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View detailsFox Girl in a Classy Study Room!
This stunning fox-girl character captivates me with her confident and slightly mischievous vibe, especially with her striking fox ears and long flowing hair. I can't help but admire her unique charm and style. If you enjoy this kind of art, please like, follow, and share your thoughts in the comments—more creations will come soon!
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- Größe
- 1152 x 896
- Sampling-Schritte
- 28
- Sampling-Methode
- Euler a
- CFG Scale
- 5.5
- Negativ
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), (extra fingers, extra digits, extra legs, bad hands, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.2), nsfw
Gesichtskorrektur
Verwendetes Modell und LoRA
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めっさん
ハジメ
アグネスタキオン・ウマ娘
浜名湖
ハ
めっさん
ハジメ
mm
character: agnes_tachyon_(umamusume), copyright: umamusume
1girl, solo, foot focus, feet, pantyhose, black pantyhose, sheer pantyhose, toes, soles, shoes removed, discarded shoes, low angle, close-up, foreshortening, horse ears, animal ears, horse tail, brown hair, short hair with long locks, ahoge, hair between eyes, red eyes, half-closed eyes, smug, faint smile, lab coat, open coat, long sleeves, sleeves past fingers, sweater, necktie, earrings, sitting, slouched, reclining, office chair, laboratory, tiled floor, depth of field, A low-angle, strongly foreshortened shot looking up from floor level, locking the frame in an intimate close-up on a pair of feet outstretched in sheer black pantyhose. The feet dominate the immediate foreground in razor-sharp focus; one foot rests against the cool linoleum lab tiles while the other crosses slightly over it, its heel elevated and toes relaxed. The semi-translucent charcoal nylon stretches tautly across the high arch and ball of the foot, turning semi-sheer over the curves of the toes and bunched into minute micro-wrinkles around the ankle crease. Just behind them, a pair of dark leather loafers lies kicked aside on the floor. Receding in soft focal blur into the midground, the girl reclines deeply into a black swivel chair, hips slid forward and legs sprawling toward the camera lens. Her open white lab coat pools around the chair seat, while the oversized sleeves of her inner sweater hang loose, entirely concealing her hands. Her chestnut-brown horse tail drapes casually between the chair rungs. Slanted back against the headrest, her chin tilts down as her sharp, half-lidded crimson eyes gaze directly at the viewer with an amused, half-lidded intensity, framed by messy bangs, an upright ahoge, and alert horse ears flicked outward, a metallic earring clipping the base of one ear. The sterile laboratory background softens into muted silhouettes of stainless steel countertops, glassware stands, and trailing power cords. Clean, cool fluorescent light from above glints in sharp linear reflections along the taut nylon surfaces, countered by a warm amber work-lamp glow from the desk edge that casts deep, soft-edged shadows across the floor tiles. Smug, languid insolence.
Mr. Mutman
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