deep shadow, dark alley, no humans, no gore
The camera sits low on wet asphalt and looks steeply up: a single colossal insect chimera rears over the lens, its centipede lower body coiled in a crouch, the front segments lifted off the ground and the weight settled back on the rear pairs of legs. It has a humanoid torso built like a bodybuilder — slab pectorals, ridged abdominals, bulging deltoids — all of it encased in hard, iridescent brown chitin that runs from bronze to a green-violet sheen where the low light grazes it, seams and plates crossing the muscles. From its ribs sprout four pairs of jointed insectoid arms: the upper pair flexed with jagged claws spread wide toward the frame, the second pair bracing against the ground, the lower pairs half-curled at the flanks. Its head is a broad armoured skull with two huge glossy compound eyes catching pinpoint reflections of the streetlight, oversized jagged mandibles cracked open around a dark maw, and long antennae sweeping back and twitching above it. The lower body is a flat, segmented, many-legged centipede mass; fringed house-centipede legs bristle and ripple in waves along both sides, lifting and setting down so the movement reads as a continuous shiver; far back along the abdomen a pair of long rear legs trails with the characteristic hunch of a camel cricket, and a flattened armoured plate tapers at the tail. Its gaze drops straight down at the viewer, mandibles angled toward the lens; the claws at the upper right reach forward with the wrists bent, the whole torso twisted a few degrees so the front right shoulder is closest to camera.
The only light is a single cold sodium-orange streetlamp high and behind the creature: it rims every plate and claw edge in hot amber, throws the underside of the body into near-black, and casts one enormous blotchy shadow of the leg-fringe across the wet ground at frame bottom. Rainwater on the asphalt mirrors the lamp in broken streaks; the wet chitin carries a sharper, tighter highlight than the puddle it stands over. Palette: amber lamp, black asphalt, bronze-green chitin, no other colour. The alley behind falls away into darkness with no readable signage, only unlit brick and dripping pipes. Menacing, heavy, hair-raising; awe-struck dread.
hudao
h
copyright: terra_formars
1boy, solo, giant, male focus, cockroach humanoid, cockroach face, mandibles, antennae, flat expressionless human-like face, black sclera, solid black round eyes, cold empty stare, punch perm, unnaturally neat curly afro perm on crown only, shaved bare temples and sides, six arms, multiple arms, extremely muscular, hypermuscular, hulking physique, broad shoulders, armored segmented carapace plating, spiked forearms, insectoid chitin skin, sharp clawed hands, towering, from below, looking down at viewer, dutch angle, low angle, negative space, cold palette, eerie
The camera is planted low near the ground and tilted a few degrees off level, looking steeply up at a single enormous figure that fills the lower two-thirds of the frame and leans over the lens: a towering muscular cockroach-bodied man, six arms, its mass vaulting past the top edge of the picture. The huge torso is plated in hard segmented dark-brown chitin, each plate separated by a fine seam that catches a thin cold highlight along its upper lip; great slab-like pectorals and shoulder armor swell outward, and the build is the absurd overmuscled silhouette of a god-tier super form -- traps rising past the jaw line, deltoids bulging wider than the head -- while remaining an insect's armor, not skin. Six arms branch from the shoulders and ribs in three staggered pairs, the upper two pairs braced outward at the elbows and the lowest pair hanging forward slightly, all six ending in long dark chitin fingers tipped with blunt claws; the upper-left hand rests against a raised knee, the lowest right hand curls open at its side. The face is the flat, placid human face -- smooth, broad, completely without expression, brow uncreased, lips closed and level -- and into it are set two round eyes of solid glossy black, cold, absolutely round, with no white and no highlight beyond one pinpoint reflection of the light source in each; they stare straight down at the viewer with no narrowing and no warmth. Above that blank face, the very top of the skull alone is covered by a punch perm: a dense mass of tight, perfectly uniform small curls, unnaturally even and groomed like a uniform texture, its edge a crisp clean line at the temples and around the crown, everything below the crown smooth bare scalp. Behind and above the human face the insect head is still there -- dark segmented plates, a pair of long swept-back antennae angling up out of frame, mandible edges framing the jawless lower mask on either side of the human mouth. Light comes from one cold source high and behind the figure's left shoulder, so the crown of the perm and the top faces of the chitin plates flare with a pale blue-white rim while the front of the body drops into deep shadow and the black eyes stay glossy and flat; the figure's shadow spills toward the viewer across the ground into the bottom of the frame, and the background is an empty cold desaturated field of grey-blue haze with no horizon line and nothing else in it, the negative space above pressing the mass of the shoulders down toward the lens. Palette restricted to dark brown chitin, cold blue-grey air, black eyes and one pale rim light. Menacing, uncanny.
hudao
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
5
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
4
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Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Sg75
...
Tofu
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Tofu
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Tofu
2
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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