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Remilia Scarlet, Touhou Project
KI-Kunst von anything auf PixAI. Erstellt mit Haruka v2.
Parameter anzeigen
- Größe
- 768 x 1280
- Sampling-Schritte
- 28
- Sampling-Methode
- Euler a
- CFG Scale
- 5
- Negativ
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Verwendetes Modell und LoRA
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1girl, solo, blue hair, medium-long hair, layered hair, wolf cut, voluminous hair, rounded hair silhouette, single ahoge, stiff ahoge, blunt bangs, jagged bangs, zigzag bangs, bangs covering one eye, hair over one eye, left eye hidden, layered strand blocks, outward-flipping hair, sharp hair tips, blunt-tipped hair, hard strand texture, messy hair, yellow paper talismans, paper charms woven in hair, ofuda, hair strands curling inward at jaw, large breasts, slender waist, long waist, narrow waist, gentle face, beautiful face, seductive expression, half-closed eyes, light smile, blood, blood splatter, gore, knife slash wound, deep cut on wrist, slashed back of the hand, brutal scene, grotesque, horror, torture-kill scene, red blood on skin, blood dripping, close-up, cowboy shot, from below, dutch angle, tilted head, one arm raised, wrist held up to the light, looking at own hand, anatomical gore detail, high contrast, cold blue palette with hot red accent, hard-edged shading, cel-shaded sharp linework, crisp hard strand masses, dramatic low-key lighting
The camera looks up at her from low and slightly off-axis, a dutch tilt of roughly ten degrees, framing her from mid-thigh to just above the ahoge so that the single stiff short strand standing on the crown of her head breaks the top edge of the frame against dark air. She stands three-quarter turned, her weight settled on her back leg, hip pushed out and that long slender waist drawn into a taut S-curve before it flares into the large, heavy bust that strains the front of her dark sleeveless top. Her head tips down and to her right, chin lowered, so the thick blunt bangs lie flat and horizontal across her brow and the close-cut sawtooth notches at their edge close solidly over her left eye; only her right eye shows beneath the hard fringe, lid half lowered, iris a cold pale blue, a small closed-lipped smile at one corner of her mouth, gentle and unhurried, entirely at odds with everything else in the frame. Her gaze drops to her own raised right hand.
The hair is the architecture of the picture. Built from separate plates of color, it stacks outward in rounded, swollen mass around her skull, each faceted strand block a flat plane of deep cobalt with its edge cut razor-straight and a second, paler blue butted against it with no gradient between, so the whole silhouette reads as carved rather than soft. Every plate flicks outward at its own angle like scattered petals, and the lowest tiers curl inward just under her jaw, their blunt tips nearly touching the hinge of her chin. Thin yellowed paper talismans, some short as a finger, some long enough to trail past her shoulder, are threaded between the blocks: flat rectangles of dry ochre paper with black brushmarks, their corners curled, one of them stiffened with a dark stain that has soaked upward along its fibers. The single ahoge rises rigid and unbent, and the low camera makes it read as a small dark spike against the empty dark.
Her right arm is bent up and across her chest, forearm turned to the lens. The wrist and the back of the hand carry a single long ferocious knife slash, gaping wide and deep enough to show the dark interior of the wound, its lips parted and tacky, a rope of blood standing on the skin and running down over the bones of the hand to hang in a heavy drop from the base of her little finger, another thread tracking along the tendon toward her rolled-back sleeve. Blood has dried in a tide-mark along her forearm and is smeared where the wound has run. That raised hand is the brightest, reddest thing in the frame.
The lower part of the shot carries the violence the theme demands: the floor behind and beneath her hip is wet and dark, a broad pooled stain with congealed clumps and drag-streaks where something was moved, and into the bottom-left corner the toe and heel of a heavy boot and the edge of a limp, out-of-focus leg lie in shadow, belonging to someone else, unlit and unreadable. The blood on the floor has a wet glossy film that reflects the light source in broken highlights, while the dried blood on her arm stays matte and dark: the same liquid, two different surfaces, and only the wet floor carries a reflection.
Light comes from a single hard cold source high and to the camera's left, like a bare bulb or an open high window; it rakes across the tops of the hair plates, each facet catching a thin bright rim, and drops the undersides of her jaw and bust into deep shadow. Her raised hand intercepts it and casts a hard, edged shadow across her own throat and chest, so the brightest lit surface in the image is the back of the bleeding hand. Beyond the pool of that light the darkness is unbroken and absolute, with no readable walls and no sky. The palette holds to cold deep blues and black in the hair, cloth and air, broken only by the hot arterial red of the wound and the dry ochre of the talismans and the older stains on the floor. Quiet dread.
aaalingaaa
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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