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Deadpool
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- Ursprünglicher Prompt
- light particles, bokeh, lens flare, dutch angle, dynamic pose, dramatic lighting, depth of field, blurry background, bloom, subsurface scattering, chromatic aberration, portrait, cinematic, masterpiece, best quality, absurdres, perfect quality, detailed background, intricate details, perfect anatomy, detailed face, details, detailed skin, very awa, best quality, a rugged, muscular, male ,Deadpool marvel rivals,2 swords on back,Ent,living tree,wood texture,colored bark,colored foliage,hrhb,
- Größe
- 729 x 1024
- Sampling-Schritte
- 25
- Sampling-Methode
- Euler a
- CFG Scale
- 5
- Negativ
- many people,logo, watermark, url, artistname, username, text, English text, bad quality, worst quality, worst detail, sketch, censor, mixed character, female, vagina, breasts, girly, feminine, bad anatomy, blurry, missing fingers,, nsfw
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character: deadpool, copyright: deadpool_(series)
1boy, solo, deadpool, red mask, white lenses, half-closed eyes, full-body realistic red and black tactical suit, textured fabric, stitched seams, scuffed red gloves, utility belt with pouches, twin katana sheathed on his back, holstered pistol on thigh, sitting on bar stool, crossed legs, bottle in left hand, lit zippo lighter in right hand, looking at viewer, bored, jitome, from below, dutch angle, cowboy shot, pub interior, fighting thugs in background, broken furniture, smoke, dim amber light
The camera sits low, angled up from bar-floor level and cocked a few degrees off level, so the red figure on the stool rides the top of the frame while the brawling pub churns beneath and behind him. He is perched on a tall round-cushioned bar stool, weight thrown back onto the stool's footring, spine slumped into the backrest that isn't there — he leans anyway, one shoulder dropped lower than the other. His right leg is crossed over his left at the knee, the crossed ankle hanging slack, the boot on it turned out at an uninterested angle, and the toe of that boot dips toward the viewer's eye.
The suit is movie-real, not cartoon: deep crimson and black panels over woven tactical fabric, matte and faintly sheened where the bar light hits the shoulders, every seam stitched and visibly tensioned where the slump pulls it. The mask hugs his skull, its white eyepieces filmed with grime, and through them the eyes are half-lidded to bare crescents — the stare aimed level and straight out of the picture at the viewer, unblinking, all the dead-eyed boredom of a man who has seen this exact bar fight four hundred times. The twin katana hilts rise behind his shoulders and stay sheathed; a black pistol sits holstered flat against his right thigh, untouched.
His left hand wraps the neck of a squat brown beer bottle, thumb pressed flat along the glass, fingers curled firm enough that the tendons ridge under the red glove; the bottle hangs at a lazy angle and a rim of foam dries down the label. His right hand holds a brushed metal Zippo up near his chin, clicked open, the chrome lid back on its hinge, and the flame stands upright and still in the little draught — the one bright thing in the joint, throwing a wobbling orange cap of light across his knuckles, the underside of the mask's jaw, and a thin warm line down the bottle's shoulder. Everything else in the frame is warmer, murkier and further away.
The American pub behind him recedes in layered depth: a long mahogany bar counter at the left with a brass rail and a row of grimy taps, neon beer signage buzzing pink-gold on the back wall, a dartboard hanging crooked, a ceiling fan turning too slowly to matter. The room is thick with smoke and warm amber pooled light from the pendant lamps. In the middle distance two heavyset thugs in leather cutts and torn shirts are locked in a shoving grapple, one with a fist cocked, another man swung a chair back over his shoulder — and the chair is already a ruin, two legs snapped, its splinters strewn across the floorboards along with a shattered bottle, a toppled stool and a spreading dark spill. One brawler is mid-stagger backward into a table, arms pinwheeling. None of them look at the camera; their eyes are all on each other, teeth bared, mouths open in shouts we cannot hear. The frame's foreground, at the very bottom, holds the gashed floorboards and a rolling empty glass, out of focus.
The staging is the joke: the whole room explodes behind him in noise and broken furniture, and he does not so much as tilt his chin. The flame on the lighter leans slightly toward the open room, nudged by the draught of the brawl, the only piece of him that moves.
Palette: crimson and black on the figure against burnt amber, brass and sickly pink neon in the background, the flame and the neon the only saturated lights; shadows drop hard and black under the stool, the bar and every brawler. High-contrast anime rendering, vivid saturated color blocking, bold graphic shadow shapes and sharp silhouettes, poster-loud. Deadpan comedy, effortlessly cool.
somykhoshbak
kfutaba style, bara anime style, clear and clean lines, body all sweaty and hairy, tanned brown skin, 1boy, mature male focus, perfect face, short hair and beard, mischievous smile., venom \(marvel\), agentvenom2012_thunderbolts(comics)IL, symbiote, black_bodysuit, 1boy, solo, spider print, red print, muscular
teqk1ø
kfutaba style, bara anime style, clear and clean lines, body all sweaty and hairy, tanned brown skin, 1boy, mature male focus, perfect face, short hair and beard, mischievous smile., venom \(marvel\), agentvenom2012_thunderbolts(comics)IL, symbiote, black_bodysuit, 1boy, solo, spider print, red print, muscular
teqk1ø
bf
character: deadpool
1boy, solo, anthro, hellhound, male, black fur, animal head, dog ears, animal legs, digitigrade legs, black-furred muzzle, sharp white fangs, pointed black ears, wolf-like tail, classic deadpool costume, red and black bodysuit, red mask, red gloves, utility belt, sword harness, dual katanas, dynamic pose, mid-lunge, from below, foreshortening, dutch angle, looking at viewer, open mouth, grin, tongue visible, claws on hands, crouched, one arm extended, arms up, head tilt, full body, action scene, rubble, sparks
Seen from a low, tilted dutch angle that throws the figure across the frame as it launches forward, the anthropomorphic hellhound Deadpool fills the composition mid-lunge: a lean male body of dense black fur standing on digitigrade animal legs, one rear paw braced against a broken concrete slab and the other driving off it, black-furred tail whipped out behind for balance, a long canine muzzle with white teeth bared in a wild open grin and the ruddy tongue flashing, tall pointed black dog ears pitched forward. The classic red-and-black costume is fitted over the animal body — red mask hugging the canine skull with the white eye patches stretched wide, red gloves over clawed hands, red and black bodysuit wrapping the digitigrade thighs and the knee pads, black utility belt with pouches, sword harness crossing the chest with two katana hilts rising over the shoulders. One arm thrusts forward through the frame toward the viewer, claws spread, the other hand raking back at the hip for balance, head tilted with a lop-sided cocky sneer and both eyes locked straight at the lens. The angle foreshortens the leading claw to enormous size and tapers the braced back leg small; the mask and fur along the muzzle catch the light on their upper surfaces. Sparks and concrete dust burst from under the launch paw where rubber and claws tear up the surface, hair-thin cracks radiating from the impact point, the loose slab tilted from the kick. Rim light comes from below and behind, a hard orange-and-violet under-glow rims the silhouette and the fangs while black smoke chokes the upper corners; deep red crushed velvet darkness sits where the light never reaches. A wolf-like snarl of hot breath fogs in the cold air just past the teeth — one visible plume curling into the glow. Palette locked to red, black and the cold under-light, with the only bright accent the wet red mouth and the white eye patches. Crisp cel linework with hard-edged shading, deep blacks, saturated reds, cinematic low-key action framing. Ferocious, over-the-top adrenaline.
Black-fox
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reunited at last
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Tofu
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3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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