(DiT2LoRAテスト5) 佐天涙子
LORA生成参考画像。 LORA名:DiT2 佐天涙子 V2.0 Saten Ruiko 作品:とある科学の超電磁砲 (説明) LoRAの詳細は、LoRAの説明ページにてご確認ください。 4の続きです。今度は横からの画像です。やはり手になにかを持たせてくることがあります よくよく考えれば、老若男女問わず、電車の中では皆さんスマホを見られておられますし、路上でスマホを使い、調べものをされていたりするのが、現代の日常的な光景ですので、 そういう現代的な感覚を、DiT2さんは学ばれているのかもしれません。 (本イラストのパラメーター) 画像枚数:一括(×4) サイズ :768×1280 (DiT2 LoRA Test 5) Saten Ruiko LORA generation reference image. LORA Name: DiT2 Saten Ruiko V2.0 Work: A Certain Scientific Railgun (Explanation) For details on LoRA, please check the LoRA explanation page. This is a continuation of part 4. This time it's an image from the side. She's still holding something in her hand. If you think about it, people of all ages are looking at their smartphones on trains, and using smartphones to look things up on the street is a common sight these days. Perhaps DiT2 is learning about this modern sensibility. (Parameters for this illustration) Number of images: Batch (x4) Size: 768 x 1280
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- Ursprünglicher Prompt
- Saten Ruiko,Certain Scientific Railgun,1girl, long straight dark gray hair,white flower hair ornament on the right side,green eyes, white sailor school uniform,red neckerchief,navy pleated skirt,white socks, black loafers,Take a full-body image that shows all the way down to your feet.Take a picture from directly to the side.
- Modus
- ultra
- Größe
- 768 x 1280
- Negativ
- worst quality, photorealistic, bad anatomy, blur, low resolution
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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